Dawn Vogel

Dawn Vogel writes and edits both fiction and non-fiction. Her academic background is in history, so it's not surprising that much of her fiction is set in earlier times. By day, she edits reports for historians and archaeologists. In her alleged spare time, she runs a craft business, co-edits Mad Scientist Journal, and tries to find time for writing. She is a member of Broad Universe, SFWA, and Codex Writers. Her steampunk series, Brass and Glass, is being published by Razorgirl Press. She lives in Seattle with her awesome husband (and fellow author), Jeremy Zimmerman, and their herd of cats. Visit her at historythatneverwas.com.

Happily Never After

Some things about being a “late-bloomer” pop star kinda suck. Like being twenty-three and on a mall tour. I’m supposed to muster up false enthusiasm about shopping and fun, but the college interns who concocted this plan have clearly never listened to my music. My songs are about being the odd girl out, the one who isn’t like her peers.

And that’s me, in a nutshell. I’m not like other girls. Granted, being from Cobalt City and being “not like other girls” means something different. I’m not a super hero, I just have a voice that doesn’t require a mic. I use one to keep up appearances. And I can be weirdly persuasive. Which is probably why I’m five years into a pop career in an industry that takes pretty young things, chews them up, and spits them out. Too bad my voice couldn’t get me out of this mall tour.

We’re in Cerulean City, California, and the mall is right on the beach, so I can watch the ocean when we’re not doing sound check, or going over my set list, or the million other demands on my attention. The new intern, Ruby, doesn’t think I should open with “Happily Never After”–too much of a downer, she says–despite this being the Happily Never After Tour. I don’t care about the song order. I’m too busy watching the waves.

Being near the ocean always relaxes me. My dad always said it was like the water was my true home. The water near Cobalt City is way too cold for most people to swim in. I don’t mind it, at least in the summer. I can practically feel the water here, warm and gritty with salt and sand.

There’s a bar down by the water, hastily thrown up right at the edge of the surf, probably moved each day depending on the tides. The tables are set so your feet get washed over every once in a while. It looks divine.

“I’m going to go get a drink,” I say, extracting myself from my low-slung hammocky chair.

Clive, one of the interns, shakes his head, eyes wide. “You can’t, Miss Sweet. We’d need to send security with you, and the paparazzi are crawling this place today. What kind of drink would you like? We’ve got runners who can get you something.”

I sink back into my chair. Another reason being a late-bloomer pop star sucks? Most of your fans are underage and have this weird assumption that you must be their age too. The tabloids have a field day if you go out drinking, calling you a bad role model or hinting at rehab on the horizon.

My gaze stays fixed on the ocean, even when one of the interns presses a drink into my hands. Whiskey with lemon and honey. The drink science says is best for my vocal cords. Whatever.

Something incongruous in my field of vision gives me pause. There’s someone dressed all in black standing at the edge of the water, and I can feel their gaze on me, even at this distance.

It’s 90-something degrees out there, even with the breeze off the ocean. They’ve got to be roasting. I get back out of my chair, walk over to the window, and press one hand to the glass in a sort of static wave of acknowledgement.

They raise their hand in a similar salute.

Somehow it doesn’t make me feel any less alone.


Fifteen minutes to show time, and everything is a rush around me. I try to stay out of their way, but they need to check my makeup, my hair, my mic, my shoes. They want me in sandals, but it’s been hard for them to find any that don’t showcase my webbed toes. Yeah, literally webbed toes. It’s not as rare as you might think, or so the doctors tell me.

I stand like the eye of the storm and just let everyone poke and prod me until one minute to show time. Then I break away, plaster on my trademark Cassidy Sweet smile, and wait for the emcee to say my name.

Ruby won out on the song selection, and we’re starting with “Summer, Sand, and Surf.” Fitting, I guess. I glance over the set list in between verses, and “Happily Never After” is still there, so that’s fine.

The hairs on the back of my neck go up unexpectedly when we hit the chorus the third time, and I scan the crowd.

It’s the guy from the beach–I can tell it’s a guy now–motionless, staring at me. I raise my hand again, and he follows suit.

All around him, the crowd is dancing and singing along, but he doesn’t move. Now I’m weirded out. I’ve had my fair share of stalkers and other creepy “admirers.” This guy hasn’t done anything compared to most. Yet.

Between songs, I switch my mic over to our internal channel. “Possible creeper at the back of the crowd, one o’clock. All in black.”

“On it.” Tito, the head of my tour security, is like an over-protective uncle or big brother. I wouldn’t know. I don’t have either, as far as I know. Dad didn’t have any family that he spoke of, and he said even less about Mom’s family. But I like Tito. He’s always been good to me.

Still, I feel a twinge of guilt at siccing Tito on some random guy all in black. “Just … watch him, for now, Tito.”

“Yes, ma’am.”

And then we’re jumping into my cover of “I Think We’re Alone Now,” made extra creepy by the fact that this guy is still staring at me, not even blinking, as far as I can tell. It’s starting to break through my cool. This isn’t something I’m used to. My head is starting to pound.

No.

Something’s knocking in my head.

I drift back during the solo, let the dancers take center stage. In the wings, Ruby is dancing along with them. I’m surprised she didn’t muscle her way into getting to be out there with them, after she choreographed their routine. Maybe I’ll suggest that to her later, get her out of my hair for a while.

For now, I’ve got enough in my hair. I cautiously think an answer toward the knocking. “Yes?”

“You’re in danger.” The voice is barely a whisper, but it’s loud enough in my head to drown out the band.

“Who are you?” I ask.

“Call me J.J. You’ve got to stop the show and get everyone out of here. Please.” His voice is earnest.

I’m from Cobalt City. When someone gets a warning like this, they know better than to take the risk. “Then pull the fire alarm.” I glance out into the crowd and spot Tito en route to intercept the guy in black, who might be J.J. “Move now if you’re gonna do it.”

I run back to the front of the stage and resume singing. The guy in black is gone, and Tito looks confused. I’ll have to sort that out later. Whatever this is about, it better be good. I might hate this mall tour, but I also hate disappointing my fans.