50 Mile Station

It was Brazil, he had to keep reminding himself. Variations of green and brown, and lakes, rivers, and far on the horizon, the indigo edge of the ocean pressed upon his eyes in sharp detail. He stared at it for hours at a time.

A red barrel slid past the window, smooth and big as a ship, blocking his view. Jerrel noted the numbers as they slowly slipped by: 7… 0… 5… 1… A. The 7 meant that it was from San Francisco, but he knew that already because it was red. Every barrel was at least half windowed, by law, unless it was a nuclear one. Black bags and plastic bottles were crushed against the windows that were smeared with black mold. This matched the stated contents of the manifest: trash. It traveled up the cord. A few seconds later it picked up speed and would be released when it reached geosynchronous orbit, in a few hours.

7051A content confirmed. Trajectory TBD.

The ISS zoomed above him, Jerrel barely glanced at it. It was as ordinary as the hand of a clock, marking every hour and a half. Marking every time he would kiss the picture of his daughter. This started as a tool to help him cope with being alone, but now if he missed the kiss because he didn’t notice the ISS, he panicked. Only kissing the picture 20, 30, 40 times would calm him down again. This concerned him, but he couldn’t stop.

The barrels came about every hour. He was to visually inspect the contents and confirm that they matched the manifest. This one was a Dallas White. These were less rusty than the reds; their barrels were newer because they had not been allowed to use the Vator until about a year ago. 4… 3… 8… C… 3. Liquid, unspecified type. Dallas won the right to keep the exact content of their barrels private, after years of failed negotiations, during which thousands of citizens died from the nuclear waste in the water supply. Finally, the North American Elevator Corp decided they needed Dallas as a customer more than they needed to know what was in their barrels.

The Heat-Death of Everything I Love

Before the old church doors, in the warm darkness of the vestibule, Sabine’s mother stooped down to look her daughter in the eyes.

“What you were is past.”

She swept aside the veil of the girl’s communion dress—a billowy thing like a crown of unspooled gauze—and blotted her tears out with a thumb. Shrill music crept in from the sanctuary, dissonant chords from a heat-warped organ.

“What you will be is yet to come.”

Smiling wide, she held her child’s face in calloused hands. Her daughter, her anxious little girl on the threshold. Sabine was frightened by a simple ritual; that was good—it meant she’d done her motherly duty, protected the child from those things to be truly feared.

For now, at least.

Somewhere high above the stone ceiling, the great chrome shape of the Teardrop hung silent in the sky. Soon the first Greys would appear at the marketplace in Croix-des-Bouqets, slender bodies towering above the crowds.


Sabine’s dinner has gone cold.

So it was you. You killed our world.

“Not me, ch’atha—” Her husband extends a spindly arm, straightened at both joints to cross the length of the kitchen table.

She slaps it away. Turns in her seat to face the cupboards, the sink, the kitchen window—anything but him: Don’t call me dearest. Not in your language, not in mine.

Sabine rubs her forehead with a hand that comes away wet and clammy, fingers trembling. In her mind’s eye she pictures it: herself, her body, unraveling like the end of a frayed rope.

“I understand this must be difficult,” he says. Rehearsed. Sanctimonious. Typical Grey fashion. “You’ve lost a great—”

You have no idea what I’ve lost, she snaps. You can’t begin to fathom.

Watchers

The car took him to therapy before work, never a good sign. He called in from the waiting room. Jann didn’t like it of course, but what could Rick do? If you wanted health care you followed the rules and that included emergency therapy. He just wished he’d known. Rick had skipped breakfast and now he was sitting there hungry. You didn’t dare ask the receptionist how much longer. They scrutinized you constantly and even a twitch meant something. He tried to look happy. That’s what they wanted to see.

The android behind the counter called his name. The bald face mimicked a human persona remarkably. “Andrea will take you back, Mr. Dalton.”

He followed the tall, platinum-haired woman in the pleated black dress to a therapy room. Once he settled into the waterlounger, she went after his tea. “Mint, hot?” she asked from the alcove.

He had this. Rick drank mint iced except in the morning, except during emergency therapy when he always asked for it cold. “If you don’t mind, I’d like iced.”

“Of course. Doctor has a note. You’re to take this.”

A small square section of the table rose. In the center dimple sat a little gel cap. He sighed as he picked it up. “Thank you.”

She was there with his beverage. “Doctor will be with you presently.”

“Thank you.” He watched her leave, careful to look away appropriately. He swallowed the gel cap, sipped, and glanced at the Monet. Studied the ballerinas a bit, because he was sure they knew he liked it. Then back to the tea.

The space behind the desk shimmered as Dr. Kim’s hologram appeared. “Hello, Rick.”

“Hello, Dr. Kim.”

Dr. Kim’s image flickered and then the sharp eyes were back. “Rick, we had a spike in your routine I wanted to discuss.”

Canvas Captured

Breezes of brilliant hues flowed from the Painter’s brushes to stroke the canvas with shadow and light. This evening, a summer night indefinite in time, she danced a mirror upon the canvas, sunset flashing through the paint-flecked gate as it flashed through the real gate outside.

Yet it was a broken mirror in one aspect: in the real world, the gate was locked and could not be opened by her. Her patron refused to release her, save when she needed inspiration, a new scene to paint. Then she went boarded up in a carriage and concealed from prying eyes. By these machinations, the Duke hoped to convince the City the paintings were his, but rumors of the Painter were enough to sustain the truth of her work. There was too much of her in the paintings, too much life, too much brilliance set free.

She had never painted the gate before, open or closed. Every one of the Duke’s tamed gardens and exotic curiosities had been depicted by her hand – but never the gate. It was the one pain in her heart, and it ached to look at the reminder of her captivity.

Even as she painted it, the gate changed in her mind. It became a thing of light and hope, beckoning, inviting… as if the world in canvas were as real as the world in flesh.

She sensed when the Duke entered the room and did not turn, rapt upon the tumult of tones. He would often watch her for a time, but never interrupted her.

The Painter finished smoothing the last daubed shadow and turned to face him. She did not need to stand back or study her work to know it was complete. The rich orange sun gleamed, bathing the path outside in promise.

The Duke’s eyes flashed with a moment’s wonder, but he dismissed it. “I wish you would do portraits,” he said. “That’s where the money and the fame is. The artist who captured my late wife works for the High King now.”

The Voice from Beyond the Desert

The low whine of a single locust tittered through the midday heat before abruptly and percussively ending with a crunch of the Botanist’s sandal into the Mojave ground, kicking up a somber cloud of desert dust. The Botanist set down her pack and shaded her eyes with a hand to her forehead as she surveyed the horizon for her next subject. She spotted the spined and clubby hands of the yucca brevifolia waving hello to her from behind a nearby boulder.

After collecting samples and taking down notes and measurements, having scientific conversations with the Joshua Tree she had traveled here to study, she looked towards the dying light in the sky. The sun had gotten low as her conversations with the trees rambled away from her. She had meant to head back to camp hours ago; the Geologist would be waiting with dinner ready over the fire by sundown. The Botanist grabbed her pack and started making her way back in the direction of their shared research camp.

The walkie-talkie on her hip crackled with static air as the Botanist’s shadow loomed behind her, elongated and alien. The rocks and boulders and Joshua Trees of the Mojave were traced with golden yellow light against the yawning sky. The walk was long. As the sun died beneath its desert coffin and the stars started to show themselves, the Botanist clicked off her walkie-talkie. And breathed deep. Dry air. In, out. Sandpaper breaths. She looked upwards.

Painting without Canvas

“It’s nice to see you,” I whisper, digging deep into Enzo’s broad shoulders.

“Sorry I’m late,” he says. “I got lost.” His voice is barely audible over the humming escalator and conversation bouncing between foyer walls.

“Aren’t you always lost?” I smile but it feels as if the joke brushed too close to reality. Maybe it has been a little too long since we last saw each other. I haven’t heard from Enzo since we went to the movies three weeks ago, but he called last night to ask if I would meet him at the Museum of Modern Art.

We slip from our hug and he holds me at arm’s length, one strong hand on each of my bony shoulders. His wide eyes are half hidden under overgrown brown hair, which curls on his forehead. I am staring back at him, looking at the swirls of purple and red and orange my fingertips left on the fabric of his sweater. My pasty fingerprints, made of the same material as watercolor pigments before they’ve been saturated with water, have left an imprint on Enzo’s shoulders as they always do when I hold him that hard. I pressed harder this time, thinking both the affection and the color will lighten whatever darkness Enzo feels, or maybe just wanting to leave a mark that will last the distance suddenly present between us.

He turns towards the escalator and I follow, using my right pointer finger to trace a rainbow heart on the outside of the metallic wall before turning to walk onto the first step. It’s something I leave for others to see without knowing where it came from and how it got there, like a random smiley face someone might scribble with a Sharpe.
On the step in front of us, an older man and woman with interlocked arms are smiling in amusement, exchanging few words. They’re watching the young woman in front of them, who is focusing through wide glasses with translucent frames on her son. Trying to keep him still as she holds a tissue to his nose and asks him to blow.

This trip feels different than any of the others I have made to the Museum of Modern Art. I’m aware of the people around me, the sounds and words filling these white corridors with life, as if I’ve just pulled off a pair of sunglasses. My usual rush to get on and off the escalator is not controlling my movements. That drive to get to the art as fast as possible is muffled by fear of what I might discover about myself, about Enzo, or about our relationship. I focus on the moving escalator railing – thin and thick hands, young hands, older and frailer hands, all of them careless. My hands, which appear like all of the others, are a work of art in itself; my fingertips swirl teal, orange, and purple. Stepping off, we move into the first gallery.

“Do you remember this one?” I say.

Silt and Shale

My life’s always been a slate sunset, but it really hit a shit river one cold evening on Pier Thirty-three, Brynn Bay.

Sita and I had nabbed a keg of spikeberry wine and taken it to the pier, where we dangled our legs while we drank it down and hallucinated all night. The sea crashed against the pillars and made the world quake and Sita, prone, moaned and clenched the wood slats ’til her fingers went white. I stood tall at the end of the pier and the sea roared and swayed me back and forth and side to side, but never could topple me. I laughed to the black sky, I raised my fists high and bellowed at the night and called for lightning to incinerate me and scatter my ashes into the bay, but heaven never took to my taunts, so I laughed ’til I cried, I cried ’til I laughed, I laughed ’til I rasped, I rasped ’til I cried again. Sita clutched my legs and threw up all over my boots, then my tummy twisted and I found myself keeled over too. The wine hurtled out our bellies and splattered into the bay.

Sita pressed her face against my ankles. “What’s happening, Kaani?”

“It’s just the wine.”

We laid quiet for a long time as we waited for sobriety’s return, while Brynn Bay hammered the pier.

They found us. I think. It may have been a spikeberry vision. Two men stormed Pier Thirty-three, their only weapons biceps thick as tree trunks, their skin even darker than mine, so in the night, they seemed headless, angry eyes over burly bodies. They trapped us against all of Brynn Bay, a thousand gallons of chilled saltwater, and I had nothing but a flax gown and a oak keg of wine and Sita at my side.

I rolled the keg to the edge of the pier and clutched the bung. “Come closer, and Brynn Bay’s getting drunk on all your precious wine.”

“That’s the Gutterking’s wine. You dump it in the bay, you’ll never pay off that debt. You could spend your life spreading your legs for every man in the city and you’d never make enough. That wine’s worth your life, fifty times over.”

“Fifty of yours too.” I grinned so wide it hurt my jaw. “What will the Gutterking do to you if Brynn Bay drinks up?”

I couldn’t see it, but I sensed their scowls, I sensed the air stiffen and crackle with their violent intent. They advanced. I yanked the bung out and let a gulp of red spikeberry wine splash into Brynn Bay before I jammed it back in. “That’s one life! Back up!”

They did. The tide crashed against the pier and the world swam and intricate patterns glittered on the sea foam. The men muttered as they pondered a new plan. I held my hostage close, the oak cold against my fingers. Sita wiped her mouth and stood beside me.

The men noticed her, and a light gleamed in their eyes. “She’d make a fortune posted in Sava District. A lot more than the ugly one.”

I hissed. Of course Sita would. I pulled her behind me.

Vigil

I receive word of my sister on a Wednesday morning in early May. My son Noah is out of school that day for teacher in-services; I’ve taken time off work to be with him at home. I’m making soup and sandwiches for us both when the call comes in–I take it over the kitchen speakers, assuming it to be work-related. “This is Kim.”

“Hi there.” The speaker is a woman, with a sunny voice and a hint of a Southern accent. “This is Judi with Puget Sound Oncology. Would I be speaking with Kimiko Fukada?”

I pause before replying–a phone call from a strange business entity, without video. Not an email, certainly not text or subvoc. I shift into a more formal register. “This is Kim speaking; how can I help you?”

“Great.” A few verification questions follow. “And our records show you as the surviving next-of-kin for one Noriko Fukada?”

I pause over the tomato I’m slicing. I recall a series of letters, dry official notices from the hospital. I started receiving them after our mother died, about eight or nine years back; after the first two or three, I simply threw them away. Now I set down the kitchen knife, slide the kitchen door closed with a gesture. “I’m sorry, what is this regarding?”

The Spirit Cave

We sit vigil by the fresh grave, waiting for my brother’s ghost for three nights and three days. The days are warm, but still short, and the nights are cold and long. Spots of snow still cling where the shade protects them.

When my brother finally appears, his eyes are empty, and he doesn’t respond to our voices.

“His spirit will heal,” my mother says. “It will just take time.”

Jehim, my intended, squeezes my hand. The rest of my family, living and dead, nod and mutter agreement. My brother has all the time in the world, now that he is a ghost.

My scrapes and bruises from the fight have healed, but the sick, angry feeling in my stomach has only grown with the passing days. I want vengeance. I want to crush the men who killed my brother. I want to hurt them so badly that it takes their ghosts centuries to recover.

“I am going to go to the spirit cave tomorrow,” I announce. Something that I can’t recognize flickers across my brother’s face. I storm away before anyone can object, and I feign sleep when my mother follows me home.


I rise at dawn, hoping to leave quickly and avoid talking about my decision. But my mother is already hovering over the breakfast fire, her hands fluttering like trapped birds. My father’s ghost stands behind her, his arms crossed over his chest. She hands me a bun filled with spiced rabbit, and says, “We love you. Please don’t do this, Narhana.”

I kiss her on the cheek, and I eat the bun as I take the path into the mountains.

The day is fine and clear, the air soft and filled with gentle sounds–birdsong, the breeze through the grass, the slow burble of the river. The rest of our family ghosts line the path that leads to the road. I ignore their frowns, but I walk quickly, not enjoying the intensity of their gaze.

I turn west when I reach the road, and I follow my shadow up into the mountains.

The sun is almost directly overhead when I reach the sacred spring. A ghost, one so old that her edges blur, regards me from the edge of the spring. “What brings you here, child?” she asks, her voice as gentle as the breeze through fresh spring leaves.

“I seek the spirit cave.” My voice is steady as I give the ritual response.

The ghost nods once and steps aside. “Once you are purified, you may walk the path to the cave of spirits. You must leave all of your possessions, though you are permitted to carry a stone to weight your steps.”

I strip and fold my clothing into a careful pile, then I heft a large, rounded stone to keep from floating across the pool. It takes both hands to hold it.

The steps that lead down to the water are cold and smooth beneath my bare feet. The water is glacier-cold, but I refuse to hesitate as I walk forward, one step at a time.

I almost cry out when the water hits my belly. My toes ache, and I can hardly feel the step beneath them. The water reaches my shoulders, then my chin. I take a deep breath and keep my eyes open as I continue forward.

The water stings, and the world swims around me. The cold seeps through my skin, settles into my bones, and I ache with it.

I’m grateful for the stone’s weight as I step down to the bottom, then start to climb up the steps on the other side.

My head breaks the surface, and I take a sobbing breath.

My grandmother’s ghost sits on a rock beside the spring. I am not surprised to see her. It’s only sensible that she is my family’s chosen representative. Their last hope of talking me out of my decision.

I reach the top of the steps, and drop my stone from shaking hands. I shudder from the cold and think longingly of the spring sunshine. But I stop before my grandmother, arms pulled tight to my body, naked and shivering.

“I understand why you want this,” my grandmother says. “But I also understand the cost.” Unshed tears glimmer in her eyes, and guilt twists in my belly. “Have you truly thought about what you will lose?”

“I choose to focus on what I’ll gain,” I say, tucking my freezing hands into my arm pits.

She nods. “You will have power. You will be able to avenge your brother.” Her hands tense into fists, then relax. “You would be able to protect our family.”

“If you understand, then why are you here to stop me?”

“Because I don’t think you’ve considered the costs.”

I shrug. “My spirit will be consumed, and when I die, I will vanish instead of becoming a ghost.” Ghosts are trapped to watch the world change around them, while they are frozen forever. I do not long to become one.

“But think of your life before then. Do you think Jehim will still want to marry you if you are sprit bound? Will he want to have children with you, knowing that you won’t be able to watch your grandchildren together after death? Knowing that eventually, you will vanish forever and he’ll be left alone?”

Jehim is a constant in my life. Like my parents. Or my brother. Our future has always seem set, immutable.

To lose him, too. It is unthinkable.

My grandmother sees my hesitation. “Your brother will recover. He isn’t gone.”

But his future is. There will be no wife for him. No children. Maybe Jehim will leave me. Maybe he won’t. I can’t control his actions. But I can control my own.

“My decision stands.”

My grandmother inclines her head. “Very well.” Her fingertips, feather light and ice cold, brush against my cheek. “Then you will need the key.”

“What key?”

“It is hidden in the pool.”

I am still cold, still shivering. My body still aches. I look back, at the water’s still surface. I don’t see a key. Still, I wade back in, one slow step at a time.

I pause on the third step. I can’t feel my feet at all, and I’ve stopped shivering.

The first ghost said nothing about a key.

Because there is no key. Only death in this pool, and then an eternity as a ghost. With enough time to forgive my grandmother for her lie.

I turn back toward the spirit cave and storm past my grandmother, too angry to look at her. She calls out to me, but I will no longer listen to her words.

The path is steep and rocky and my numb feet are clumsy. I stumble, right myself, stumble again. Blood drips from my elbow, my palm, my knees.

But I keep climbing, focusing on each step as it comes. Warmth gradually spreads through my muscles, but nothing touches the cold anger in my heart.

I am inside the spirit cave before I even notice it. The rocky ground gives way to sand, and I sag to the floor.

A tiger, his stripes night-dark against fur the color of moonlight, walks out of the shadows. His tail lashes back and forth as he approaches.

I am too tired to speak. I simply crawl forward and rest my forehead against his. His fur is warm, and when he flops onto his side, I curl up against him.

He has consumed a thousand thousand spirits, stripping out what they were in life and adding their strength to his own.

I offer him mine, and he takes it. Our spirits combine as his warmth seeps into my chilled body.

His strength is mine now, till my body fails. Till I die and become one more bit of power at his disposal.

He licks my wounds, his tongue dry and raspy and painful, but my wounds heal. I am no longer cold.

I do not know how long I stay curled against him, but eventually I roll to my feet.

I fashion myself clothing, weaving shadows and rocks into a dress that matches the color of his stripes.

I press my forehead to his again, then on impulse kiss his wet nose.

Even with my new power, I can’t destroy my grandmother’s ghost. But I could do her harm that would take lifetimes to recover. I can rip the men who killed my brother into a million tiny pieces with a thought. Instead, I continue up the mountain, past the spirit cave, to the icy peak. The cold can no longer touch me, and I sit and stare at the stars till the sun rises.

It is the first day of my new life.

My grandmother’s ghost appears beside me. “I didn’t want to lose you. Now, when you die, you’ll be gone.”

“No,” I say. “Now, when I die, I’ll become part of something greater than myself. And I think that is better.”

Soon, I will decide what to do to the men who killed my brother. But for now, I take my grandmother’s hand, because I can. And I forgive her, because I can do that, too. “Come on, let’s go home.”

Always on My Mind

If you cut the main artery from some living organism and laid it out across an arid wasteland then, Sabbi supposed, you would have something much like the Strip. True, the Strip was inorganic, a man-made thing cast in concrete, steel and glass, but still it lived. There were places where you could stand and see the Strip stretching away like a ribbon of light across the night-time desert, unspooling for mile after mile, blurring into one featureless splash of neon advertising hoardings.

And sooner or later, it would bleed out and die.

But Sabbi had become expert at letting tomorrow take care of itself. Save your worries for the here and now: there were plenty of reasons to.

The crowds of shoppers ebbed and flowed–and that was good. They provided her with anonymity: a hundred thousand or more, thronging the broadwalks of the Strip on a hot summer afternoon, closeted by endless store-fronts and restaurants and coffee-houses–imprisoning them within the Strip’s rapacious jaws.

From behind the gleam of her sunglasses, Sabbi scanned faces, trying to avoid flat-foots mingling with the shoppers. Most of the cops wore the Strip-sponsored uniform–visibility a key part of their deterrent–but they came in a plain-clothes variety too. They knew all about the petty thieves, the grifters like Sabbi who worked the lower echelons of the Strip’s ecosystem. Flat-foots carried the authority of no lesser person than the Chairman herself to arrest-and-deport on sight. They also carried tasers delivering kick-ass voltage–not intended to be lethal but not something Sabbi was inclined to put to the test. Worst of all, they carried attitude.

And now the stolen bracelet was burning a hole in her pocket. Every fiber of Sabbi’s body could sense its bulk as she moved, its cool sleekness pressing against her thigh. You could find plenty on sale down the Strip worth ten times its price. But this one was special. This was a commission, lifted to order. These days, Sabbi only worked to commission. The payouts were lower but the work was steady, so it balanced out in the long run. And it helped make her feel more… legitimate. The way a professional business-woman ought to act. Yeah, go me with my worthless career aspirations.

Something didn’t feel right, though. A vague uneasiness gnawed at her. Nothing she could pinpoint, but you didn’t survive on the Strip without learning to trust your instincts. And right now those instincts were telling her this wasn’t worth the risk.

So just do it–and do it quick.

There was no shortage of marks to choose from. There was never any shortage on the Strip. That was the whole point.

She drifted closer to a young woman browsing store-fronts arm-in-arm with her boyfriend. Strip-standard attire said everything there was to say about her: wealth, privilege, arrogance. Perfect. Sabbi stumbled lightly into the woman, mumbled an apology, and the bracelet slipped into the woman’s shoulder-bag in one smooth motion.

Sabbi would drift for a while to get her composure back, but stay close. If all seemed okay, she’d find an opportunity to ‘reacquire’ the bracelet. No sense in wasting a commission payout. Nobody would be any the wiser. And no harm done, except maybe a tiny dent in profits for one particular Strip merchandiser, and frankly she considered them good for it.

Sabbi noticed a man watching her from thirty feet away, the way you do when one pair of eyes seems to be locked on you in a sea of oblivious faces. She felt her heart jump. She lifted her head, looking straight at him, letting him get a good look at her shades.

With the sunglasses on, Sabbi looked as if she had bug-eyes. The lenses had a clever faceted-prism design: transparent for the wearer, but appearing to everyone else like the compound eye of some nightmarish bipedal insect. And while the casual observer was trying to make sense of it–a hundred tiny reflections of their bemused face staring back from those lenses–Sabbi was checking them out, working out what kind of mark they might be, or what threat they posed. Or maybe sussing out an escape route. Definitely one of those, and sometimes all three at once.

She loved those shades. Sure, people noticed them, but they were meant to. And because they only ever noticed the shades, not the person wearing them, when she took them off it was like throwing an invisibility switch.

She side-stepped away into the thickest part of the crowd, slipping the glasses off, changing direction at random. Glancing back a couple of times, she caught only the briefest glimpse of the man. His movements seemed to lack urgency, but he was shadowing her moves and that couldn’t be chance. Sabbi quickened her pace, beginning to shoulder her way through strolling couples who didn’t move out of her way in time.

And now Sabbi could feel a buzzing at the base of her skull, a kernel of pain threatening to blossom into a headache. She ignored it and pressed on, puzzled at the surge of people suddenly moving in the opposite direction. A moment later, she heard it. Or felt it. Or–

Perfumes for the ladies! Maxine à la Mode! When it’s too hot to wear anything else! All kinds of perfumes!

The words slammed into her frontal cortex, assaulting her with almost physical force. No sounds though, just fully-formed words straight into her brain. Around her, people were dipping their heads and turning away, like a shoal of fish cleaved in two by a predator. Some were rubbing their foreheads, others muttering curses.

Maxine à la Mode! When it’s too hot–

Unwelcome thoughts and images exploded in her brain, thundering around inside her skull until she was sure she could feel her eyeballs vibrating.

She saw the hawker twenty yards ahead, his hand-cart piled high with bright packages of cosmetics. Sabbi knew most of the street traders in this zone, but here was a new face–frozen into a rictus smile that was fooling no one. In front of his stall, tethered to it by a thick ankle chain, the Thal paraded miserably up and down, issuing forth the mental torrent of advertising slogans.


Maxine à la Mode! When it’s too hot to wear anything else!

Maxine à la Mode!

Too hot–

Too hot–

Sabbi had never seen an actual live Thal, and certainly never got this close to one. As far as she knew, the few that had survived into adulthood had all been taken to isolation centers once the geneticists had finished dicking around playing god and the federal legislators had closed down the labs. This one had a stocky build, classically prominent brow-ridge with receding hairline and thick black hair allowed to grow long, but otherwise normal-looking. Not all Thals were strong broadcasters, but most showed the symptoms: predisposal to unilateral telepathic projection, an ability–if that was the right word–that laid bare their soul to everyone around. She tried to imagine what it would be like to uncontrollably broadcast your innermost thoughts to anyone within range, to forego even the most basic level of privacy.

And now this? Using a Thal as some kind of all-pervasive advertising gimmick? That had to be a new low. Though never underestimate the Strip’s ingenuity if there was a quick buck to be made. Sabbi shuddered, but she was damned if she couldn’t nearly smell that perfume now.

The Thal was tiring. His thoughts were losing focus, breaking up into an incoherent babble that mostly radiated hurt and loneliness and longing. The hawker yelled something incoherent at him but the wash of emotions only fragmented further.

The Thal continued to parade up and down, his head endlessly questing from side to side in that curious manner of the slow-witted, as though searching for something long since lost. He looked forlorn.

Sabbi let herself be carried with the flow of the crowd away from the hawker, the Thal’s thoughts beginning to fade from her mind. She’d lost sight of her pursuer, and that made her nervous. And she’d almost certainly lost her commission.

Something hard and claw-like gripped her arm, tightening inexorably. From behind, a voice spoke into her ear, foul-smelling breath assaulting her nostrils. “Prosser wants a word, my little lady-bug. Wants to know when he gets paid.”

“Ow! Let go of me! You’re going to cut my frackin’ arm in half!”

“Prosser’s not happy.” The grip tightened. Sabbi half expected to see blood staining her sleeve.

“I told you before, Crab. When I’ve got it, Prosser gets it.” Her fingers skittered uselessly over the pincer-like artificial hand squeezing her upper arm, trying to pry it loose. A tingling numbness was beginning to spread from the loss of circulation. Rumor had it that Crab had once snapped a man’s head clean off at the neck, like dead-heading a flower. Some poor unfortunate who had seriously pissed off Prosser. Just like her.

With no lessening of pressure, Crab began to maneuver her towards one of the narrow service alleys leading away from the Strip. The people flowed around them in an ill-temper, unsettled by the Thal’s blunt advertising message. Even now, something akin to the Thal’s carrier wave reached out to anyone within a hundred yard radius, broadcasting its jumble of resentment and misery; a cacophony of sub-vocal thoughts. It was like having some whiney two-year old living inside your skull. She glanced back and saw the hawker slip some kind of gauze hood over the Thal’s head–and immediately a calm descended.

“Look,” she told Crab. “Maybe there’s another way.”

“Oh yes, lady-bug. I like the other way.” The grip tightened a fraction and Sabbi yelped.

“Listen! What if I could set Prosser up with a shot at the Lakenbys store?”

Crab seemed to think about this. The pressure eased a fraction. She could almost hear the gears turning in his brain. “Lakenbys is not possible.”

Well, yes. They all thought that. The smart grifters stayed well clear. Lakenbys took security to a whole new level on the Strip: i-cams everywhere, beam interferometry on the display cases, item tagging–you name it, and Lakenbys had almost certainly implemented it. And there were too many staff with suspicious eyes. Management policy was ruthless prosecution of all grifters to the maximum permitted in law. But even Lakenbys had a weakness. Customers. You had to entice customers into the store–so long as they came with big fat credit chips. Draw them in, sell the goods, complete the transaction, send them on their way. In and out. And that meant being open and inviting. A pro like Sabbi sneered at the unsubtle nature of snatch-and-run, but really it was no different to the usual mode of business–except for the bit about the credit transaction. You had to be audacious and quick, and the staff had to be slow or off-guard. But it could be made to work.

“No, not possible. Not Lakenbys,” Crab repeated.

“Yes, possible. With the right kind of distraction. And I know just the thing.”