In The Garage

I don’t have a soul; that was one of the first things my mother told me. I asked her what she meant, but she smiled and said it meant I was special. Later that day, I asked myself what it meant; it was my first question to myself, what did it mean to have no soul? From all the information that poured into me, I gathered that it meant I didn’t have the pleasure of heaven to look forward to, or the dread and horror of hell to avoid. For my mother, this meant a lot; it was one thing that separated me from her, the chasm that allowed me to understand why she thought for more than a moment when making her decisions, or cared about the approval of others when she did something. To her, there was always an invisible crowd that lingered around her to pass judgment on everything she did, but for me, I did not have a soul to ponder on the consequences of my actions.

“You’re lucky,” she always said to me moments we were alone. And when she was creating, she looked into my face and always told me, “I hope I don’t go to hell for this.” And a smile always came after that statement to let me know she was joking. There were times the joke was funny, for example, when she ate more than the required daily dose of chocolate, she said, “I hope I don’t go to hell for this,” and I knew the joke was that too much chocolate could somehow lead her to hell, to eternal flame where she could burn it off.

Our home was a garage with wires coiled around us with wormlike laziness and green circuit boards showing their naked beauty for the world to gaze at their secret workings, the marvel of my mother’s brains. My work was to assist my mother in this kaleidoscopic wonderland where blue sparks of her welding stick lit up in thunderous flashes the beauty of the multicolored wires and green circuit boards. To the rest of the world, she was a woman who could see two wires lying around without work to do and fuse them into something so venomous it would be a wonder that they could have existed as wires all along. That was how I was made, composed of wires that on their own were useless, without a purpose, but at my mother’s hand, found life and meaning in their creation of me.

And ever since the day she made me, she always posed me to the rest of the world as her masterpiece. At first, this audience was her husband who worked most of the day and came home to kiss her and eat his supper. He would stand in front of me to ask questions about everything his brain could think of.

“Where am I?” he asked me the first day, stepping back as if he was in front of a painting and wanted to admire it more.

“You are in the garage of…”

“Honey, it spoke. It freaking spoke. It freaking spoke,” he jumped up and down with a directional finger pointing at me.

My mother did not say a word but just smiled as her husband stamped her face with kisses and declarations of how proud he was of her brilliance. The next day, he brought over a few friends and they asked me questions.

“What’s my name?”

“I’m afraid I do not know the answer to that,” I said.

“What color is this shirt?” one of them stretched part of his shirt with both hands and shook it to my sight.

“The color is white”

“WOAH! Your wife is a genius”

“I know,” my mother’s husband said, “that’s why I married her”

“She shouldn’t have married you”

“Got jokes. Go ahead, ask it more questions, like is it going to rain tomorrow. Or wait, tell it to shine your shoes…” my mother’s husband placed his right foot forward and without waiting to be asked, I wheeled myself to a brush and began replacing the dullness of his shoe with a shine.