Sarah Gailey

Sarah Gailey is a Bay Area native and an unabashed bibliophile, living and working in beautiful Oakland, California. She likes to paint, bake pies, and write stories about murder and monsters. Her fiction has appeared in Cease, Cows Magazine. She tweets @gaileyfrey.

Sarah Gailey is a Bay Area native and an unabashed bibliophile, living and working in beautiful Oakland, California. She likes to paint, bake pies, and write stories about murder and monsters. Her fiction has appeared in Cease, Cows Magazine. She tweets @gaileyfrey.

Stars

Maria can feel his voice, the vibration of it, but she cannot hear him over the ringing in her own ears. The ringing is loud, and she isn’t going to try to hear over it because she knows it would be impossible, like trying to see over the top of the horizon.

Her head is on his chest. She feels the hum of his voice through her jawbone, resonant and comforting even though his words are almost certainly panicked. He is probably asking if she is okay, if she is hurt, if she was hit. His hands travel over her body, and it is a deeply intimate moment, even if he does not linger. Even if he is checking, rather than caressing. He is feeling for brokenness, for bones that are in the wrong order, for blood.

Maria could not say if he will find any. She cannot feel any pain, but she is certain that she will, later. She is horizontal, where a moment ago she was vertical, and she is trapped between some unbelievably heavy thing and this man’s body. She must have landed on top of him. The heavy thing pins her there, on top of him, from just below the ribs down. If this was a romantic comedy, they would both be totally uninjured, and they would laugh, and this would be the start of their story-but it isn’t a romantic comedy, and she cannot feel her legs, so “uninjured” is probably not in the cards. All of these thoughts reach her as if from a great distance-satellites blinking in morse code against a dark sky.

Maria remembers floating on the lake, back before her marriage fell apart, her husband on the dock with his feet dangling in the water. She’d floated and looked up at the night sky and tried to find Mars among the lights up there, but she did not know where to look. Everyone had always told her that Mars was the bright red one, but when she looked at the vast array of stars above her, none of them looked red, and all of them looked bright.

The man beneath her is panicking now, shaking her by the shoulders. He probably thinks that there is a corpse on top of him. He must be scared. She lifts her hand and sets it on his chest, next to her face. She pats him, like a mother comforting a crying child, and he stops shaking her. His chest and stomach quake and she thinks he must be crying, now. What feeble comfort she gave him.

The man puts his arms around her. She still cannot hear his words, but the vibrations resonating in his chest have a rhythm. He is repeating something. A name? A prayer? She cannot look up to see if he is still crying.

There is a tickle in Maria’s throat, and she coughs to clear it-but then she can’t stop coughing. She tastes blood and wonders if she knocked out a tooth when she fell. She keeps coughing and the coughing is warm now, liquid, and the man is clutching at her and the ringing is fading from her ears and the words ‘no, no, no’ are drifting to her.

There is blood on the man’s shirt, in front of her face. She coughs and then there is more blood on his shirt.

She had loved floating on the lake at night. When she and her husband-ex-husband-went to the lake, trying to see if a vacation would fix all of the problems that they had at home, she had floated every night. He hated it, thought it was somehow dangerous, as if the water was nocturnal. As if it would come alive at night and swallow her up. They fought about it. She felt bad, at the time, selfish, like it was just a silly thing for her to want to float on the lake and she should have given in to his objections. But now she realizes that it was the most important thing, and that she had been right to fight for it. Because if he wouldn’t let her lie on her back in the water and look up at the stars and count the ones that fell-then what was he for?

The man is talking again. His words are faint, through the ringing, but she can still feel them in his chest. He must have a deep voice, to be so resonant like this. His words have the familiar cadence of the Lord ’s Prayer.

Maria strokes one of the buttons on his shirt with her thumb, smearing some of the blood off of it. It is pearlescent, a snap button, and the surface of it is so smooth that she almost loses herself in it. It is like liquid. It is like snow. Where are these thoughts coming from? How is a button like snow? But it is, it is just like the powdery snow that she used to play in as a child. You could fall into it. Maria did, once, she fell into a snowdrift and her father had to pull her out by the hood of her jacket. She had not felt cold while she was in the snowdrift. It had blanketed her with quiet, and it was not until she was pulled out of it that she felt cold, deep cold, wrapping around her bones and staying there long after she was dry.

Someone is yelling. There is a flashlight beam playing across Maria and the man where they lie, and it hurts her eyes. She closes them against the light, and it feels good to have them closed. She decides that she will keep them that way. The man’s voice has stopped. His hands are on her head, stroking her hair. His breathing is shaky; she thinks he must still be crying. She tries to pat him on the chest again, but her hands don’t move when she asks them to.

She realizes that her fingers are very cold.

With her eyes closed, Maria feels like she is floating on the lake again. Not going anywhere-the lake was always so still-but weightless, buoyed by water that was still just a little sun-warm. Her husband, with his feet in the water, huffy and unwilling to speak to her, insisting that he needed to be there “just in case”. A case study of their marriage: him, miserable but clinging to the idea that she needed him. Her, doing what she wanted and leaving him on dry land.

She realizes that she must have drifted off, because she is immersed in the memory of the lake. Oh, she thinks, I am dreaming now. Because she is not just reminiscing anymore-she is there. She is looking up at the sea of stars.

She decides to enjoy the dream, and lets her head fall back into the water so that it covers her ears. Faint rumblings reach her from somewhere, and she thinks, when I wake back up, that man will be talking again. Maria has never had a lucid dream before, but if this is one, it is very nice-being able to enjoy herself while knowing that it is a dream.