Rona Fernandez

I am a nonprofit fundraising consultant and freelance writer living and working in the San Francisco Bay Area.

The Waterfall

San Miguel, northwest Philippines, 1934

I have seen him before, when he comes to my house with his father, the postman, to help deliver packages. His name is Arturo Viray, and when he sees me he always smiles. Today, at the market, it’s the way he walks—leaning forward a little, his hands behind his back—that catches my eye. That’s the way Father walked. When I look at him he smiles again, and I wish I could talk to him, but Placitas, our maid, is just ahead of me and she always tell me not to talk to boys.

“Miss Mei, don’t straggle—” Pacita calls, then starts haggling with the fishmonger in the crowded market, so she’s not paying too much attention to me. I walk a little closer to her, glancing back to see if Arturo is following. He has moved a few feet closer and is staring right at me, which makes my face burn. I look away, but inside I feel like singing.

Arturo is handsome, with thick, dark wavy hair, and he is slender but not skinny. He is Filipino. Uncle doesn’t like me to mix with Filipinos, since we are Chinese. There are not many of us in our town, so the only boys I know go to my Chinese school and are not very interesting. Uncle says that we will go back to China someday, when things there are peaceful, and that Chinese are better than Filipinos, but I don’t agree. Pacita is Filipino, and has helped raise me since before my parents died. She is like a mother to me—but Uncle would not like me saying such things.

I watch Arturo from the corner of my eye as he walks in that funny way of Father’s, and Father’s voice echoes in my mind: You are my Mei-Feng, beautiful and precious. I giggle. Pacita snaps her eyes on me so I stop, but then she starts talking to one of the market women so I move closer to Arturo, Father’s words making me brave. As Pacita talks to the woman selling eggplants, I suddenly find Arturo standing next to me, and before I can say anything he slips a piece of paper into my hand, then disappears into the crowd. I open the fold and read.

You are pretty. Meet me at the river bridge today.

I read the words three times over to make sure I’m seeing them right—he wants to see me! Then I stuff the note quickly into the pocket of my skirt.

“Miss Mei, let’s go—” Pacita says, walking over to me. I wonder what I should do: If I do not go, Arturo may think I do not like him. If I do go, he may think I’m not virtuous. Then I think about what will happen if I do nothing—I will walk home with Pacita, have tea, and read until it’s time to help her prepare dinner for Uncle. The thought of another boring, lonely afternoon makes me want to cry.

“Pacita, can I go and visit Lily? I finished all my schoolwork,” I lie.

“We have too many things to carry. I don’t want to walk all the way to Miss Lily’s house.”

“I’ll go by myself. Here—” I take one of the bags she is holding, and though she eyes me suspiciously, she nods and tells me to come home before the sun starts to go down.

As I walk to the river, I grin with the secret knowledge of the note. I feel like a dozen little fish are flopping around inside my chest. He wants to meet me at the river! Maybe we will walk to the waterfall, my special place—the place where I first found out that I could fly.