Month: May 2012

Rabbitheart – Part 2

Miss Part 1? Click here to go back and read Part 1 of Nicole Tanquary’s novella Rabbitheart

The silence was what woke me up.

I had gotten used to sleeping with my thirty-or-so roommates over the years. A lot of them snored. Almost all of them tossed and turned, trying to find a comfortable spot on their mattresses (me included) … but even if every other noise was taken away, you could still hear thirty mouths breathing in, breathing out, filling the shack with warm, heavy air. Sometimes I thought I could even hear their hearts beating.

I blinked my eyes, disoriented. For a moment I thought that someone had stuffed poison into our room, and every women besides me had breathed it in and died – I couldn’t hear anyone, not even the snorers. Even more surprising was that there was no Gut standing over my head, banging on his piece of metal loud enough to raise the dead. No Gut yelling that we were behind in our quota. No Gut getting us out of bed for another day of work. So why had I woken?

“Gut?” I mumbled. I tried raising a hand to scrub at my eyes, but found that I couldn’t. They had been tied together with some heavy, greenish rope.

Then I remembered the blue eyes in the bush. The run. The cliff …

“So. You’re awake.” I rolled over to find the vie … the not-vie, I corrected myself, remembering the words that had been said just before I blacked out … sitting cross-legged in front of a yellow tree. The tree’s branches stretched above us to make a sort of makeshift ceiling. Curtains of shimmery green leaves hung off to my left, like the walls of a room. We were alone.

I dug my fingers into the loam beneath me, staring at the not-vie, not daring to blink. He had cleaned himself up while I was unconscious. He had changed his clothing, and his blue-black hair was combed and tied back. I felt a fierce pleasure when I saw that bandages had been wrapped around where I had bitten him. “It still hurts, you know,” he said, noticing my gaze. “You kept at it, even when I said we weren’t going to hurt you. The vie just want to ask you some questions, about the Ventine you’ve stolen. That’s all. So how come you bit me?”

My lip curled back in a silent snarl. He didn’t move, but stared coolly back, his head tilted to one side. I got the sense that he was studying me, in the same way I had been studying him.

Then I finally noticed Spiderhands. He lay on the ground a foot away from me, curled on his side. His wrists were bound, like mine, his long, stretched fingers balled into fists on the grass. I could see a spot of blood on his temple.

Finding my ankles unbound, I crawled to him and examined the spot. It looked as if something heavy had hit him. “Spiderhands, what happened? You were going to get away,” I whispered. Then I turned on the not-vie. “What did you do to him?” I spat.

“Calm down. He’s not dead,” said the not-vie, who’s name, I finally remembered, was Tan. He brushed blue-black hair out of his eyes. “When we got you under control, he came crawling back up the cliff, to save you, I guess. We didn’t know he was there; we figured he had fallen all the way down. Anyways, he grabbed my ankle and pulled me over the edge. You thieves are stronger than you look, as it turns out. Luckily, being what I am, I didn’t get hurt in the fall. Though I’m thinking you would’ve liked to have seen me die.” Tan smiled, and a shrug rolled through his shoulders. “The others didn’t like that I was attacked, of course. They got a hold of him and punched him out … poor guy. He’s gonna have one hell of a headache when he wakes up.”

“I’ll give you a frickin’ headache,” I shouted, and pushed myself to my feet. In an instant an arm was around my neck, in the same hold Tan had used on me. Except, this arm was much larger. I was forced to stand on my tiptoes to avoid hanging myself. A guard? I wondered.

Tan heaved himself up. “I know the vie have been anxious to go ahead with the interrogation. Since one of the thieves is awake, I think we can start. The other one will wake up eventually, right? And you,” he said, addressing me directly now. “It’d be a real hassle to have to carry you all the way to the meeting chamber. I’d rather you walk yourself there. So I don’t really want to have to tie your ankles together. However, if I need to, I will. Understand?”

The not-vie guard who had grabbed me eased off my windpipe, but didn’t take his arm away until I gasped out, “Fine.” Tan nodded his approval. Then he moved to where the unconscious Spiderhands lay and, in a fluent motion, slung him over one shoulder.

Fingers like sausages clapped down on my own shoulders, and began to steer me in the direction of the leaf curtain wall. A moment later I was pushed through.

The Colored Lens Interviews Larry Correia

Daniel: The Colored Lens focuses on Speculative Fiction: specifically stories that cause us to see the world a bit differently after reading. Your Monster Hunter series of books are definitely different. Your writing style seems rooted in a desire to create characters who act in ways that, were they in a book more representative of “high culture” commonly found in modern Western canon, would result in a very short book.

Larry: I have never been accused of high culture. I write to entertain people rather than win awards. I’ve been called a pulp throwback, but I’m pulp and proud.

Daniel: Your plots are gritty and, despite the presence of magic and monsters, grounded with a heavy dose of realism.

Larry: I am a huge fan of horror movies, however as a gun nut and self-defense instructor, when I watched them I had to check my brain at the door. Most monster or slasher movies would be over during the opening credits if the protagonists had a clue. My original goal with MHI was to write about my kind of people stuck into those big B movie situations.

Daniel: Maybe there just wouldn’t be much of a story if the group didn’t split up and get picked off by the evil monsters one by one, yet you seem to pull it off with ease.

Larry: In the movies when the monster shows up people scream, run, and get eaten. In real life, my kind of people would simply get out their shotgun and blast the thing. Problem solved. So I needed to come up with a way to have smart, tough, tactically minded people running up against the mystical forces of evil on a regular basis. So I made them contractors who killed monsters for profit. One reason I think readers have liked MHI so much is because the characters treat it like a job. They do this stuff for a living, so they don’t screw around.

Daniel: Sometimes I find myself screaming at a character in a book… maybe I take them too seriously… but really, I want to know why sometimes it seems like, for no other reason that plot development, why don’t characters just do things that make sense?

Larry: They always say “write what you know”, but sadly most writers don’t know jack about weapons or tactics, which is why you end up with urban fantasy action sequences that read as flat out absurd to anybody with a clue.

Daniel: Some literary snobs look down on your style of writing as “pulp” – junk food of the literary world. And in once sense, it is, not that there is anything wrong with that. We need twinkies and cheeze-puffs as much as we need foie gras and filet mignon. And in that same sense, it’s fantastic. Like a B-movie turned cult classic, people seem to revel in the style and latch on to characters much the same as they would a “high-brow” deeply meaningful work.

Larry: There is this idea out there that “serious” authors only write message fiction, which usually turns into some ham-fisted politically-motivated bloated nonsense. Then the literati elite get together and issue each other awards for how brilliant they are. Meanwhile, readers are just sick and tired of getting preached at and just want to be entertained.

One time on my blog, I made a joke list of bad message fic clichés that you should put into your novel if you want to win prestigious literary awards. You know, the usual nihilistic twaddle that English professors love; dying polar bears, drug abuse, nobody is allowed to be happy, man has destroyed the environment, some character better get raped, and the villain should either by a right wing dystopia or right wing religious fanatics (bonus points for both) or a thinly veiled version of Dick Cheney. Then it was pointed out to me that the winner of the prior year’s Hugo award met 7 of the 12 criteria. (and I hadn’t even read and didn’t know anything about that book!)

Meanwhile the number of people who read for entertainment is ever dwindling, but the literati elite just can’t seem to figure out why.

When I became one of the finalists for the Campbell Award for best new fantasy/sci-fi writer, I had critics freak out. I had one critic say that if I won the Campbell Award I would “end literature forever”. Though the best negative review I ever received from a snooty literati critic was when somebody pointed out that MHI had Lovecraftian elements, but that Larry Correia was no Lovecraft, but rather more of a modern Robert E. Howard… He meant it as an insult but I took it as a huge compliment.

Daniel: Through all of this, you’ve had books rank up into the top 25 on the NYT Best Seller list. To what do you attribute this success?

Larry: I want my readers to have fun and be entertained, so I try to write books that do that. When people have fun, they tell their friends.

Daniel: What goals to you seek to achieve when you set out to write a new series of novels? Besides bringing home a nice paycheck of course 😉

Larry: I do love me some royalty checks. I’m not one of those sensitive artiste types. I like to get paid.

When I do a new series it is usually because I’ve got a bunch of stories in my head that I want to share. I love world building and I love research. A new series is just a great way for me to expand out and tell the types of stories that don’t fit in one of my already existing worlds. I’ve got three going on right now, but plans for an additional two and a couple of stand-alones.

Daniel: You do a lot of table-top roleplaying in various worlds such as Dungeons and Dragons. Does this experience affect your storytelling?

Larry: I am a gamer, and right now my game group is made up of a bunch of novelists. We’ve got Hugo and Nebula nominated writers, an award winning poet, and if I count the dude that is moving to Germany, 3 Campbell finalists. So my game group is pretty dang good at story telling. I don’t know if that has any actual bearing on my writing (other than sucking up my free time) but I am enough of a dork that I still write game journal stuff that is basically glorified fan fiction for fun.

Daniel: Your first Grimnoir Chronicles book Hard Magic just came out in mass-market paperback. One can’t help but notice certain similarities between it and your Monster Hunter series: individuals with special abilities being used by the government for their own purposes.

Larry: I think that is mostly a result of me having worked as a contractor. 🙂

Daniel: Do these series share the same universe?

Larry: Nope. Totally separate.

Daniel: Give us a brief overview of this new world you’ve created, where, in an alternate history, magic reappears some time in the 1850s.

Larry: The Grimnoir Chronicles is a sort of alternative history/epic fantasy series. The timeline diverged from our own in the 1850s when a small section of the populace started displaying magical abilities. As time goes on, a growing percentage of the population becomes magically “active”, until by the 1930s about 1 in 100 has some form of power, and 1 in a 1000 is capable of really screwing with the laws of physics. The first book is Hard Magic, and it takes place in 1932.

The presence of magic has altered history quite a bit. As a history nerd this allowed me to really tweak a few things. I looked at how magical super powers would change things like war, art, culture, sports, even organized crime. It was also an excuse for me to read a four foot tall stack of history books.

So then I took that world and cloaked it in a sort of hardboiled-noir-action-pulp style. I went for Raymond Chandler writing the X-Men. The main character is an ex-con, war hero, bounty hunting P.I. named Jake Sullivan who gets roped into a case involving the Grimnoir. The Grimnoir are a sort of self-policing secret society that tries to protect people with magic from the world, and to protect the world from people with magic. Their main opponents are the magical Iron Guard of Imperial Japan.

This is the only book I’m aware of that features a teleporting magic ninja fight on top of a flaming pirate dirigible.

Daniel: Spellbound, book two in your dieselpunk series, continues on where Hard Magic left off, only now the members of the Grimnoir Society are being hunted, and Jake Sullivan once again finds himself in the midst of the adventure.

Larry: Spellbound was a ton of fun to write. I’m working on the 3rd book in the series now, Warbound.

Daniel: Monster Hunter Legion is slated to be available September 4th. Monster Hunter Alpha gave us some unique insights into Earl Harbinger and provided interesting back-story to the world you created in the first two books. Monster Hunter Legion will return to follow yourself… er, your main character Owen Zastava Pitt,

Larry: We’re both large, gun nut, accountants, but beyond that we’re really not very much alike at all. However, whenever a critic accuses me of creating a Mary Sue, I simply smile, nod, and say that particular Mary Sue has paid my house off.

Daniel: We find him at a Monster Hunter convention where, naturally, huge monsters attack and the fate of the world once again hangs in the balance. What other developments can we look forward to seeing in this newest book?

Larry: Legion gives me a chance to introduce rival monster hunters from around the world. A leftover from a WWI weapons experiment crawls out of the ground in Dugway which sparks a not-so-friendly competition between the various companies to see who can bag it first. Only the creature is a whole lot more dangerous than anyone suspects. It ties into the overall story of the first few books, plus it gave me an excuse to totally trash Las Vegas.

Daniel: Why Las Vegas? Is there only so much action that can take place with Owen et al. in the deep south?

Larry: The first two books were set primarily in Alabama, but Monster Hunter Alpha was set entirely in the upper peninsula of Michigan. The series will continue to bounce around to wherever I think sounds the most interesting, and that gives me an excuse to go on “research” trips that I can write off on my taxes. Come to think of it, I really should set a future novel on a cruise ship. 🙂

Daniel: Can you tell us any details of the much rumored TV deal?

Larry: Entertainment One, the same company that did the Walking Dead, optioned the rights to Monster Hunter. Right now they’ve got the rights, but I haven’t heard anything about it actually going into production. Hollywood is a strange place, and though it would be totally awesome to get a TV show, I have no idea if it will actually go into production or not.

Daniel: Joss Whedon to direct perhaps?

Larry: That would be great. However I’m hoping he takes all of his Avengers money and makes a new Firefly series.

Speaking of Joss Whedon, I’ve had a couple hundred emails from fans pointing out some similarities between the endings of MHI and MHV and something that happens in Avengers. Personally I think that was a coincidence, and that it was just something way too awesome not to do, and somebody else probably wrote that into a story long before I thought of it.

Daniel: How is it that a Combat Accountant / Author like yourself ends up inside a GI Joe comic book?

Larry: I’m a fan of the guy currently writing GI Joe. Chuck Dixon wrote the Punisher and Batman for a long time and I think he’s the best writer in comics (When you watch the new Batman movie this summer, Chuck’s the creator of Bane). I got to know Chuck on the internet and I gave him some gun advice. When he found out I was an accountant right when he had a storyline where GI Joe needed an accountant, Spreadsheet was born. Yes… Codenamed Spreadsheet.

So I am officially a GI Joe. 12 year old Larry Correia has now achieved all of his goals in life. (I also married a girl that looks just like the Baroness).

Daniel: Recently Apple has been accused of price-fixing. Amazon has long led the charge to discount E-books to prices that publishers say are unsustainable. You’ve partnered with Baen, a champion of DRM-free E-books in a variety of formats and available for almost every platform. It’s obvious that digital publishing has changed the world forever, but what do you see for the future?

Larry: The last few years have had so much change that it is hard to predict. People ask me all of the time about self-publishing, because that is how I got my start, but already only a few years later the way I did it is obsolete.

I do believe that Jim Baen got it right a long time ago though. DRM is annoying and stupid.

Daniel: Is there a balance where anyone can publish their own novel and yet the concept of digital-rights and copyright protection still exists?

Larry: As long as there is any kind of art, there will be pirates. I like to think that most people are honest and if given the chance to pay a reasonable price for something, they will. There are like fifty scumbag pirate sites ripping me off right now, but honestly most of the people who download thousands of free ebooks aren’t going to actually read them. They’re hoarders. Same as the dude with 100,000 illegal song downloads.

I work and produce a product, and decent people are going to pay for that product if they want it. Jerks will steal it. Same as anything else.

That said, the absolute last thing I want is the government to overreact. I’d much rather be ripped off by pirates than give the government some sort of Orwellian powers over the internet.

Daniel: I’d be remiss if I didn’t ask about your stunning success as an initially self-published author. Do you have any advice for budding authors seeking to have their own works published?

Larry: Regardless of how you go about getting published, the traditional way through agents and submissions, or through the eBook revolution, self-publishing, or whatever:

1. Practice until you are good enough that people will give you money for your stuff.

2. Find the people who will give you money for your stuff.

Read Larry Correia’s newest book Monster Hunter Legion, now available for download in eARC (electronic Advanced Reader Copy) format exclusively on

Marie Eau-Claire: Parts 4 – 7

Click here to read parts 1-3 of Caroline Miller’s Marie Eau-Claire.

Part IV

Though Geraldine arose early the next morning, as was her habit, Steven had already left the apartment. There were no traces of any activity in the kitchen so she presumed he chose to have breakfast somewhere along the boulevard. She had the place to herself but felt uneasy. What were his plans for lunch? Would he be in or out?

Her morning routine stretched before her exactly as it had done for years, but the rooms she entered seemed empty, as if each was holding its breath until Steven’s return. Of course, she understood she was projecting her feelings upon the cream-colored walls, but they seemed to reflect her emotions with an unaccustomed intensity.

The hours wore on at a tedious pace, each second punctuated by the ticking of the mantel clock. For once, it came as a relief when it was time to collect the mail. It gave her something to do besides think about Steven. But the little box contained nothing of interest. Even the newspaper seemed filled with the same reports she’d read the day before. There was trouble in the Middle East, the economy was in a slump and the politicians were hurling accusations at one another as the coming elections approached. Each day’s turmoil seemed indistinguishable from the last. If one were to depend upon world affairs as evidence of time’s passage, she grumbled, one would be lost.

The hour of noon was approaching when Geraldine, having nodded off, was awakened by a rustle at the door. A key was turning in the lock and she heard voices, one male and the other female. Rising from the settee, she had just enough time to give her reflection a quick glance in the mirror over the mantel before she heard that dreadful nickname being called out.

“Hello, Gerry?” Enid’s voice entered the hall before her followed by Steven’s deeper tones. Soon after, the pair entered the parlor, the nephew carrying an armload of groceries. He greeted his great aunt cheerily then headed for the kitchen with his burden while Enid flopped down on the settee. Her lips twitched with her approval of the new man in residence but she said nothing, as if she expected Geraldine to crumple beside her like a giggling school girl.

Geraldine did nothing of the kind but slid into one of the overstuffed chairs, taking a moment to observe her friend’s apple green dress with its white piping at the collar. The color struck her as unbecoming but far worse, the garment was sleeveless and exposed Enid’s wrinkly arms. Though Geraldine’s appendages were smoother, she never made that mistake. No matter the weather, she always wore long sleeves or draped a silk scarf over her shoulders. How like Enid to be oblivious of her defects her friend thought.

It was true. Enid had no notion of the poor impression she was making and seemed all too eager to discuss the new arrival. She leaned toward Geraldine as if to share a secret.

“What a handsome young man this nephew of yours turns out to be, Gerry, and how wicked of you to keep him all to yourself… though I can’t blame you. I’d probably do the same thing…”
“I’m not keeping him to myself,” the dancer objected. ‘He’s just arrived…”
“Yes, yes. Never mind that,” Enid interrupted. “Tell me all about him. How old would you say he is? Twenty-four? Twenty-five? And, oh, what a gorgeous pair of dark eyes — so sad and melancholy, as if he were harboring a tragic secret, perhaps the loss of a great love. Women will absolutely swoon for him, I warn you.”

“Don’t be so silly, Enid.” Geraldine crossed one leg over the other and looked annoyed, though it troubled her that her friend had seen that same haunted look she’d observed from the outset. Was her relative hiding something, after all? Had he come to Paris for a reason but refused to tell her? She tried to distract her doubts by staring out the window. “He has an interesting face.” That was the only truth she was willing to concede.

Edith gasped. “‘An interesting face?’ Are you blind? He’s utterly gorgeous. Don’t pretend you haven’t noticed. I’m sorry, Gerry, but I can’t allow you to keep him to yourself. There’s a younger generation that must have a peek at him. You’ll soon see I’m right.

“Please, Enid, don’t take him under your wing…”

“Too late, darling, I’ve invited him to the theatre this evening…”

Geraldine said nothing but uttered a loud and prolonged sigh. Seeing that she’d ruffled feathers, her visitor spoke apologetically.

“I don’t see the harm in it. I met him outside the concierge’s offices and guessing who he was, I introduced myself. Why not? As we were both coming here, I had to make conversation. He’s very easy to talk to, more friendly than his brooding look might suggest. Handsome men are usually far too pleased with themselves to take notice of anyone else. But this darling nephew of yours…”

“I’ve decided to make omelets for lunch.” Steven stuck his head into the room, unaware that he’d been the topic of conversation. “I’m pretty good at it, so I hope you plan to stay, Enid. You won’t be disappointed.”

“Dear boy,” Enid purred, “I can’t imagine ever being disappointed with you.”

“Yes, well, the trouble is, I can’t find a frying pan. You do have one don’t you, Geraldine?” He cast an appealing glance in his great aunt’s direction. Disarmed by it, she sat for a moment, thinking.

Of course she had a frying pan. But where did she keep it? She hadn’t a clue. Ah yes… she remembered. “I think it’s in the pantry beside the cooking oils.”

“In the pantry?” Steven raised one eyebrow in disbelief. “That’s an odd place for it.” He didn’t wait for an explanation but hurried from the room as if making an omelet had something to do with preventing World War III.

Enid tossed a cat-like grin in her friend’s direction. “And he cooks, too.”

Rabbitheart – Part 1

Click here to continue on and read Part 2 of Nicole Tanquary’s novella Rabbitheart

“Come ON!” came a shout. Gut’s voice, deep and growly. Wait, what? Was it morning already?

Gut banged a sheet of dented metal with a mallet, filling our heads with dull ringing sounds. “Come on, get up, the vie are asleep, its almost dawn out there! We’re behind in our quota!”

Gut said that every morning. No one ever told us what our quota was; no matter how much Ventine we mined from the blue hills, we would always be behind. Damn sorcerers couldn’t get enough of the stuff.

“Move it, Rabbitheart!” I had been slow to get out of bed, and now Gut’s mallet was by my ear, going BANG! BANG! BANG! like a hammer against a steel wall. I floundered, almost falling off of the mattress before I could catch myself.

“Yessir!” I squeaked, making a mad dash for the closet where the rest of my thirty-or-so roommates were swarming. You had to get there fast, or you’d end up with ratty old pants and a shirt with holes, both of which probably hadn’t been washed in months.

Back at home, my little brother had problems believing that girls ever did things like sweat and fart and go to the bathroom. If I could have found my way back there, I would have brought along one of our uniforms and thrust it under his nose for evidence. You could smell the girls before me that had worked inside the suits. The stench was soaked so deep into the denim that one whiff would be all it would take to change his mind.

If I could have gone home, I would have, but I couldn’t. I had been working around the Ventine too long. I couldn’t remember the way back.

Marie Eau-Claire: Parts 1 – 3

Part I

Geraldine Hoffman was an American who had lived in Paris over forty years, having become an expatriate in 1966 when she was thirty. While she retained a dual citizenship, she’d always thought of herself as a guest in France. She enjoyed the country’s slower pace, a place where people put a value on art and culture. Some might have said she was a snob, but she didn’t agree.

Unmarried, the former principal dancer with the Oregon Ballet Company and later with the Paris Opera Ballet, she’d lived for her art and when, at the age of forty-three, dancing was no longer a joy, when she feared she could no longer attain the perfection she demanded of herself, she left the stage and turned her hand to writing poetry. But living for art didn’t make her an elitist.

To be honest, her writing was of modest quality but she did publish in several journals, and had one slim volume of her works released when she was in her fifties. The book attracted the positive attention of a few critics, but she suspected the praise was more a transfer of allegiance from those who admired her as a dancer than to her skills as a poet. She recognized her talents were limited and, over time, she fell more to reading — a habit which led her to a life of quiet solitude.