Burris D. Nichols

I am a high school English teacher and former plumber. I hold a BS in English education and a BA in British literature.

Drop Serene

Prologue

I didn’t read it for a long time. Really, I wasn’t aware of it for a long time. Those were busy times for the infernal horde, what with all the dime store necromancers queueing up to mortgage their souls. Western society’s emergence from the darkness spawned enough bad ideas to keep us all hopping for a couple centuries. That kind of overwork doesn’t really leave anybody in the mood to curl up with a long, challenging epic poem.

By the time I read it, the Blind Poet was long dead. By the time I read it, Frankenstein’s creature had already read it, and all the daffodil sniffers had embraced it to a degree that was embarrassing to witness. By then, I had to see what all the fuss was about.

It was a little bit of a shock to recognize our story. That was nothing compared to the shock that followed.

At first, I was confused and a little miffed. It seemed like the poet mentioned everybody in Hell except me. I read through that whole tremendous list, and the only one missing was me. I’m not suggesting that I’m a particularly big deal in the grand scheme of Perdition, but one hates to be left off the cast list if one is in the show.

Then the real shock followed.

It was the perspective that gave it all away. It wasn’t just scenes where I was present – It was scenes shown from my point of view. It slowly dawned on me that the Blind Poet didn’t leave me out of the narrative because he didn’t like me, or because he thought I wasn’t important enough. He left me out because he was seeing the whole thing through my eyes. Somebody gave him access to the whole story by giving him access to everything I saw.

Now who would be able to do that?

As I read on, it became clear that while the Blind Poet had total access to what I saw, he only sometimes had the soundtrack to go with it. At these times, he just took his best guesses at what was being said and why. Really, he did a pretty good job of the guess work, all things considered. Sure, he got some things totally dead wrong, but he did it in ways that made for a good poem.

I’m not writing to refute what the Blind Poet wrote. For as few of the facts as he got right, he ultimately captured the truth. I’m also not writing this because I got left out of the Blind Poet’s work. I’ve long since read the Italian Pilgrim’s poem, and I’ve got a real juicy part in that. Juicy enough to more than make up for my absence in the Blind Poet’s epic. Really, I just want to set down my thoughts about my dearest friend. I want to let you know about my pal Lucifer.