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Marching into Blue Climes

The wagon lurched and leaned up the crooked road to the dry bluffs. There, on ground of splintered shale and rust-colored lichen, where bull thistle twisted between the cracks of the earth, lay the disused home of Wallace Whitton’s father. Wallace, atop the wagon with reins in hand, smiled at his son and motioned to the firepit-gray ocean, where he hoped the boy might wish to play. He tried to seem sincere in his enthusiasm, but gained no like response. The boy stared ahead and drummed his thin fingers in an intricate rhythm upon the wagon’s rails.

When they stopped before the home, Wallace kept his watery smile in place. Their former guest house had been more expansive than this, and in far better repair. He hoped his son couldn’t read his disappointment, but the boy had seen so much. How could he know one truth and not grasp another?

The son touched at his fingertips. Each looked as if it had been dipped into a rhubarb pandowdy.

Wallace caught the boy’s hands and held them tight. “You mustn’t.”

The boy watched the sky, its clouds smeared over an expanse as pale as memory.

“Do you hear?” Wallace asked.

The boy answered that he did.

“Our things are inside. Go and see.”

The boy climbed down from the wagon and made his way into the house. The dismal structure was all that remained of the Whitton fortune, enduring only because it had lain outside the field of battle. If only they had all been so blessed. Viridis, the former Savannah vineyard, had been smashed, stolen, and eaten by Grant and his Hessians. While the rumble of their march faded to the south, Wallace Whitton had knelt amongst the ruins and, with his own cultured hands, dug through the cinders of his past, the cooling ashes of his family’s legacy, to grasp Nettie’s unanswering fingers.

As Wallace hefted their last load of belongings to the ground, a plinked melody of single keys struck by a single finger sounded from the house’s corner room. The boy had found it. Wallace headed inside to bandage his boy’s fingers before they stained the ivory.

These Old Hands

Frances heard a shriek as she approached the cottage door. Joseph hovered outside the threshold, twisting his cap in his hands. “She’s bad, Frances. Says she can’t take the pain.”

The old woman gave him a dismissive wave. “Ah, she’ll be fine, lad. It’s nature’s way.”

“What should I do?” He was barely more than a boy, less than a year married. His face, normally nut brown from working in the fields all day, had a grey cast to it.

Frances shouldered past him, Margaret right behind her. “Just stay out of the way, boy, and let us work. I’ve never lost a baby nor a mama yet, and I don’t intend today to be my first.”

Inside the cottage was dark, air thick with the smells of smoke, sweat, and urine. Frances could dimly make out Essie’s form writhing on the small bed against the far wall. “Margaret, get the window open and put on water to boil,” she said, rummaging in her bag of supplies. The packets of powders and herbs went on the cottage’s rickety table; Margaret would know without being told how to mix them.

Frances carried the birthing stool and linen to the bedside. “Now then, young Essie, let’s have a look at you.”

Essie’s round face glistened, her cornsilk hair flattened against her scalp. “Oh, Frances, it hurts something terrible. I think something’s wrong.”

Frances pushed back the blanket and peered between Essie’s legs, pressing one hand against the swollen belly. “Nonsense, girl. Your mother said the same thing when she birthed you, and you were no trouble at all. We’ve time yet.”

While Margaret boiled water and brewed the herbs, Frances got Essie out of bed and on her feet. At first she resisted, but Frances eventually got her to walk a circle around the small room. When Essie’s next labor pains struck, the old woman helped her sink into a squatting position on the low birthing stool. “Margaret, hold her up.”

Margaret set aside the cup of brewed herbs and moved to support Essie’s lower back. She was a thin, fragile-looking girl, but Frances knew she was far stronger than she seemed, and holding up Essie’s limp weight posed no challenge. Frances eased down onto one knee, wincing at the stiffness in her bad hip. Pushing up Essie’s skirt, she leaned down to check her again.

At first glance, it appeared to be the start of a normal crowning. The lips of the vulva were stretched over a round, smooth surface, one a little bigger than a balled-up fist. Then Frances frowned and took a closer look. It was the right size to be the baby’s head, true, but it was too dark, too shiny. Even if Essie had been bleeding, it wouldn’t have stained the scalp that deep, gleaming black.

When Frances leaned up, Margaret’s sharp brown eyes were watching her. Breech? she mouthed from behind Essie. The midwife shook her head.

“Essie, bite down on this, now. I’ve got to reach in.” She passed Margaret a leather strap and smeared her fingers with goose grease from a small jar.

Essie tensed and let out a groan when Frances slipped her fingers past the mass. Frances felt around the sides of the object, pulse quickening with each moment that passed. The shape her fingers traced was a smooth ovoid. No limbs, no face, no bones. In place of soft, yielding flesh was a slick carapace or shell, hard as stone under Frances’ fingers. As she explored, there was a flutter, some tapping from within, a pulse or a kick.

“What is it? What’s wrong with him?” Essie’s voice came out shrill and garbled around the strip of leather.

Frances forced herself to meet Essie’s eyes. Poor girl, she thought. And it’s her first. “We can’t know till you’ve birthed,” she said, and could see that Essie was too scared to ask again.

The rest of the labor Frances handled like any other, instructing Margaret to rub Essie’s back when the pains came, applying salve to prevent tearing and blood loss. When the time came to push, Margaret moved to ready the linens. Frances watched her face, could see the shock pass over her features when she saw what was coming out. But then the girl steeled herself and looked away, busying herself with preparations. Frances took Essie’s hand in her own arthritic fingers, not allowing herself to wince no matter how hard the girl squeezed.

It came out smoothly, and Frances could see right away that Essie was in no danger. Margaret caught it as it slipped from between Essie’s legs, a perfectly even, black shape, like obsidian with the edges smoothed away. There was no cord, nothing attaching it to Essie’s body. Margaret’s hands trembled as they held it, her throat working as she swallowed convulsively.

“Why isn’t he crying?” Essie gasped. “Why isn’t he crying?”

She leaned forward and saw what she had delivered into the world, and the scream that ripped from her throat seemed to pierce Frances down to her bones.

Me and My Heart

I meet the man in a hotel outside of town. Room 304, just like he said. He’s there when I arrive, watching football on the television. “Shut the door,” he says, and I do.

He opens a briefcase and shows it to me: seven ounces of flesh suspended in liquid and plastic. “We good?” he says.

I reach into my purse and unfurl the bundle of money. Six hundred pounds, made up mostly of fives and tens, scraps of cash collected over the months, small enough to avoid drawing any attention.

We make the exchange, and the man walks towards the door.

“Wait.”

He stops.

“I don’t know how to do it.” I hesitate. “Can you help?”

“It’ll cost more.”

“How much?”

“Another two hundred.”

“I don’t have that much.”

He sighs. “How much you got?”

The forty pounds left in my purse is for groceries, but I can worry about that later. I hold it out to him.

He takes it, opens his briefcase, and finds a bottle of clear liquid with a syringe. “You got a knife? Needle and thread?”

“Yes.”

He passes me the bottle. “Use this before you begin. Rest’s up to you.”

#

When I get home, it’s ten o’clock. I should have an hour before my husband gets back. I work quickly, checking diagrams on the internet before injecting the liquid into my side, just above one of my bruises. I use a kitchen knife, sterilised in boiling water. It stings at first, but the injection takes most of the pain away. I slice and carve with the knife, using a mirror to guide my trembling fingers until I make the final cut. For a moment, my senses plummet and the room feels darker, smaller, like all the texture has been buffed off the edge of the world. I make the switch.

He could be home any minute. I stitch myself back together with needle and thread, and it’s only then that I realize I haven’t thought about what to do with my old heart. I bury it in the garden.


I wait for the thump of his footsteps on the staircase, the sound of him fumbling at his clothes and climbing into bed. The smell of his breath, stale alcohol and smoke, his fingers in my hair and on my body. But the door never opens.

In the morning I find him asleep on the sofa. There’s a beer can on the floor, and a pool of sticky liquid where the dregs have drained out. I clean it quickly before making breakfast, and when he wakes he’s in one of his good moods, so things are okay.

When he leaves for work, I examine the stitching. It’s already healed. The lines I drew with the knife have come back together, and my new heart beats underneath.

Things feel different now, like someone has turned the volume down by a couple of notches, like they’ve gone into the settings and fiddled with the contrast.

In the garden, a flower has grown on the spot where I buried my heart. There’s a single rose at its head, red like blood.


The rest of the week is okay. I keep to my normal routines, making sure the house is clean and dinner is on the table when he gets back from work. The days blur into each other, a steady grey.

One day he throws a plate at the wall. It takes ages to clean all the grease, but I know he doesn’t like his meat cooked that way so it’s my own fault, really. He apologises later.

In the evenings, while he sits on the sofa watching television, I bring him drinks but I keep the pace slow so he never goes beyond the dulling stage. He touches me in bed, but if there are any marks still left on my chest, his groping fingers don’t find them. On Friday he comes home with flowers and a bottle of my favourite wine. The weather is fine so we eat outside in the warm air. I try to enjoy the wine but it doesn’t taste of anything. While we sit there he says it reminds him of one of our earliest dates. I see the rose in the garden and I wonder.


On Saturday night he goes out with the guys. He kisses me when he leaves, but when he returns in the small hours he slams the door and I know it’s time. He swipes at me clumsily, but when he tries to grab my arm his sweaty fingers slip and I escape into the kitchen. I grab a knife with one hand, the cordless phone with the other. I tell him to leave.

He smiles stupidly and slurs his words. “Come on, baby, why all this?”

In my chest, my heart is steady. “If you come near me, I’ll use this knife, and if you don’t leave, I’ll call the police. I mean it.”

“You’re feisty tonight, eh?”

I begin to dial the number.

He holds his hands up, smirking. “Okay, okay …”

When he’s out the door, I put it on the latch and speak through the gap. “I don’t want you to come back. Not ever. It’s over. I mean it.”

He laughs. “You can’t live without me, honey. You know that, and I know that. We love each other. We need each other.” He walks away. “I’ll see you soon,” he says.

When he’s out of view, I close the door.

He thinks it’s going to happen like all the other times. He’ll come back grovelling, tell me how much he loves me. That he’s sorry, that it will never happen again. And I’ll take him back.

He’s wrong.

This time the locksmith will be here in an hour. This time I’ll change my details at the bank. This time I’ll go to the courts, get one of those orders. And this time I won’t feel anything.

I Will Bring You Home

A thud of rock woke Sykeet, followed by a rattling of dislodged crystals against the woven walls of her hanging hut. There were no fire pots in her lower reach of the rookery. No light from the moons, either: a storm beat against the suspended village. Her wings twitched in the dark.

There was cursing, then a shriek of panic, “The fledglings!”

Sykeet darted from her hut like a harpoon, flying blind toward the crèche net. Her long wings beat the air, lifting her upward. Sleet hissed against rock, giving her only a minimal sense of location in the dark. More rocks thudded above. She heard the twangs of over-stretched ropes snapping.

She called shrilly to her daughter, “Kyree!”

There were voices in the dark: other mothers and the faint cries of fledglings. Then from above, a wild flapping of fabric and netting. She couldn’t see a thing.

The falling canopy hit her, a glancing blow that knocked loose feathers and sent her tumbling in the dark. She heard waves crashing against the rocky base of the spire below.

Sykeet caught air in her wings, regaining control. Still blind. The plummeting crèche net had fallen below her. She pulled her wings against her body and dove into what she hoped was open air.

“Kyree!” she called again.

The panicked brood, trapped in the net, screeched as they fell toward the sea.

Sykeet followed their cries. The net hadn’t snagged on the crystal-crusted spire. If she could catch it with the talons of her feet or wings, she might slow its fall.

But a gust from the storm blew her sideways, away from the screams. She beat air frantically, trying to get back.

There was a splash as net and brood plunged into the sea.

“Kyree!”

Cold sleet crusted her feathers, numbing muscles. Spray from the waves blew against her as she fought to stay above them, circling blindly and calling, trying to find her daughter.

Unable to see, she slammed into the spire. Pain shot through her. Dazed and disoriented, she grabbed hold, talons clutching crystals. Fragments cracked loose from the rock. She slipped closer to the waves. Sea spray filled her open beak as she turned toward the water. She choked and coughed.

Sykeet could only cling there, shivering from pain and cold, too numb to take flight. She listened for fledglings, hearing only the roar of wind. Waves pounded the rocky base below her. Her eyes stung from sleet and spray. When she tried to climb lower, more crystals broke off, nearly dropping her into the cold sea.

She folded her wings close against her to conserve heat, and pressed her head against the rock. The world had gone dark, taking the thing she cherished.

She shivered through the night, praying for some sign that her daughter had survived. She saw nothing, heard nothing.

But in the dark hours of early morning, she suddenly dreamt she was elsewhere. Sleet and spray still beat against her, but instead of the rocky spire, she felt she was pressed against something smooth. A net held her down.

Then the dream was gone, as quickly as it had come.

Amsterdam’s Gods

Malachite, carrying her ailing father on her back, walked towards the city of Amsterdam over the ancient ringway. It had been ten years since she and Father had fled the ruins of their old life over this very road. She couldn’t remember anything about that journey.

“It’s easier to get into Amsterdam than out,” her father quoted the old adage in her ear, brandishing his stick in front of her eyes to underline the wisdom in his words.

The raised highway was blocked-in by ruined, overgrown edifices on both sides, so it was impossible to see where they were going. The old road was surprisingly passable for travelers on foot, but in spite of that few people were using it. Which suited Father, because he said the business of revenge flourished better without advertisement.

Malachite would have liked to speak to the other travelers, to get a feel for the city of their destination, but Father wanted speed and silence. She’d promised him she’d get him back to Amsterdam and to help him avenge her mother and her sisters. Malachite shifted Father’s fragile bones around to a more comfortable position on her back.

At the end of a day’s walking, there was seldom any comfort left. But at least she was seeing something of the world.

“We got out back then,” Malachite said, trying to fathom what the ruined castles lining the broken highway had once been used for. Forts, she guessed, to protect and oversee the great road. She had heard people could shoot from that far away those days, even without special divine powers.

“We did,” her father said. His hand clawed into her shoulder in a way that said, I don’t want to talk about it.

And he didn’t need to. Malachite had been ten years old when they’d left, wise enough to understand her mother and her sisters had died and that they had to flee from the god who had broken its promise. A guilty god was deadlier than an angry god.

Still, it felt uncomfortable to be out of the demesnes of Otte en Liet, the powerful gods of Rotterdam, after ten years of safety. She and her father carried small vials of river water for protection, in brittle but intact plastic bottles that had once been her sisters’, but in the end they’d be on their own. It would be just their wits to go up against Aterscha, the god that had betrayed them and caused their family to die.

The destruction of the known world hadn’t stopped Amsterdam being a home to many gods besides Aterscha, gods of all kinds, big and small, friendly and unfriendly. No other city was as god-rich, no other gods worked so hard to keep their promises and keep their many followers happy. No other cities had a god of fashion, a god of good hair and several gods of great shopping. Said Father.

“Are we going to get there before nightfall?” Malachite asked as she looked at the western sky. She didn’t want to be outside city walls at night, prey to the wild godlets that roamed the open countryside.

“It’s a big town, Mal. Bigger than what’s left of Rotterdam. Older and stronger and with more magic.”

Malachite shivered. She didn’t like magic, never had. She worked in the harbor with her strong back and her big hands. If she never had business with any god but friendly Otte it would be fine with her. Except for this: she still burned with anger for the god that had killed her family and forced them to leave their hometown. For revenge, she would follow her father’s crazy plans.

Father picked the off-ramps he wanted to use. They’d have to walk inwards on the spokes of the imaginary wheel that was Amsterdam.

“Otte and Liet gave us specific instructions,” Father said. “We’d better stick to them. Promises go both ways.”

Malachite knew. One of her best friends when she was little hadn’t delivered the pink hair ribbon she’d promised to the god Oopgoot in exchange for curing her sick bunny, and the girl had ended up hairy, pink-eyed and dead by Christmas.

“This one.”

Here the ancient road descended from the elevated highway and segued into a bridge across the river Amstel.

Two steps on the bridge, Malachite halted. “Shouldn’t we pay homage to the river god?”

She walked over to the parapet to offer some spit, but Father pulled her ear to stop her. “No. Feel it. This is a dead river. Some other god killed Amstel a long time ago, and no one’s managed to claim her territory yet.”

Malachite pushed forward through the muffled, dead air on the bridge. So different from the sparkling exhalations over Otte and Liet. “I’ve never heard of a dead god before.”

“She probably reneged on a promise and all her adorers left her,” Father said.

Malachite shrugged. She couldn’t feel pity for a god. With great power came a great sense of entitlement and whimsy.

At the end of the bridge, she slammed her nose against an invisible barrier. “Ow!”

“I should have looked up the bridge god,” Father said. “Sorry.”

“What tribute does it want?” Malachite said, rubbing her nose.

Father flipped through his precious notebook. He could read and write, something Malachite had never taken to. “Here it is. Mstel bridge, a few drops of blood.”

Guess who was going to offer them? Malachite wiped her bleeding nose and flipped a few drops on the crumbling tarmac. Then she offered a few more for Father.

“Mstel Bridge, can we cross?” Father asked loudly.

No answer came.

Father shrugged. “I guess we’re good.” A little gingerly they crossed the spot where Malachite had hit her nose, but nothing happened this time.

Father relaxed and ruffled her hair, which she hated. “See? We can do this.”

Gills

I run my fingers tentatively over the rough outer edges, my face almost touching the mirror. Folding back semi-rigid slits, I examine the tender pink tissues penetrating both sides of my neck. No question about it: These are serious gills.

I first noticed them yesterday, on my day off. Shaken, I paced the floor for a couple hours before checking out Wikipedia. I learned that gills are a common feature of aquatic organisms. Fish have them. Some amphibians do. They extract oxygen from water and eliminate carbon dioxide. I suppose they could come in handy, like when you go swimming. Maybe it’s not the end of the world.

But why now? Thursday is the evening that Liz comes by the restaurant for the vegetarian omelette, washing it down with decaf coffee and leaving me a decent tip. I finally decided that today is the day I am going to ask her out, on a real date. How many times have I pictured myself cruising in her sleek silver BMW convertible, with the top down and the wind blowing through her gorgeous shoulder-length red hair.

And there’s this other problem: I’m a couple inches shorter than her and working on a beer gut. As for waiting tables at IHOP, I can explain that I have greater aspirations, that I earned a degree in hospitality management, after all. Maybe she can overlook the fact that I spend most of my spare time in my tiny man cave watching episodes of “Lost” over and over. And perhaps she won’t mind that I don’t have a stereo or a bar–just a second-hand couch, a flat screen, and a few old pictures, like the one of me at about age six standing in front of the Ferris wheel at the Santa Monica pier.

Yeah, Sal, you’re a real prize. And now you have gills on your neck.

I rub myself down with skin cream, cram two tubes of it into my pockets, and rummage through the bottom of my closet. I dig out a black turtleneck sweater, a gift from my ex-girlfriend. Not exactly my style, but it does cover most of my gills. I finish dressing, grab my keys, and head out.

I’m five blocks from home and already I’m running late for work. It seems like there’s a fender bender at every other intersection. What’s wrong with you people?

I jog from my Prius to the front door. Gabriella is filing her nails and barely looks up from the reception desk as I rush by to get my apron and name tag. My asshole boss Crusty still hasn’t fixed the ceiling fan over my section. I bet he disabled it to save a few pennies on his power bill.

I enter the kitchen and realize instantly that something is terribly wrong. It’s Charlie, the head cook. Charlie who is always making up silly songs about women’s anatomy as he flips pancakes and slaps bacon on the griddle. Charlie who is always grinning like he’s higher than a kite, even through double shifts amid the relentless glare of ceiling lights reflected by an ocean of stainless steel.

Charlie is staring straight ahead, eyes wide and mouth half open, scratching himself absentmindedly with his non-spatula-bearing hand. He doesn’t appear to realize that food is burning in front of him. Crusty is lurking several paces to my right, even more stooped than usual, his arms bent and waving erratically, his beady black eyes sweeping the kitchen from side to side before fixing on me.

“Where have you been? We’re down a person and you better get your ass out there right away–”

Hold on, Mr. Carlson, I want to say. It’s a Thursday evening in August in Cedar City, Utah, for God’s sake. There’s nobody here but the usual senior citizens who have been nursing java refills all afternoon, plus what looks like an unemployed guy pretending to read the help-wanted ads and a tourist trying to figure out why she brought the family to a ski resort during the summer. But I can’t get a word in.

Charlie signals me with his eyes. Two quick, furtive darts to his left, toward the food storage lockers beyond Crusty. I hazard a glance, but the boss scuttles sideways to block my view. A low moaning emerges from that direction. I look back at Charlie, nod my head slightly, hand him one of my tubes of skin cream, and retreat from the kitchen.

As I prepare to greet a couple of teen-agers on a cheap date, I silently curse the guidance counselor who steered me into this line of work. Mr. Denning, you made the fundamental mistake of assuming that I like people.

I avoid the kitchen as much as possible, hanging by the register when not waiting on tables.

Right on time, Liz arrives. She’s wearing a blue jacket and red blouse with pearls and a dark skirt. I bring Gabriella a box of candy every month, so she always seats Liz in my section. I guess everybody realizes that I’ve had a crush on Liz forever—everybody except Liz.

I try to avoid eye contact, but my God, just look at this woman. Tall, thin, with legs that go on forever. A slightly pointed chin, but intoxicating blue eyes and that spectacular hair brushing her face in just the right places. On top of that, she’s a successful real estate agent, well known and well heeled.

I pull myself together. “Welcome to IHOP. Can I start you off with a beverage?”

“Coffee, regular,” she states, not looking up from the menu. “And the bacon omelette.”

That throws me off. I mutter: “Regular, not decaf? And the bacon omelette, the one with six strips of bacon?”

“Yes. Any problem?”

“Uh, no, of course not. I’ll be right back with your coffee.”

What an idiot.

I slouch back into the kitchen. Charlie’s expression is even more grave. Crusty, leaning over a prostrate figure in the far corner, is covered in blood and making noises that I don’t even want to contemplate. I drop off Liz’s order, yank up my turtleneck collar, grab a pitcher of coffee, and take a deep breath.

Okay, Sal. You’ve rehearsed this a thousand times. Be relaxed, confident. Tell her that you’ve noticed her on Thursdays, that you think you have some things in common, that you’d like to get to know her.

Of course, I blow it.

Liz is scanning property listings. As I pour her coffee, I say without conscious premeditation: “I’m thinking of buying a house.”

She stares at me, hard, with more than a hint of amusement. I weigh the merits of bolting out the door and driving for days until I’m thousands of miles from anyplace where someone might know me or care that I have gills.

She opens her purse, withdraws a business card, scribbles on the back, and hands it to me.

“I’m usually up late,” she says.

Back by the register, I check out the writing. It sure looks like a residential address.

Somehow, Charlie produces an edible dinner for Liz. Somehow, I get through the rest of her meal without further screw-ups. She gives me a polite nod as she leaves.

Just an Expression

The job posting on the Newark Advocate’s website read, “Do you have an expressive face?” Beneath that single question was an inky little drawing, like a grayscale watercolor, of a man’s face. The only other text on the ad was an address.

The face from the ad had a kind of careless artistry about it, like it hadn’t taken much time or effort, but still hinted at a real mastery of proportion. More importantly, it was my face. It wasn’t a detailed drawing, just a smudge of a thing. But the angle of the nose, the jawline, the receding hairline, even the stippled hint of a five o’clock shadow were all mine. I’d seen them all in the bathroom mirror moments before opening my laptop.

It had been more than five months since I could reasonably call myself employed, so I was ready for a sign of hope from the universe. Hell, I would have settled for something vague. The faint s-curve of a dollar sign burned onto my toast. A fortune cookie promise of wealth. This wasn’t vague at all. It was right there on my computer screen in black and white. My face was on a help wanted ad.


My hands started shaking before I had finished running the iron over my interview shirt. I hated interviews. I also hated walking into a job without knowing a thing about it, but getting evicted was still the greater evil.


I did my best to think of witty small talk on my drive to the office park. I thought we could have a laugh at how much I looked like the little drawing.

“Looks like I’m you’re man,” I’d say.

“Ha, what a fun coincidence,” my soon-to-be boss would reply just before offering me a sizable signing bonus. Sure.

I found the address and parked. The office looked just like every other office in the complex, a brick façade with mirrored windows that showed nothing of the interior of the buildings. The door swung open just as I was getting out of my car. A young man with tidy blond hair and a charcoal gray suit stomped down the front steps scowling and muttering to himself.

He saw me heading toward the door and shook his head.

“I wouldn’t bother,” he said. He threw his arms up in exasperation and continued walking.

I decided to ignore him. After all, it wasn’t his picture in the ad and he didn’t seem like someone I would want to hire anyway.

Strange Eats at the Swan

You could say The Swan is a bit of an anachronism. Actually, you could say it’s a complete and utter, outlet-on-a-castle-wall-in-a-bad-movie anachronism. Maybe that’s what I like about it. It’s an honest to goodness, bad lighting and vinyl swivel stools diner. Has been since the forties. It used to be in good company on this street, but over time, all of the small independent shops ran to seed, and were bought up by this and that chain of cafes where coffee comes in a paper cup and cost three times what a coffee should. Hell, maybe It’s just my age, but I like it that at The Swan you still pay less than two bucks for a coffee that you can nurse well into the night without being bothered.

My coffee’s getting cold. I look at my watch. Have to squint to read the hands. Feels like an hour has passed since the last time I looked. Nope. Seven minutes. The waiting has become the hardest part.

The Swan is the kind of place where, in days gone by, blue-haired ladies would come on an afternoon to eat soggy-crusted pie and drink tea from those metal pots with hinged lids that would never close properly. A place where people would take a paper serviette from the metal stand on the table, unfold it and place it on their laps.

Whatever happened to all the blue-haired ladies? Nowadays they all take yoga classes and join book clubs. They drink decaf coffee and eat sugar free cookies. Lord above.

I have my usual table, a booth right next to the front window. The glass is late-night black and I see my shadowy, transparent self looking back at me. I want to put my hand out to see if it will go right through my reflection, but stop myself. I watch my face. Seems it’s been a while since I shaved. Can’t remember the last time. An all-night streetcar rumbles by, confusing the images. I look away.

The coffee tastes weak, but it does twice the job, caffeine-wise, of a coffee you get anywhere else. Another reason I like the place. And they serve it in those off-white cups and saucers with a band of off-white swans swimming around a robin’s egg blue rim. Robin’s egg blue. Not a color you hear of much anymore. Come to think of it, I don’t even remember the last time I saw a robin. Let alone a robin’s egg.

The middle-aged waitresses here are also from another time. Their uniforms are that color–since we’re on the topic of almost extinct colors–that used to be called mint: that pale, slightly sickly green that went out of fashion decades ago and for good reason. But I kind of like it. Here at any rate. It wouldn’t be the same if the waitresses were all eighteen and went around in tight black tee shirts and jeans. Wouldn’t be the same at all.

The clientele has changed over the years. And not for the better. They all look the same these days: the old and young, the rich and poor. And everyone looks so damned clean and fresh and healthy. Squeaky clean. Much as I hate to admit it, I’d love to see a kid with a hipster afro, or a foot-high punk mohawk hair-do walk in here. Hasn’t happened in ages.

I look down at my wrist again. Eleven minutes. That’s better. Though I’m starting to get that fluttery, colony of moths in my gut feeling. I’m sure they should have been here by now. But, as I know well enough, there’s no rushing these things.

I tap my cigarette pack on the table top. Used to be able to smoke in here. Not anymore. Not for a long time. The waitress is glaring at me from behind the counter. She’s already given my cigarettes a warning stare. Now she’s coming over, slowly, on white sneakers that squeak slightly on the linoleum floor; the kind of shoes you can only find in service uniform shops. She reminds me of an overworked nurse as she makes her way to my booth, holding out the coffee pot like it’s a bed pan she’s just changed. I feel sorry for her. I really do. She looks tired. But I can’t help fidgeting with the end of a cigarette, pulling it slowly out of the package. The damned thing is I don’t even smoke. Never have. But I like the way a pack of cigarettes feels in the hand. Just noticed that my hand’s shaking. More than usual.

She comes closer. Then out of nowhere, I get the taste in my mouth. God. Can’t even begin to describe it. And it’s a bit different with each person. Depends, I guess. Although I try not to, I find myself chewing. There’s nothing in my mouth but that taste. And as I chew, the image of two people appears, just behind the woman, grainy in a bad TV reception sort of a way. One’s the waitress. The other some guy. Their images sort of cling to her as she saunters through the diner; warping slightly each time she takes a corner. Damn. They aren’t always this strong, but she must have been musing on it today. Whether relishing or regretting, I’ve no way to know. Don’t much care, either.

“Refill?” she asks. I nod and put the cigarette back in the pack and push the pack away. She pours coffee that’s never quite hot enough into the cup. The swans keep swimming around and around. I swallow half the cup in one go. She walks away and I notice that one heel of her white sneakers is worn down more than the other one.

The bells over the front door jangle to life and my heart bounces into my throat. My hand rests on my throbbing neck as I turn to see who’s come in. I’m disappointed. And relieved.

A young couple bubbles through the door. They’re nuzzling each other and smiling like they just got away with a bank robbery. In spite of the hour, they still look annoyingly, artificially fresh. I’ll bet they go to a tanning salon. That’s probably where they met.

They approach the booth next to mine, then stop for an instant. Their faces change as they look over at me, then carry on to a booth further down the row. I don’t take offense at their not wanting to sit at the next table, I’m not looking too terribly fresh these days, but what I do take offense at is that they don’t look the least bit embarrassed by not wanting to. Can’t say I’m not used to it. And I can’t say I care. Really.

Time as an Opened Letter You Didn’t Want to Read

Time as an Opened Letter You Didn’t Want to Read

“I can turn back time,” my father says, or he will say. He will tell me that he will save my mother who died when I was just a child. He will say this, or he has already said this, or he is saying it right now.

This morning, I was a simple man with a simple life and a simple job as an accountant. My life was scheduled hourly, and there was never any question of where I was supposed to be when. But now time is fractured and I have seeped through all the cracks. I find myself in a business meeting with J about my father’s new invention at the same time I’m deep-sea fishing the Gulf with my father, who, as usual, is barely aware I’m there. I am a child again, meeting yet another fly-by-night stepmother-to-be at the same time I’m in Dallas watching JFK’s parade, an event that happened before I was born. I know what the real when is, because I know the blending of time happened today, but those terms are rapidly losing their meaning as time scrambles itself like an egg.

Even right now in the nowest of nows, in the midst of talking with J about patents and business plans, I am also in the Intensive Care Unit standing beside my father, wires sprawling on the floor like spilled spaghetti and everything smelling of antiseptic null. My nose is scoured of scent. J finishes a joke and his face wrinkles in the beginning of a laugh, but even as I hear his voice rise, it is mixed with the sound of nurses washing their hands, torrents of dirty water swirling through an aluminum basin.

The heart machine’s tubes stick into my father’s chest with the awkward beauty of an octopus’ arms. The tubes pulse slightly with every pump.

“I’m sorry,” I say automatically, without regret, the same way my father apologized to me for years without ever looking me in the eyes.

The pumped blood turns from red to a brighter red, then dulls.

J’s face darkens slightly, then smooths into a white sail.

“It’s okay,” he says. “I don’t expect everyone to get the joke.”

There are a hundred other moments I’m living, but these two stick into me like hooks in a fish’s mouth. J, waiting for me to pronounce on my father’s intellectual property. And my father, waiting for a priest to pronounce last rites.

My dad is swaddled in bandages. His eyes are covered with jelly to keep the staring eyeballs moist. I shut my eyes and focus on J’s office, but I can still hear the subtle beep of the heart monitor, the suck of the pump, the intercom crackling in some other room.

My father is an inventor of the old school, of the purest sort. He is more a philosopher than a scientist, seeing technology as the means towards plumbing the depths of the human heart rather than a method for making money or for improving society. An idealist.

“And what do you want to do with your father’s blueprints?” J says. The ends of his mouth turn up, predatory. He’s been our family’s financial advisor for as long as I can remember, a friend of my father’s from when they were in school, latching onto genius, and hoping that it would pay off. I am a child in his office, and he hands me a lollipop. “I wish I had a son just like you,” he says.

As J’s excitement grows, his ears turn scarlet. Normally a handsome man, now he looks like a troll. He knows my father had a breakthrough, and he’s waiting to hear what it is. He’s waiting to tally up his profits. He’s waiting to put a payment towards that yacht. He’ll still be waiting years from now.

This morning, as my father called to tell me the good news, I listened to him in my office at the same time I was in the alley behind my condo burning all of my father’s notes and designs and blueprints in a garbage can half-filled with garbage. The smell of burning paper and rot made my mouth water. I didn’t know why I was burning his things, but I could feel in my gut that it was the right thing to do. The necessary thing.

At my long silence, J’s smile cracks to reveal uneasiness.

“Send the blueprints to the patent lawyer, of course,” I say, standing. “I’ll send copies once I get the originals from my father.” I pat J on the back. We’re co-conspirators in the world of business, and though he nods in agreement now, he’s also snarling at me from behind the bars. Except I’m the one behind bars.

It was exactly a minute before my father called me that I found myself in two places at once. His voice was ecstatic – a minute before, he’d completed his invention – full of a life and a confidence I hadn’t seen from him for years. He hadn’t been so happy since the birth of my sister.

Except I don’t have a sister.

“Oh God,” he said. “Now I’m a god.”

He says the same thing in the delivery room, my sister in hand, my mother beaten into a stupor by labor, nurses cleaning up their prostrate bodies, and the doctor the only one noticing business-suited me in the corner of the room, my mouth agape in wonder. Before he can blink, I am gone.

I barely knew my mother. She died when I was three, sideswiped from the sidewalk by a bus with a blown tire on her way home from the grocery store. But I recognize that woman in the hospital bed from the family albums, even if she’s older than the pictures, older than the girl of twenty-seven who died out of my life so long ago.

Now I’m a man of forty, responsible for my own affairs and my father’s. I pay my bills on time and float a responsible amount of debt. I’m not religious. I believe in what I can see and hold. I believe in history, and the fact that our past is what molds us, continually, into who we are.

Now I am walking up the front walk of my father’s house. Instinctively, I step over the concrete raised up by the roots of the oak tree that I had removed five years past as a hazard. There’s a scar on my chin from when I tripped on that concrete for the first and last time when I was ten.

Now I am in the shower washing the blood from my body. It comes off easily.

Now I am in the Intensive Care Unit, but I am also still in the shower. I am naked and wet before my father’s dying body, also naked and wet. Water pools on the floor beneath me. A nurse screams, and her screams echo in the shower.

I am in all of these places at once, and none of them for certain. I can sense the distance I am from the hospital bed while I step up to my father’s door. It is growing harder and harder to focus on exactly who I am and when I want to be, but I am learning small tricks. If I bite the inside of my cheek, the pain brings me back to the now I need to be in, back to the me that is pressing the doorbell on my father’s house a little too forcefully. Even so, I can sense all the other places I am. If I look away, I know I’ll be standing before the chair that is waiting for me to be strapped in it.

A car honks, and I turn to see M, a childhood friend, wave as he drives by. But when I turn back I am in my father’s laboratory. He is removing his new invention from its protective case. I need to explain to him what he has done. But then my mouth drops open.

“You invented a gun?” I’m amazed. My father doesn’t believe in violence. When I asked him what he felt when mom died, he’d told me he simply felt sorry for the bus driver and all the passengers, having to witness such horror.

But it just appears to be a death ray or freeze beam, because my father isn’t crazy. He’s just a little misguided.

“With this,” he says, “I can turn back time. Well, if time could be turned, which it can’t because time isn’t a sphere or a circle or even a line. It’s a point. And with this I’ll be able to see all points at once.”

“And how is this supposed to make us money?” I ask.

“This is more important than money,” he says. “With this I’ll be able to save your mother. Don’t you want to meet your mother?”

“Dad, you can’t change history,” I say.

He doesn’t argue. All of his excitement falls away to reveal desperation and disgust.

“You never cared about me,” he says. “All you cared about was what I could give you. But I’ll bring your mother back! And then everything will be as it should have been.”

He turns the invention on himself, but I leap forward and grab the tip and pull it away. He pulls the trigger and the end of his invention glows with an unearthly light, the tip emitting a beam which slams into me with all the force of a feather.

My father’s eyes are wide with alarm, but I’m fine. Nothing’s changed.

But everything has changed. The moment my father finished the invention, this event was destined to happen, and when it did I was shaken from the fixed timeline of my life like water from a dog’s back. As soon as it would happen, it did happen. But only now do I fully understand.

I can see the future where everyone is lost in time, everywhen at once. History is a water-soaked tissue, transparent and fragile, and if you pick it up, it falls apart. And for one final moment, I am at my 41st birthday party and my mother and my sister and, yes, even my father, are watching me blow out the candles with joy and pride and –

– and I am there in my father’s laboratory and I am burning his notes and I am dismantling his invention and I am at his death bed and I am facing the electric chair and all because time cannot be changed. It will not be changed. I won’t let it be changed.

I ring the doorbell to my father’s house. When my father opens the door he grins so fiercely I’m afraid he might pull a muscle. It is the happiest he’s been to see me in a long, long time. He doesn’t suspect the knife until its already deep, deep inside him.

He looks into my eyes, but he isn’t shocked. It’s as though he is seeing me – the real me – for the first time.

But we both know that’s a lie.

The Redemption

Three years and not a word from the world. Three years of fighting to stay alive in the overgrown nuclear wasteland of Chernobyl amongst desperate criminals. Without law. Without hope.

But our redemption is now at hand. We remaining three. We insidious, hateful three–a thief, a prostitute, and an assassin–have packed our atonement into a thick lead case, placed it in the back of a rusty Kamaz truck, and are rattling down the highway to Moscow for deliverance.

Anastasia sits shotgun. Her AK-47 rests across her lap with the loud end pointing out the open window. Yuri sits in the truck’s cab behind us, an MP412 REX revolver–a Russian knockoff of the .44 Magnum–is in his hand; it’s more gun than hand. And then there’s me, Gordon, in the driver’s seat with my Glock resting in my lap and my AK-47 snapped into the gun rack over the windshield.

I can’t tell if Yuri and Anastasia are sick, nervous, or otherwise. I can only see their eyes through the glass portholes of their black masks. The rest of them is sealed up in yellow radiation suits, which are broiling in this summer heat. The pavement shimmers like a watery dream and even though the windows are down and we’re driving at a good clip, I’m sweating like I’m in a sauna. The short, hot breaths I have to suck through my mask’s circular filter are leaving me dizzy and gasping for more.

I don’t know if this is the hangover, the heat, or the radiation poisoning, but my stomach feels like I ate a bag of nails.

We partied like it was the end of the world last night and I think Yuri and Anastasia got together. I remember at one point her arms were around me, bottles of Black Cherry Stolichnaya were in our hands, her tongue was flickering in and out of my mouth, and she was grinding her crotch against mine in time with that godawful Russian music. Then I can’t remember what happened next. I woke up in bed alone.

I am mentally kicking the hell out of myself for this. She is an absolute knockout with a body as sleek and as sexy as a Bengal tiger’s. The Russians would line up around her decrepit apartment building in Chernobyl. And then there’s Yuri: skinny, sickly looking, and with just a handful of teeth. How the hell did I lose out to him?

“Anna,” I say, but my mask muffles my voice and she can’t hear me. “Anna,” I say louder and put my hand on her leg. She bats it away and looks at me. Her angry blue eyes shine through her mask’s dark lenses.

“What did I do?” I shout.

Then I slam my heavy rubber boots down on the breaks, throwing everybody violently forward. At the side of the road ahead and glinting in the sharp sunlight is a Skitter. He’s alone; just one from the hungry hordes that swept across the world, devouring every animal, man, woman, and child, leaving nothing but stillness in their wake.

Anna snaps back the bolt of her AK-47 and Yuri cocks the hammer of his hand cannon.

“Time for go!” Anna whoops.