<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The Colored Lens</title>
	<atom:link href="http://thecoloredlens.com/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://thecoloredlens.com</link>
	<description>Speculative Fiction</description>
	<lastBuildDate>Tue, 14 May 2013 00:33:12 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>The Boy, the Bug, and the Marked Man</title>
		<link>http://thecoloredlens.com/?p=1018</link>
		<comments>http://thecoloredlens.com/?p=1018#comments</comments>
		<pubDate>Tue, 14 May 2013 00:33:12 +0000</pubDate>
		<dc:creator>Richard Levesque</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1018</guid>
		<description><![CDATA[The station hummed with life, people arriving and departing, coming together and splitting apart like nervous little animals come to size each other up before going about their business. A thousand conversations hung above the people like a cloud. Harried mothers struggled to keep their broods and their bags within sight while shooting wary glances [...]]]></description>
				<content:encoded><![CDATA[<p>The station hummed with life, people arriving and departing, coming together and splitting apart like nervous little animals come to size each other up before going about their business. A thousand conversations hung above the people like a cloud. Harried mothers struggled to keep their broods and their bags within sight while shooting wary glances at the huge clock that hung suspended from the forty-foot ceiling. Travelers, the weary ones just off a dirigible and the fresh faced ones looking to meet their conveyances, milled about in the confusion of the crowd, looking like toys that children had set in motion independently of each other, oblivious to the actions of their playmates.</p>
<p>I sat on a hard wooden bench and watched it all. The energy of the place made me think of a spring wound too tight. The tension in the station&#8211;the tension of departure and return&#8211;made me uneasy, as though one little problem with the dirigibles or the timetables, with luggage or tickets would throw everything out of balance; even something as simple as the discovery of a pickpocket would wind the spring one tick tighter and the whole place would pop into pandemonium. I felt it could happen. I always felt it could happen on days like this, and I did not want to be there.</p>
<p>All the more reason to get it over with, I thought. Just one more quarter and I would have enough to earn my night’s rest.</p>
<p>I’d been sizing up marks since the big clock had read 2:16. No one had struck me right.  Now the clock read 4:02, and its ticking high above the rows of benches was just one more thing to worry about. If I didn’t find someone by 5:00, I would have a problem. There aren’t many places lonelier than a dirigible station on a Sunday evening once the majority of flights have left and most of the travelers have gone. The five o’clock chimes would signal the shift, the winding down of the springs, the beginning of the change from hectic to languid. I wouldn’t be entirely alone, not for a few more hours, but the crowds would thin to the point that it would be hard for me to move about unnoticed.</p>
<p>For now, I could, though. In all of this bustle, no one paid attention to a little boy who walked with purpose through the station. It was plain enough to see I was on my way to or from my parents, that I needed no help, made no demands. I could slip in and out of large and small parties, picking up bits of blustery greetings and tearful goodbyes as I looked for the right person.  I was picky, had been taught to be, and it had always worked. I’d never failed, never been hauled up to one of the station police with their big coats and little eyes and ugly nightsticks.</p>
<p>Two benches away, someone’s aunt admonished her niece to be careful, not to talk to strange men on the flight, to go straight to her hotel when she reached San Francisco, to wire for money if she needed anything, and to come home right away if she felt the least bit unsafe. Her shrill voice cut through the hum of the station, and once I started listening to that voice, it would not be drowned out. I glanced back to see the pair. The aunt was gray and pinched. The niece was young and blonde but not a girl any more, and she smiled politely, surely having heard it all before, and probably having dealt already with more real dangers in life than the aunt would even let herself imagine. Neither one would make a decent mark&#8211;the aunt too cautious, the niece too eager.</p>
<p>I had only just dismissed them as possibilities when a more promising figure entered my line of sight.  A man had sat down on the bench not far from me. He had a single, small valise at his feet, and he sat stiffly for a moment, pulling out a pocket watch and checking it against the clock above him. With a satisfied grin below his Clark Gable mustache, he let himself rest against the bench. He looked moneyed but not overly so&#8211;the kind of man who would want to hold on to what he had and who would look for opportunities to get more. His clothes were nice but not new. He had no wedding ring. All things I’d been trained to look for.</p>
<p>I stood, casually patted my jacket pocket to feel the bug even though I knew it was there, and walked toward the man. I didn’t look at him, didn’t even glance his way. Nothing to make him notice me. But as I passed him, I started counting my steps until I reached the end of the bench. Then I turned away from the waiting area and toward the platform.</p>
<p>Large marble pillars separated the waiting area from the loading platform, and I ducked behind one, glancing first at the mark I had chosen to make sure he was making no preparations to move. The clock read 4:06 now. The San Francisco flight would depart at 4:40 and would start boarding any moment. The trick was to get him just moments before he needed to start gathering his things for the trip. That way, if he was suspicious, his decision making process would be addled by the demands of the timetable, the cost of his ticket, and the importance of his destination. People make poor decisions when they have too many things to consider, like a machine running with too many parts rather than not enough.<br />
<span id="more-1018"></span><br />
The man had not moved, still sat there looking satisfied, like he had just eaten a big meal. He had not noticed me, and did not look my way now. I turned away, the pillar between us.</p>
<p>No one else had marked my passage toward the platform, and there was no one near me on this side of the pillars. If I stayed here long, by myself, I would eventually draw the attention of a stationmaster or ticket taker, but I knew how to be quick.</p>
<p>I pulled the bug from my coat pocket and considered it for a moment. A sleek, black beetle two inches long and a bit more than an inch wide. It had six beautifully jointed legs and flexible antennae. It was made of a metal lighter than it looked, and was so perfect that its artificiality was undetectable unless the observer actually held the bug in his hands.</p>
<p>I flipped it over and popped the latch on its belly plate. Quickly, I set the dials to match the distance between the end of the bench and the place where my mark sat. Then I thumbed the wheel that wound the springs&#8211;three, four, five turns, each one harder to complete. When the wheel would turn no more, I knew it was ready.</p>
<p>I closed the belly plate, and popped the back latch. A little slot opened. Then I pulled a quarter from my pants pocket. This was always the hardest part. An investment, the professor had told me when he first gave me the bug. A risk, too, and a big one given how hard it was for a boy like me to get a quarter. The risk wasn’t that the bug would make off with my quarter but rather that it wouldn’t make it back with its prey. A double loss then.</p>
<p>Still, the bug needed to know what it was after. If I slipped a penny into the slot, it would go after another penny. If I dropped one grain of rice inside, it would come back with a second. And so I put my precious quarter into the slot, snapped it shut, and dropped the bug back into my pocket without giving it another look. Further inspection would serve no purpose.</p>
<p>Moments later I was back at the bench, sitting down at the spot on the end where I had counted my paces just a few minutes before. The clock read 4:10. My mark had his hands clasped in his lap, waiting patiently for the boarding announcement. Two benches back, the aunt still talked, and the niece still nodded. Poor thing, I thought, and wondered if I should have marked her instead just out of pity. It would have done no good. I’d have gotten a spare quarter out of it and no more, not from a mark like her.</p>
<p>The station still hummed with activity. I felt as though the hum was in my head. With so much commotion around, I thought nothing of reaching into my pocket, flipping the release on the bug’s main spring, and dropping it through the slats of the bench.</p>
<p>It hit the marble floor with a click that only I could hear. I didn’t need to peek through the slats to see that the bug had oriented itself to the coordinates I’d set and was now walking under the bench toward the man with the mustache. I thought I could hear the grinding of its gears as it went, but told myself that was impossible. The noise of the station was too much for such a little sound to penetrate.</p>
<p>In less than a minute, the bug was at the man’s valise. It climbed up the side of the leather bag and then bridged the gap to the man’s pant leg. I could see its antennae waving as it took in its surroundings and read them against the destination I’d set its dials to.</p>
<p>I looked away, conscious of the uncanny sensation people have when they are being watched. It would not do to draw the man’s gaze now. Even so, it was all but impossible to keep from looking again, to keep from staring at the man’s trousers and jacket, to watch the bug seek out his coin purse and navigate its way inside to fetch the desired quarter. The hunt was the bug’s sole reason for being, and even as it worked to fulfill its need, every movement meant another tick on the gears that held the springs, another infinitesimal winding down of the metal coils that gave it life.</p>
<p>While letting these thoughts run through my head, I felt the first moment’s relaxation since I had been in the station, an easing of all the tension that had been holding me bound for the last two hours.</p>
<p>My reverie, however, was shattered seconds later when I heard the mark express, “What? Good God! What is this?”</p>
<p>I looked, unable to help myself, and saw him holding the bug by the back, a shiny quarter in its pincers, its perfect legs moving helplessly in the air as its antennae flailed and tried to make sense of its new orientation. And in the second that I looked at the man, he looked at me, his eyes drawn to me inexorably, it seemed, simply because I had looked his way first.</p>
<p>And then, as though I had no will of my own, I was on my feet and running. I did not have to look back to know the man was after me. I had instincts of my own.</p>
<p>Perhaps I was tired, unnerved from all the time spent so alert in the highly charged atmosphere of the station. And perhaps the mark was just fast. In either case, he had a hand on my collar in seconds. He spun me around, holding tight to my shoulder, and squatted down to look me in the eye.</p>
<p>“What,” he said, slightly winded, “is this?”</p>
<p>As I listened to his voice, I also heard the loudspeaker announce boarding for the flight to San Francisco. The man’s expression barely changed. The exigencies of his schedule would not serve to set me free.</p>
<p>He fairly pushed the bug into my face.  I watched a little sadly as its legs slowed and then stopped, the antennae’s impotent searches for information in the air coming to an end as well.  I said nothing.</p>
<p>“Tell me what this is, boy, or I’ll turn you over to the police. They don’t take kindly to pickpockets, you see.”</p>
<p>“I wasn’t picking your pocket, sir,” I said. “And I don’t know what that thing is.”</p>
<p>“Liar,” he said and straightened up, his eyes scanning the building for a policeman’s uniform. I knew he meant to make good on his threat.</p>
<p>“All right,” I said. “I’ll tell you.”</p>
<p>He stopped his search and looked down at me, cocking an eyebrow by way of invitation.</p>
<p>“The professor built it,” I said. “He gave it to me. I … I’m an orphan, sir. A quarter here and a quarter there…it’s all I need.”</p>
<p>I wished for tears but none came.</p>
<p>The man narrowed his eyes. “What professor?”</p>
<p>“I don’t know his name.”</p>
<p>“Where is he?”</p>
<p>“Dead, sir.”</p>
<p>Silent appraisal then. He was trying to determine how truthful I was being.</p>
<p>“Where do you live, boy? Here?”</p>
<p>“No, sir. In the professor’s old shop. I take care of all his machines.”</p>
<p>He raised an eyebrow. “There are others? Like this one?”</p>
<p>“Yes, sir.”</p>
<p>“And what do they do?”</p>
<p>“All manner of things, sir. Most I can’t begin to fathom. I just keep them oiled and wind them a bit here and there to keep everything working until…”</p>
<p>“Until what?”</p>
<p>“Until I find someone who knows what to do with them.”</p>
<p>“Well.” The man straightened up now. Though he still held my collar, he changed his expression. He appeared more kindly now, the trace of an avuncular smile below the mustache, but I could tell that it was forced and deliberate, not natural or meaningful. “I think this may be your lucky day, boy. What’s your name?”</p>
<p>“Hephaestus, sir. Hephaestus Marvel. Are you an inventor? An engineer?”</p>
<p>“No. Never mind about me. It’s your little machines that matter. You’ll take me to them.”</p>
<p>I looked up at him. The faint smile looked in danger of fading, and I knew that consequences would follow. So I obeyed. What choice did I have?</p>
<p>As he led me back toward his seat, I caught the eye of the niece as she prepared to join the queue for the dirigible. I hadn’t meant to. I didn’t want to draw any attention at all. Again, it was the accident of two sets of eyes looking at each other at exactly the same time. She was pretty, and I saw concern in her blue eyes. I noticed again that she was young, though not terribly young; not yet anyone’s mother, but old enough for the sight of a child in trouble to stir something un-nameable in her heart, like a switch had been clicked on without her meaning for it to happen.</p>
<p>Not wanting any further attention, I gave her my Disarming Smile, the one I had worked on for quite some time. It was one of my favorite expressions.</p>
<p>The ploy worked. She smiled back and then went back to ignoring her aunt and gathering her bags.</p>
<p>The man steered me to his valise, retrieved it, and then pushed me on to the ticket counter where he negotiated a refund. Then we were off, headed for the glass doors and city street outside.</p>
<p>The man stopped once we were beyond the doors. “How far?” he asked, excitement and anticipation in his voice. “Walking distance, or a cab?”</p>
<p>I pointed to the south. “Not far. Two blocks.”</p>
<p>He narrowed his eyes at me, looking like he was trying to tell if I was lying or not.</p>
<p>“Come on, then,” he said and marched me toward the sidewalk.</p>
<p>Among the cabs and other cars parked before the station’s entryway sat a large, crème colored Packard, its hood up. The man who owned it stood looking into the engine compartment, agitation on his face. A Negro porter looked with him while another stood nearby with a cart loaded with luggage. To the side stood the man’s wife and two children&#8211;a boy and girl about my age who stared as I passed. They looked at me the way children of this sort always looked at me, like I was a different species or from another planet or a refugee from some unmapped place on the globe. It was because my clothes weren’t as new, my buttons not as shiny, my cheeks not as scrubbed or rosy. I wished, not for the first time, that I could make a child like them one of my marks, but it wouldn’t work. They didn’t fit the mold. Maybe someday, I consoled myself, when they were older, old enough to be like the man who led me past them. How old will I be then? I asked myself.</p>
<p>The children’s father was asking the porter, “Do you think it’s the battery?” as we passed.</p>
<p>“Likely,” the porter answered, and then we were beyond them.</p>
<p>Batteries, I thought as I led the way along the line of cabs and towards the first intersection. I didn’t understand how they worked but knew they stored energy, like a wound spring ready to be released. All these different modes of energy&#8211;springs and batteries and the gasoline that ran the motors and pulled the propellers into the station all day long&#8211;the possibilities made me shake my head in wonder. I could grasp so little, unlike the professor. For the second time in minutes, I thought Maybe someday and then pushed the thought out of my mind.</p>
<p>I had to concentrate now on the mark, and on getting him to the professor’s.</p>
<p>With the station behind us, the energy in the air seemed to lessen. Cars passed us, but they struck me as less urgent. Electricity hummed in the lines above us, but it went everywhere, not focused on the lights and the clock as it had been in the station. Here, it went into the factories and warehouses we hurried past, the streetlights and the phone boxes.</p>
<p>“How long have you been without your benefactor?” the man asked after we had crossed an intersection. He had not once taken his hand from my shoulder. Though his grasp had loosened slightly, less like talons digging into me, he must still have been telling himself that I would bolt at the first opportunity.</p>
<p>“The professor?” I asked. “Less than a year.”</p>
<p>“And the police have never picked you out for a thief? Never questioned why a little boy like you isn’t with his mother?”</p>
<p>I shrugged. “I blend in. No one notices me. And I never had a mother, so I suppose I don’t look like a boy who’s missing one.”</p>
<p>He chuckled. “Never had a mother?” I looked up to see his condescending smile. “How little you know, boy. Everyone has a mother. Even if she drops you in the dirt once she’s birthed you. As yours doubtless did.”</p>
<p>I let the words hang between us, knew they were meant as an insult, meant to put me in my place and keep me there. I took comfort in telling myself what my place really was, what his was, too, and how he was the one who knew so little.</p>
<p>“Here,” I said a minute later. “In there.”</p>
<p>We stood before a warehouse with gray metal siding, opaque windows high in the walls, and no sign above the non-descript door.</p>
<p>Again, he tried appraising my veracity. I remained neutral.</p>
<p>“Here?” he asked.</p>
<p>“Yes.”</p>
<p>He pushed me a bit roughly toward the door. I found my key and seconds later felt the lock click under my fingers&#8211;little tumblers, a secret little machine.</p>
<p>The door opened. Dim light shone from inside.</p>
<p>“You first,” the man said, a bit of excitement in his voice. He was thinking about the bug, I knew, and the other treasures that the dark interior promised.</p>
<p>I did as he asked, walking ahead of him, his hand still on my shoulder.</p>
<p>“Where is the light?” he asked as we crossed the threshold.</p>
<p>“Here.”</p>
<p>It was not I who answered, but the professor.</p>
<p>The door swung shut, the light switched on, and a syringe punctured the flesh on the mark’s neck. He dropped his valise, and I watched him corkscrew to the floor, no understanding dawning in his eyes before they closed. Though it was good when things went this smoothly, I didn’t like it when the marks went down so fast that they didn’t have time to regret what they had done, to know they had underestimated me, to wonder for just a moment if their greed had done them in.</p>
<p>“Good job, Hephaestus,” the professor said as he squatted next to the mark. Expertly, he found the bug in the man’s clothes and set it on the floor beside the valise. “No problems? Not followed?”</p>
<p>“No, Professor,” I said. “No problems.”</p>
<p>I thought for a second of the pretty niece, how things would have been different if she hadn’t been disarmed by my smile. She wouldn’t have wanted to be led here. She’d have taken me home instead, taken care of me. Maybe someday, I thought.</p>
<p>“Good boy,” the professor said. “He has no wedding ring, I see. And he cashed in his ticket?”</p>
<p>“Yes, sir.”</p>
<p>“Excellent.” He smiled down at our victim. The man’s friends and associates in this city would expect him to be away, and so wouldn’t miss him for days. And there could be no alarm at his absence in the city of his destination, or else he would not have been so quick about refunding his ticket. No sweetheart awaited him there, no business associates.</p>
<p>The professor rubbed his hands together and said, “Help me now, will you?”</p>
<p>He was old and needed the help. We each hooked a hand into an armpit and began dragging the mark across the floor, the spent syringe left where he had fallen. Together, the professor and I pulled the man past rows of machines, lab tables with vials and tubes and burners, and a workbench with more springs and gears than I could ever hope to count. The bigger machines loomed around the edges of the warehouse, the big machines that needed the kind of power that only the mark could provide.</p>
<p>With some effort, we lifted him from the floor and dropped him into the tank the professor had prepared. It was filled with an amber fluid. Wires and apparatus floated in the liquid, awaiting him. A long row of identical tanks stretched into the shadows, each holding one of my previous marks. They were all connected to the same kind of apparatus that awaited this newest one, all suspended in a permanent twilight while the energy in their bodies and brains fed the professor’s machines, all kept alive in what the professor called amniotic fluid.</p>
<p>“Good job, Hephaestus,” the professor said again. “Are you tired?”</p>
<p>“A little.”</p>
<p>The professor gave a kindly nod. “Yes.” He patted my hand. “Yes,” he repeated. “You’ve earned your rest. Things are going well. I shouldn’t need another battery for a week or more. You can sleep now.”</p>
<p>We went to my cot, and I sat down. The professor put a gentle hand on my chest, and I dropped onto my back. Expertly, he ran his fingers across my chest. They found their way between the buttons of my shirt, and there he found the release switch.</p>
<p>“Goodnight, Hephaestus,” he whispered and flipped the switch. What had remained of the tension in my springs quickly wound out, and I felt myself slipping away into the void the professor called sleep. As my gears slowed, I focused for a second on his kindly face hovering above me, and then the shadows in the rafters caught my gaze. A trick of the light, or perhaps the imposition of my memories onto the shadows, let me a see a circle where there were none. I saw it at first as a clock face, its own springs and gears running down, and then, before I passed into oblivion, as the pupil in a pretty blue eye that looked back at me with love.</p>
<blockquote><p>Richard Levesque is a professor at Fullerton College in California where he teaches English, including science fiction. His short stories have been published in <em><a href="http://thecoloredlens.com/?p=623">The Colored Lens</a></em> and <em>Lissette’s Tales of the Imagination</em>. He has also published a science fiction novel, <em>Take Back Tomorrow</em>, and an urban fantasy novella, <em>Dead Man’s Hand</em> with another release, <em>Strictly Analog</em>, to follow shortly.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1018</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Desert Cold Oasis and Spa</title>
		<link>http://thecoloredlens.com/?p=1292</link>
		<comments>http://thecoloredlens.com/?p=1292#comments</comments>
		<pubDate>Tue, 07 May 2013 00:03:52 +0000</pubDate>
		<dc:creator>Emily B. Cataneo</dc:creator>
				<category><![CDATA[Slipstream]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1292</guid>
		<description><![CDATA[The woman in the diner’s backroom sat in a chair&#8211;but no, she wasn’t just sitting. She had become the chair, or the chair was eating her, consuming her like a wicker tumor. Half her teeth were gone and white willow strands had forced through the empty spots in her gums. Wicker strips curved from her [...]]]></description>
				<content:encoded><![CDATA[<p>The woman in the diner’s backroom sat in a chair&#8211;but no, she wasn’t just sitting. She had become the chair, or the chair was eating her, consuming her like a wicker tumor. Half her teeth were gone and white willow strands had forced through the empty spots in her gums. Wicker strips curved from her hands instead of fingernails. Beneath her faded peony-pattered skirt, curls of wicker cleaved to her legs instead of varicose veins.</p>
<p>“Girl.” The Wicker Woman reached out a veined hand, tried to stroke Maddy&#8217;s face, and her wicker fingernails clattered against Maddy&#8217;s cheek.</p>
<p>&#8220;How long have you been here? What are you&#8211;do you need to go to a hospital?&#8221; said Maddy.</p>
<p>&#8220;Not the hospital. The camp.&#8221;</p>
<p>“What camp?”</p>
<p>The woman nodded at a dusty book at her feet, a withered piece of newsprint sticking out the top. The book was called Strange but True: Mystical Phenomena of the American Southwest. Maddy pulled the newsprint out of the water-warped pages.</p>
<p>A picture of a beaming man, his hair curled in a 1940s pompadour, his face superimposed over a palm tree. The Desert Cold Oasis and Spa, Offering Electroshock, Hypnosis and the Occasional Healing Boat Ride. Exit 6 off I-15.</p>
<p>&#8220;You get healed there,&#8221; said the woman, lisping around the wicker protruding from her mouth. &#8220;I want to go.&#8221;</p>
<p>Maddy stared at the soft newsprint in her hand and imagined this spa, sand blowing through its deserted buildings, or a chain restaurant erected where it had once stood. But then she saw the Wicker Woman looking at her with brows knitted over cloudy eyes.</p>
<p>“I can take you,” said Maddy. “I’ll take you with me.”</p>
<p>Maddy dragged the chair through the gloaming of the diner, past the turquoise Formica counter and the tintype of a boy holding a glass Coke bottle. She banged out the broken screen door and pulled the chair over the sparse grass between the diner and the pitted road.</p>
<p> Maddy threw open her U-Haul truck, which overflowed with furniture, books, lamps and an old mannequin Maddy had bought at Goodwill freshman year.</p>
<p>“There’s no room,” said the Wicker Woman. “Are you going to leave me here?”</p>
<p>“No, I&#8211;&#8221;</p>
<p>“Leave some of these things, girlie. You don’t need them. What’re you going to do with that thing?” She gestured at the mannequin.</p>
<p>Maddy hesitated, but she shook her head, hauled out her aqua desk chair and plunked it by the side of the road. Dust eddys jumped around the chair wheels.</p>
<p>One less thing to move in when I get to Los Angeles, thought Maddy. And truly, she liked the look of her chair on the grass, about to pass from Maddy’s concern, about to be far behind her on the road.<br />
<span id="more-1292"></span></p>
<hr />
<p>Maddy had always been an explorer. In the past week, she’d interrogated a tour guide about the South’s memories of the Civil War at Harper’s Ferry in Virginia; she’d spent a day in New Orleans trying to figure out whether the Onion Man of Lake Pontchartrain, who she’d read about in a magazine, was real or fictional; and she’d spent an afternoon trying to ascertain whether the woman who owned a turquoise jewelry shop in Santa Fe truly believed in the healing power of the crystals she sold there. She’d bought postcards along the way, too, and filled them out for Mom.</p>
<p>Los Angeles waited for her at the end of her journey, a sprawling mess of steaming freeway and Santa Ana and responsibility, and as she traveled west Jenna the Nurse became increasingly prickly on her daily phone calls, but when would Maddy have another chance to see the country?</p>
<p>So when Maddy saw the sign for Old Route 66 sprouting out of the endless clean-aired prairie west of the Grand Canyon, she swung her U-Haul onto the exit, and when she saw the deserted diner looming up between the skeletons of road signs and an ox-skull-covered wooden fence, she pulled over, and poked inside, and found the Wicker Woman crouched in her back room prison.</p>
<p>That night, with the Wicker Woman in back, Maddy pulled the U-Haul off the road at the edge of the cold and luminous desert. She’d tried to sleep in the truck as much as possible on this trip, to save money.</p>
<p>She ate a granola bar for dinner, then walked around the truck and pulled open the back and settled down on one of the boxes. The Wicker Woman studied her with unfocused eyes.</p>
<p>“Are you an athlete, girlie?”</p>
<p>“No, I mean, I go on a lot of runs. Why?”</p>
<p>The Wicker Woman pointed at Maddy’s shoes: toothpaste-colored sneakers that Maddy had bought the week before she’d left for college.</p>
<p>“Oh. No, I just like them. I’ve had them for eight years.”</p>
<p>“Girlie, what brought you into my diner? I had been waiting there a long time,” said the Wicker Woman.</p>
<p>Maddy shrugged. “New places, new people. You know.”</p>
<p>“That’s why you’re traveling, to see new places and new people, like one of those beatniks?”</p>
<p>“No,” said Maddy.  &#8220;How long had you been waiting there?”</p>
<p>&#8220;Who knows? Could have been a year, could have been forever.&#8221;</p>
<p>Maddy plied the Wicker Woman with questions, and the Wicker Woman’s tongue curled around the wicker growing from her chapped mouth and she told Maddy she was married once, to a man who herded cattle on the acres behind her diner, and she served sandwiches and coffee to the travelers heading west in big-finned teal Chevys, to find work in the Californian almond groves or become movie stars.</p>
<p>Those were the best days of her life, she said, but then her husband left with one of the to-be movie stars. The Wicker Woman’s children had died in her womb, and soon the cattle died too, and then I-40 came through and the Chevys stopped coming and she sat down in her chair and never got up.</p>
<p>“I can’t imagine getting stuck in the same chair forever” said Maddy quietly. “That…it makes me nervous just to think about it.”</p>
<p>“Well, girlie, there’s a place that will heal me,” said Wicker Woman.</p>
<p> “I’ll get you there,” said Maddy.</p>
<hr />
<p><em>Are you listless and depressed? Is your wife making you blue? Did your boss refuse to give you that raise? Then visit the Desert Cold Oasis and Spa, located in the heart of the picturesque Mojave Desert. Dr. Listman and his team of professionals will administer electroshock, hypnosis and other treatments, while you relax in our mud baths, take a boat ride on Lake Placid or stroll down the Boulevard of Dreams. We guarantee by the end of the visit, you&#8217;ll be cured of what ails you.</em></p>
<hr />
<p>Maddy drove all the next day on interstates cut out of red shale rock, with mountains beyond mountains in the distance, ringing in houses, trailers, evil-looking electric plants. Mom would have hated the landscape, with its lack of flowers and its arid breath. But Maddy thought it was beautiful: so wide open, such a big sky. You could get lost and no one would ever find you.</p>
<p>She drove until she saw signs for a town called Black Wash, and she took an exit to get a burger for herself and water to wet the Wicker Woman’s lips.</p>
<p> When she stopped at the one fast food restaurant in town, Maddy looked west and saw a line of white lights against the sunset. It looked like a Ferris wheel.</p>
<p>Again, the thought of Los Angeles waiting for her at the end of the road loomed, and she clicked her phone to check for calls from Jenna.  Finding nothing, she defiantly walked out of town towards the Ferris Wheel lights, dust coating her sneakers. Vinyl-sided trailers and a low-slung school became coarse sand and bramble, and soon, Maddy saw she wasn’t just approaching a Ferris wheel, but a whole amusement park.</p>
<p>A wooden roller coaster, a Merry-Go-Round, arcades, hot dog stands, all in crisp crimson and white. As she walked down the cobbled path, she saw the machines were freshly painted, toys just out of the box. Tiny gold lights limned the tops of the arcades, the edges of the path, the rides.</p>
<p>She turned a corner, and saw a cluster of those lights quivering in a ball in the path.    </p>
<p>Maddy ran forward. The bundle of lights was a man, his back spiked like a porcupine’s with tiny lightbulbs. He softly beat his fists against the ground, muttering “Only a dime. Only a dime. Step right up.”</p>
<p>As he unfolded himself, Maddy saw the lightbulbs covered him, protruding from his arms, chest, face, his balding head, some glistening with blood as if the bulbs had worked their way through his skin.</p>
<p>“Did you want to ride the Ferris wheel?” he asked her sadly.</p>
<p>“No, I—what happened to you? Here, come with me.” Maddy gestured in the direction of Black Wash.</p>
<p>He had been a carnival barker, he told her as they walked back towards town. He had traveled through the southwest offering kettlecorn and burlesque to circus patrons.</p>
<p>He dreamed of his own place, and as Las Vegas sprouted from the sand 60 miles north, the Barker decided Black Wash was just the site for a similar haven, but a purer one, the kind that haunts childhood memories of summer.</p>
<p>So he built it. But no one came.</p>
<p>As the years passed, the Barker began to take on the qualities of his virgin park. Some days he’d wake covered in tiny lights like his rides. Or, his feet would stretch and swell and his hair would stripe rainbow, and he’d know he had become the clown he’d once hired. One day he awoke with the head of a tired old giraffe he’d bought for the park, back at the beginning.</p>
<p>“You know, we’re going to a place that heals,” Maddy said as she opened the truck. The Wicker Woman was snoring, her wicker teeth fluttering. </p>
<p>Hope lit up the Barker’s dark eyes. One tiny light had affixed to his eyelid.</p>
<p>But then he peered into the truck. “There’s no room for me in there,” he said.</p>
<p>“No, it’s fine, look,” said Maddy.</p>
<p>Maddy pulled out some boxes, and her bedside table, and she dropped them into the cigarette-flicked grass around the parking lot.</p>
<p>That night, Maddy sat in a motel flipping through Strange but True: Mystical Phenomena of the American Southwest while the Barker and the Wicker Woman slept in the truck. Then her phone lit up with Jenna’s name.</p>
<p>“How is she?” asked Maddy.</p>
<p>“Where are you?”</p>
<p>“How is she?”</p>
<p>“It’s taking you awhile to drive across the country. She asks for you sometimes, but by the time you get here she might not anymore.”</p>
<p>Maddy watched a pickup truck pull into the lot outside the window “How is she otherwise?”</p>
<p>“She’s incontinent. She has her good days and bad.”</p>
<p>“Give her some marigolds,” said Maddy quietly. “She loves them.”</p>
<p>She hung up the phone and watched the pickup truck. Its flatbed was full with the detritus of a family, as though it were a turtle unable to escape his house no matter where he went. Houses drag you down, stuff drags you down—so do chairs, amusement parks, student loans and sick mothers, dreams of what you thought your life would be, thought Maddy. She supposed the older you became, the harder it was to just ditch stuff by the road.</p>
<hr />
<p>From Strange but True: Mystical Phenomena of the American Southwest</p>
<p>   <em>The Desert Cold Oasis and Spa: a patch of the Mojave Desert just across the eastern border of California. The site has been associated with the supernatural since Native American times, but it first received popular attention in 1946 when radio announcer-turned-spiritualist Leo Listman founded a healing spa there. Christened the Desert Cold Oasis and Spa, Listman&#8217;s creation was frequented by movie stars and Easterners searching for an escape from life in hectic cities of the Atlantic seaboard. But scandal soon beset the spa. One winter night, a Miss Betty Dustin disappeared. Search parties combed the desert, but their efforts were futile. Miss Dustin had vanished.</em></p>
<hr />
<p>When Maddy stopped to buy water the next day, a text message lit up her phone. It was Suzanne, her college roommate, texting her a picture from a wedding dress shopping trip.</p>
<p>Maddy rolled her eyes. If she could do anything right now, if she were unfettered and free, she wouldn’t waste it on marriage. What would she do? Go back to Budapest, maybe, where she had studied abroad. Use her German, try to learn more Hungarian, and become a foreign correspondent. Send postcards back to Mom, take pictures for Mom and buy souvenirs for Mom for when Maddy came home at the end of it all.</p>
<p>     Maddy climbed into the U-Haul and merged onto the highway. The Wicker Woman was sleeping in back, but the Barker had climbed into the passenger seat that morning.</p>
<p>     “Where are you going?” said the Barker as desert flashed by the window.</p>
<p>     “Los Angeles.” Maddy curled one green-Conversed foot under her.</p>
<p>     “And why don’t you want to get there?”</p>
<p>     “Excuse me?”</p>
<p>     “You’ve stopped five times today, for food or water, or just to take a picture. You stopped at my park, and you must have stopped to pick up the Wicker Woman as well. And you’re taking us to the spa.”</p>
<p>     “I take pictures so I can show them to my mother,” said Maddy. “She likes them.”</p>
<p>     “Ah. And she lives in Los Angeles?”</p>
<p>     “Yes.”</p>
<p>     “You have been away from home for a long time?”</p>
<p>     “I lived in Boston for eight years.”</p>
<p>     “She’ll be happy to see you, then.”</p>
<p>     “Maybe,” said Maddy. The Barker’s question had brought the specter of LA at the end of the road into sharp focus: Mom, and the job at the community newspaper in the suburb where Maddy had grown up, and a lease on an apartment and bills and unpacking.</p>
<p>     “You have a difficult relationship?”</p>
<p>     “She’s sick.”</p>
<p>     The Barker nodded. “I’m sorry.”</p>
<p>     “She has early onset dementia.”</p>
<p>     The Barker didn’t answer. Maddy stared at the road. Joshua trees flashed by and tumbleweeds caught in their spokes.</p>
<p>     “I’m taking you to the camp because my mother raised me to help people,” she said. “I’m helping you.”</p>
<p>     “What happens at the camp? Do you know?”</p>
<p>     “I…I’ve been reading this book that the Wicker Woman had, that mentions the camp. There’s a story about disappearances, affairs. But no, I don’t know what will happen.”</p>
<p>     Maddy glanced at the Barker. His head was bowed and the lights on his skin glowed faintly against the golden light of the desert.</p>
<p>     “The day I decided to open my park, I felt like the whole world was open to me. Like I could do anything. Did you ever feel like that?”</p>
<p>     “Yes,” said Maddy quietly.</p>
<p>     Her phone buzzed and lit up with Jenna the nurse’s name.</p>
<p>     Maddy glanced at the Barker, and he watched her sadly as she shoved the phone back into her bag. She turned up the music and drove on towards the spa and LA.</p>
<hr />
<p>From Strange but True: Mystical Phenomena of the American Southwest</p>
<p>   <em>Betty Dustin was dogged by rumors that her marriage was loveless and that she had had an affair with another woman. And rumors dogged the story of her disappearance too: they said Betty had walked through the saw palmetto palms that surround the camp and into the night holding the hand of a woman whose dress swished against the sand.</p>
<p>   Over the next decade, more and more patrons of Listman&#8217;s camp vanished into the desert, until the authorities shut it down, both because of the disappearances and Listman&#8217;s forgetfulness when it came to taxes. No one knows what happened to Listman after the camp shut down, but they say he stayed in the camp until one day, he disappeared in the desert too.</em></p>
<hr />
<p>     Maddy pulled over that night at a gas station and motel just over the border into California. Thirty-foot high crimson letters advertising GAS loomed out of the desert. A set of gaudy pink flamingos ringed a fountain.</p>
<p>     Maddy slept badly, and she woke up when sunlight touched her face. She dressed and walked past the U-Haul and went to stand by the flamingos.</p>
<p>     Behind the heat waves already shimmering over the desert, Maddy saw a low-slung concrete building, perhaps a quarter mile out.</p>
<p>     Maddy walked out of the parking lot into the bramble. She thought she heard a distant moan, or a cry, emanating across the desert from the building, and she wondered if someone else who needed her help, who needed to be healed, lived in there. She began to jog, dodging a tortoise, and a murder of ravens startled her as they floated into the air, squawking.</p>
<p>     Maddy slowed down as she neared the building. A placard on the side read St. Josephine’s. A mission, maybe, or an old school. Maddy pushed her way inside.</p>
<p>     Dim light fell on metal skeletons of beds, on a pile of linens in the corner and the bones of voles. The building was deserted.</p>
<p>     Maddy sank into a squat on the floor and ran her hands over her forehead.</p>
<p>In the absence of another traveler, another person she could take to the camp, she felt Los Angeles squeeze her gut. She would be there soon&#8211;the day after tomorrow, probably&#8211;and yes, the Barker was right, she could admit it to herself, here, at dawn in the desert: the last thing she wanted was to ever reach LA.</p>
<p>As Maddy pushed back outside, her phone vibrated in her pocket.</p>
<p>“Are you in California yet?” asked Jenna, her voice staccato.</p>
<p>“Yes. Why?”</p>
<p>“Because we need you to get here.”</p>
<p>“Wait—is it…urgent? Is she…going to—“</p>
<p>“No, it’s nothing like that. This disease can drag on for five, seven years. You know that.  We need you get here to sign papers. Make decisions. Pay bills. That sort of thing.”</p>
<p>“I’m coming as fast as I can,” said Maddy.</p>
<p>When she hung up, she saw she’d gotten two texts overnight: one from Suzanne, with a picture of some kind of garland, and one from her new boss at the newspaper, reminding her to bring two forms of identification on the first day of work.</p>
<p>Maddy dropped the phone onto the sand. She bent down and pawed at the sand until she had a little hole. She kicked the phone into it and piled sand back on top of it. She stomped on it for good measure, hoping she broke the screen, then walked towards the truck.</p>
<p>The Barker was waiting for her outside.</p>
<p>“Maddy, Maddy, Maddy,” he said. “Maddy, we need your help. Help us.”</p>
<p>He flung open the back of the truck. The Wicker Woman was bent over moaning. She straightened up and Maddy saw a stout wicker curl had burst through her right eye. Around the curl was blood and some other liquid Maddy didn’t like to think about.</p>
<p>Maddy leapt into the truck and ripped open a box and pulled out one of her old t-shirts.</p>
<p>“Shh. You’re going to be all right,” said Maddy, as she daubed at the Wicker Woman’s face.</p>
<p>“What’s taking so long?” cried the Wicker Woman. “Why aren’t we at the camp yet? You’re slow, girlie. I want to get there. I’m tired of this.” She gestured at the chair, at her punctured eye.</p>
<p>“We’re going as fast as we can,” said Maddy coldly. She tied a strip of the t-shirt around the Wicker Woman’s head, then glanced around her, at her neatly boxed and stacked mementoes.</p>
<p>I don’t need any of this, she thought savagely, and she dragged a box out of the truck and dropped it by the side of the road. She dragged out two more boxes and one of them tumbled off so its contents spilled onto the sand.</p>
<p>“Girlie, let’s go,” howled the Wicker Woman.</p>
<p>Maddy ignored her. She imagined herself becoming her desk chair, becoming the woolen sweaters in that box she’d packed so carefully in Boston. Becoming her job, becoming Mom. She pulled out her desk and kicked it over on its side. One of its legs snapped and dangled, hanging on by only a few wood fibers. She began to haul her mattress out of the truck and the plastic snapped in the rising wind.</p>
<p>“Maybe you’ll get healed at the camp too,” said the Barker sadly.</p>
<p>Maddy glared at him, then looked at her feet. I hate these shoes, she thought. She pulled one dusty toothpaste-colored Converse off, then the other, then flung then one by one into the desert. </p>
<hr />
<p>The truck bounced first over potholed pavement, then over a rutted dirt road, then they rounded a bend and&#8211;passing a sign that welcomed them to Desert Cold Oasis and Spa&#8211;came out on the camp.</p>
<p>It floated before them: pastel-pink and eggshell ranches, all stucco and sheltering under furry-barked palms. In the center, a pool where algae floated and bubbles popped the surface, and beyond that the desert shone like ice.</p>
<p>Maddy jumped out of the truck and opened the back. The Wicker Woman and the Barker looked up as sunlight touched their faces.</p>
<p>Dried blood coated the cloth Maddy had tied over the Wicker Woman’s eye. The Barker helped Maddy haul the Wicker Woman&#8217;s chair out of the back of the truck.</p>
<p>Then Maddy glanced around, taking in the raven-bones around their feet, the susurrus of a tiny breeze in the palms, and the flaking sign, advertising Dr. Listman&#8217;s amazing hypnosis, but in letters so faint you could barely read them.</p>
<p>“Is there anyone here?” The Barker looked as though he might cry.</p>
<p>The Wicker Woman let out a squawk, as though the deserted camp were Maddy’s fault.</p>
<p>&#8220;Come on,&#8221; said Maddy. &#8220;Let&#8217;s look around.&#8221;</p>
<p>The Barker followed Maddy as she walked past the pool, where a weatherbeaten rowboat lay on its side, waiting for a lake no longer there.</p>
<p>&#8220;We&#8217;re not going to be healed, are we?&#8221; said the Barker sadly.</p>
<p>Maddy was about to assure him when a low whine trailed over the desert, seizing her at the base of her spine. She thought it was just in her ears, but the Barker looked startled, and she turned around.</p>
<p>Figures moved through the pink-tinged desert. They were perhaps a half a mile off, a blur of shapes and shadows processing towards the camp.</p>
<p>As they drew closer, the shapes began to resolve: leading the procession was a line of oxen skeletons, horns glinting, strips of flesh clinging to the odd ribcage. They trundled forward bellowing and towing behind them a Model T, riding only on its rims, rusty chrome showing beneath peeling black paint.</p>
<p>In the car rode clothes devoid of people: brocade dresses and leather vests and trousers stood upright, the fabric quivering as though invisible people breathed inside it.</p>
<p>And the car towed two flatbeds, like parade floats, one holding a small Ferris wheel made of shiny white bone.</p>
<p>&#8220;My park.&#8221; The Barker had fallen to his knees in the sand. &#8220;My park! It&#8217;s here at last! Maddy, we&#8217;ve been saved!&#8221;</p>
<p>The procession stopped next to the Wicker Woman. She shrieked with glee and pointed. &#8220;Home at last!&#8221; she yelled. &#8220;Home at last!&#8221;</p>
<p>The Model T doors opened and one of the calico dresses slid out. It raised its blue-sprigged arms and ensconced the Wicker Woman, smoothing her hair.</p>
<p>Then a pair of trousers paired with a white blouse lifted the Wicker Woman out of her chair and set her sidesaddle on the back of an ox-skeleton. She shrieked with delight as her atrophied legs creaked straight.</p>
<p>The oxen moved across the desert towards Maddy, and the Barker ran forward towards the Ferris wheel and leapt onto the platform.</p>
<p>As Maddy stood transfixed in the fading light, something flickered and on the third platform bloomed another set of clothes: a UCLA sweatshirt, gardening gloves and clogs, then a flicker and a light-haired woman appeared in the clothes. Maddy knew it was a mirage, but seeing Mom, smiling, sane&#8211;Maddy felt light, free, and she started to walk forward, the sand cold against her bare feet.</p>
<p>She knew she shouldn’t, but she wanted to remember what it was like to see all your dreams ahead of you, and the clothes-people beckoned and the oxen rolled their heads and the Barker waved and the Wicker Woman cried for Maddy to come, come, come.</p>
<p>Dusk descended as Maddy reached the last platform. The garden gloves slipped into her hands, and Maddy looked into Mom’s face and Mom smelled of cinnamon and Mom smiled.</p>
<p>And all Maddy wanted to do, all she ever wanted, was to climb onto that platform and float into the desert, surrounded by dreams, unfettered by boxes or sickness, but then she thought of what real-Mom would have said, and she knew it would sound something like, &#8220;Madeleine. You are too young to disappear in the desert in the arms of your dreams.&#8221;</p>
<p>Maddy yanked her hands out of the garden gloves and fell hard onto the sand, and Maddy’s face was pressed into the ground when the caravan disappeared back into the Mojave and night fell, hard and absolute.</p>
<p>Come back, she wanted to scream.</p>
<p>The scary thing about the Desert Cold Oasis and Spa, she thought as she lay in the sand, watching the bowl of stars shift overhead, was not the fact that the desert tried to swallow you. It was that you wanted it to.</p>
<hr />
<p>     When the sun peeked over the horizon, Maddy dragged herself up, shaking sand out of her clothes, and arched her back. Her bare feet were stiff, and she wriggled her purple toes.</p>
<p>Maddy imagined her traveling companions floating into the desert, settling into the sand and watching the sun rise and fall and set again, content in the arms of their mirages as they slid towards death. She hoped they had gotten what they wanted.</p>
<p>     But they’re not coming back for me, she thought, nausea bubbling in her stomach. She only had the slender spine of California to cross today, and then her journey would be over.</p>
<p>     Then something shifted in the air, and a red mailbox, paint chipping and post weathered, sprouted from the sand. Maddy shuffled forward.</p>
<p>The box read, in curling script, Oceanside Care Facility, Los Angeles, California.</p>
<p>     Maddy reached into her bag and took out the stack of battered postcards. Washington, D.C. New Orleans. Atlanta. Hi Mom. You would have loved the garden&#8211;Someday I’m going to take you to—did you know there are four different world’s largest balls of twine in Kansas?</p>
<p>     Maddy rifled through the postcards, and she opened the mailbox as the sun crested the horizon and lit up the sand around her.</p>
<p>     Mom can’t read these postcards.</p>
<p>     The thought hit her like a collapsing amusement park, or a diner whose roof caved in after one too many hard winters.</p>
<p>     Mom can’t ever read these postcards, and nothing that comes out of the desert will change that.</p>
<p>The postcards dangled from her shaking hand.</p>
<p>     Then she laughed, and a raven took flight next to her as she ripped the postcards in half and flung them into the air like confetti and watched as the jagged pieces flopped into the sand around her. She realized she was crying, too, for the first time since she could remember.</p>
<p>     Maddy knew what awaited her later that day. She would pull into the Oceanside parking lot, walk between the hydrangea that lined the path, sign her name in the book in the sterile lobby, and take the long walk down the hallway to Mom.</p>
<p>     But that morning, as she stood barefoot among torn postcards, taking deep shaky breaths of the dry desert air, she could have sworn the coral-colored desert around her looked just a little lighter, airier. She looked down at her bare feet, her shaking hands, and she thought that she looked lighter too. It wouldn&#8217;t have been so difficult for a tiny breath of wind to catch her and float her away.<br />
<blockquote>Emily B. Cataneo is a freelance reporter at the <em>Watertown TAB</em> and the <em>Cambridge Chronicle</em>. She is a lifelong New Englander and journalist (just ask her opinion about lax zoning laws and their effect on every aspect of life in upper middle class Massachusetts suburbia! Or, better yet, don&#8217;t ask&#8230;) as well as a history book critic. She spends most of her spare time crafting fiction stories, or crocheting and watching Parks and Recreation if she&#8217;s feeling lazy. She also blogs regularly at <a href="http://emilycataneo.wordpress.com">emilycataneo.wordpress.com</a>.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1292</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>China Island</title>
		<link>http://thecoloredlens.com/?p=1469</link>
		<comments>http://thecoloredlens.com/?p=1469#comments</comments>
		<pubDate>Tue, 30 Apr 2013 00:17:17 +0000</pubDate>
		<dc:creator>Julie Day</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Slipstream]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[Urban Fantasy]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1469</guid>
		<description><![CDATA[I&#8217;d already saved Laurence Saunders a number of times over the years, small insignificant salvations. On December nineteenth, I managed to save him twice. That last day, Laurence slipped unnoticed from his home sometime between noon and three p.m., the three hour space between the meals-on-wheels delivery by Mrs. Heflin and the arrival of the [...]]]></description>
				<content:encoded><![CDATA[<p> I&#8217;d already saved Laurence Saunders a number of times over the years, small insignificant salvations. On December nineteenth, I managed to save him twice.</p>
<p>That last day, Laurence slipped unnoticed from his home sometime between noon and three p.m., the three hour space between the meals-on-wheels delivery by Mrs. Heflin and the arrival of the nurse&#8217;s aide. Despite the tragic circumstances, no blame was ever cast on either woman. After all, Mr. Saunders had been found wandering numerous times before.</p>
<p>No one considered my involvement, not even once: not the police officer who coordinated the search and rescue, not the other neighbors on our street, not even the dogs they eventually brought in from the mainland, though, perhaps, they would have if they’d bothered to check my boots.</p>
<p>Laurence was my closest neighbor, his front porch no more than forty feet from mine. Five years ago I&#8217;d watched his wife&#8217;s coffin carried down the steps of that front porch after the wake. Later I&#8217;d watched him sit on that same porch for hours, alone, day after day, only the fraying of his bathrobe marking the passage of time.</p>
<p>With his wife, Suzie, gone, I was his only companion. Laurence and I were separated by forty feet, two walls, and a growing silence that neither of us could shake. For me, the silence shouldn&#8217;t have felt any different from when Suzie was alive. But it did.</p>
<p>I had never been one of the Saunders’ flock of visitors. The August barbeques with the overflow of pick-up trucks and coolers full of beer had always seemed like just so much unnecessary noise. Since Suzie&#8217;s death, that kind of noise had gradually ceased. Laurence started losing people&#8217;s names about three years ago. Started losing other words about a year after that. Now that the silence had infected his house, few visited anymore.</p>
<p>I watched, I listened, and, at night when Laurence fell asleep in front of his flickering TV, I slipped in and turned out the lights. It felt good to be needed.</p>
<p>Ten years ago I&#8217;d left my husband, Peter and his three basset hounds back in Portland and moved across the bay to China Island and Aunt Eveline’s old clapboard house. The twin occurrences of Aunt Eveline&#8217;s death and the demise of my marriage felt somehow linked. My true path finally revealed.</p>
<p>&#8220;Good luck, Sarah,&#8221; My ex-husband had said on that last day, shaking my hand as we stood outside the courthouse. He seemed almost relieved to see me go.</p>
<p>Eveline&#8217;s death offered me a new beginning. Between the house and an old savings account, she&#8217;d left me enough to almost squeak by. And somehow or other the island always provided.</p>
<p>Then December nineteenth arrived and Laurence Saunders wandered into the woods.<br />
<span id="more-1469"></span></p>
<hr />
<p>That day the snow fell like it often does in Maine. Soft puffy flakes hung from the bare branches of the birch and maple trees. Snow-topped pines loomed like towering movie props while the clouds coated the sky a dull and bitter gray.</p>
<p>Early in the morning I stood by my kitchen window watching the birdfeeder, a tall pole that separated the Saunders’ house from my own. The birds swarmed down, the jays chasing the smaller sparrows and finches away. Hungry birds. A storm was coming. That’s when I noticed Laurence heading out to his mailbox, just like he did every day. No coat, of course, or boots, though he&#8217;d remembered his cane. I watched his cane catch on the railing, his arms wheeling as he slipped on the edge of the porch steps. It almost seemed as if he were about to fly, his arms extended, and then he toppled backward, his body sprawled out across the wooden floor.</p>
<p>Feet still in leather slippers, I dashed out my front door and across the snow toward his house.</p>
<p>&#8220;Laurence,&#8221; I called, wanting to reassure him. &#8220;Mr. Saunders.&#8221;</p>
<p>Laurence glanced in my direction.</p>
<p>&#8220;I&#8217;m fine,&#8221; he mumbled, legs kicking like a fallen turtle. His robe had fallen open, the cotton, striped pajama top the only thing separating his thin chest from the winter air. &#8220;Get on home. It&#8217;s cold out here.&#8221;</p>
<p>&#8220;Mr. Saunders,&#8221; I repeated as I stepped onto the porch. &#8220;Let me help you.&#8221; I bent down and grasped him under both arms. Laurence tried to shift away, but I hung on, tugging. It seemed for a moment like it wasn&#8217;t going to work, and then we were both standing. Laurence’s knotted fingers quickly pulled my hands away.</p>
<p>&#8220;I&#8217;d better go and find Suzie,&#8221; he muttered, red faced, his eyes avoiding mine. &#8220;Good to see you, Eveline.&#8221;</p>
<p>Damn him. Despite all his other losses, he’d always remembered my name, at least until today. Sarah not Eveline. Sarah. Even as a girl, when I’d just been another of Aunt Eveline’s summer visitors, he’d always known who I was. When I moved in to Aunt Eveline’s house, Laurence Saunder’s had been the first person to greet me.</p>
<p>“Hello, Sarah with the long butter-colored hair,” he called from the open window of his truck. He’d given me that nickname back when I was only six and visiting Aunt Eveline for the first time. My hair was darker now, not that it seemed to matter. From my very first day up until his very last, I watched over Laurence Saunders, and he watched over me, too.</p>
<p>Used to be, when Suzie was alive, I’d call at the Saunders’ house every Saturday night. It even seemed like Laurence and Suzie welcomed me, despite the intrusion. It was almost like shoveling out someone&#8217;s driveway, a very neighborly act.</p>
<p>Some things hadn’t changed at all from my childhood visits to China Island. Every week Laurence came home bawling drunk, his pickup skidding along the curves of the road, the sea&#8217;s edge no more than ten feet on one side, the woods not much farther on the other.</p>
<p>Every week I would hear him stumbling across his porch as I lay in my wallpapered bedroom. And always he sang that same song. &#8220;Wake up little Suzie. Wake up.&#8221; The words starting before he&#8217;d even reached the entrance, the banging of the porch door following soon after, and then the lights flashing on throughout the house. The brightness of those lights drove through my curtains like sunlight.</p>
<p>Of course, I was awake. Just like Suzie.</p>
<p>I always imagined his wife, Suzie, waited until the very last moment before turning on the bedroom lamp. Like me she&#8217;d been in bed for hours, both our houses dark with only the far off gleam of the mainland lights for company.</p>
<p>Sometimes, on summer nights, I heard their laughter, too. Heard the music he turned on as he clattered into their bedroom. I imagined the two of them dancing, gray-haired and smiling, as the moon slowly traveled overhead. Those nights it seemed I could never get to sleep, my restless legs finally pulling me out of bed, my hand on the beige telephone. And, somehow, it always ended the same way. I would hear the ringing phone through my open window. One ring, two rings, ten rings. And then, just as I was about to hang up, Laurence would answer.</p>
<p>&#8220;Sarah, just go to sleep,&#8221; he&#8217;d murmur, more distracted than upset. &#8220;Suzie, I&#8217;m coming,&#8221; he would call, and then the line would go dead. Laurence and Suzie busy with their own concerns.</p>
<p>All that changed once Suzie died. No more clattering truck, no more out-of-tune songs, no more phone calls. All the noise emptied from the Saunders’ house.</p>
<p>On December nineteenth, for the first time in years, Laurence&#8217;s driveway was full once again; the pick-ups lined up one behind the other. Men in work boots and heavy coats called out to each other as they wandered about Laurence&#8217;s property and the surrounding woods.</p>
<p>The noise reminded me of those old September barbeques and Suzie bringing me something on a paper plate, slipping between our yards, her face serene as she held my door open.</p>
<p>&#8220;I know you like ribs, Sarah. Just take &#8216;em. We&#8217;ve got plenty.&#8221;</p>
<p>&#8220;Suzie….&#8221;</p>
<p>&#8220;Sarah, here. Take it.&#8221; The plate already set down on my kitchen table, a folded paper napkin beside it.</p>
<p>And then I would feel Suzie&#8217;s hand squeezing my shoulder before she slipped back outside.</p>
<hr />
<p>Veronica Dunphy, the nurse&#8217;s aide, was the first one to spread the news of Laurence&#8217;s disappearance, calling China Island&#8217;s lone police officer when she found the empty house and still open door. The rescue party arrived soon after, most of them men from the volunteer fire department.</p>
<p>I stayed inside. Didn&#8217;t want to hear what they were saying. Didn&#8217;t want to see. Laurence was a skinny man with hardly an ounce of fat left on him. How long could he survive in the December cold, the snow now falling thick and fast? I watched as the huddle of men dispersed in all directions only to return in ones or twos, faces increasingly grim.</p>
<p>As dusk set in, more trucks pulled up to the Saunders’ house. More neighbors, too. People arriving to offer their help. I could see Georgia Loomis and Nick Dimeo, neighbors from about a half mile down the road. I could see Tony Bergmann, Laurence&#8217;s closest neighbor on the other side. From his Day-Glo jacket and black tights, it was clear he&#8217;d been heading out on yet another run when he&#8217;d noticed the crowd.</p>
<p>I watched as he talked to the small cluster of men who hovered around a blue Dodge Ram—no hats, despite the cold, maps and radios spread across the hood of the pick-up. Then Tony shook someone&#8217;s hand and turned toward my house, moving steadily through the foot of snow that separated the two yards. Clearly, he had seen me watching.</p>
<p>I slipped on my boots and stepped out onto the porch.</p>
<p>&#8220;Sarah,&#8221; Tony called out in greeting. &#8220;Did you happen to see Laurence today?&#8221;</p>
<p>The sun had fallen below the tree tops. The temperature must have dropped at least five degrees in the last hour. It was only going to get colder.</p>
<p>&#8220;Not since morning.&#8221;</p>
<p>Tony had reached the bottom of my porch. I could see the downward creases at the edges of his mouth. His brown eyes completely unguarded.</p>
<p>I glanced at the huddle of volunteers in Laurence&#8217;s driveway.</p>
<p>&#8220;I could help search. I know the woods round here pretty well by now….&#8221; It felt more like a question than I&#8217;d intended.</p>
<p>&#8220;I think they&#8217;ve got enough people,&#8221; Tony replied after a slight pause. &#8220;Be helpful if you could keep an eye on his house, make sure he doesn&#8217;t slip back somehow while we&#8217;re all out scurrying.&#8221;</p>
<p>We both knew he was worried about something else entirely. Tony was like a lot of the island men, careful of their women. He didn&#8217;t want me to be the one to find Laurence&#8217;s body, curled and frozen, the stripes of his thin cotton pants covered in a layer of fresh snow.</p>
<p>The flakes were falling quickly, now. Island storms always seem fiercer than those on the mainland. No mountains to slow them down. No towns to the north or south where you can hide until they pass. The storm, in the end, has to be faced. Pure. That&#8217;s China Island.</p>
<p>&#8220;I better get going,&#8221; Tony said after a moment, glancing at darkening sky. &#8220;Perhaps someone further down saw him.&#8221;</p>
<p>&#8220;I just wish I had more to tell,&#8221; I murmured as Tony turned toward the road. I&#8217;m not sure he even heard me; his stride had already broken into a run.</p>
<p>And I do. I wish I could have told them all. Wish I could have mentioned the dim lights in the woods, uncertain, like the edge of a sunset. And Laurence&#8217;s shuffling steps as he headed toward those trees. His voice creaking out the words, &#8220;Wake up little Suzie. Wake up.&#8221; I could have mentioned so many things. My boots were already covered with snow when I finally stepped out to meet Tony. Did I mention that? No? Though the snow was more puddle at that point.</p>
<p>Two hours is a long time. A long time for snow to melt, a long time for someone in house slippers and a robe to be out in the cold.</p>
<p>No wonder Tony Bergmann ran so fast.</p>
<hr />
<p>&#8220;Laurence&#8221;</p>
<p>&#8220;Umm…Yes, Eveline.&#8221;</p>
<p>&#8220;Laurence, dear. Why don&#8217;t you take my arm?&#8221; I paused for a moment, letting him process the words.</p>
<p>His eyes moved slowly over my face. His lips creased slightly in confusion.</p>
<p>&#8220;I don&#8217;t mind, honestly. We&#8217;ll hold each other up.&#8221;</p>
<p>&#8220;Eveline, shouldn&#8217;t we head back?&#8221; His voice was so hesitant, not like the old Laurence at all. &#8220;The snow&#8217;ll be here soon.&#8221;</p>
<p>I glanced up through the trees.</p>
<p>He was right, of course. The flakes were falling steadily, now.</p>
<p>&#8220;Eveline?&#8221;</p>
<p>&#8220;It&#8217;s alright, Laurence. We&#8217;ll head back in a bit….&#8221; I let the words trail off, his arm still firmly wrapped through mine. I didn&#8217;t stop walking.</p>
<p>After all this time, had he really lost my name?</p>
<p>Laurence and I were deep in the woods now.</p>
<p>The light kept changing the closer we got to it. The light was like honey, as dark as it was bright. And from overhead in every direction came the creaking of frozen branches. I could hear a rustling as the wind pushed against the snow and leaves, pushed against my hair and cheeks, as well. How could Laurence stand the cold?</p>
<p>In the woods it was like the ocean didn&#8217;t even exist, nothing but trees and the crunching of my boots, Laurence&#8217;s own slippers making almost no sound. There was just a scattering of snow on the ground; the pine branches acting as a rough sort of roof. Once the storm started and the snow truly began to fall, it would be hard to follow either of our footprints.</p>
<p>I had made sure to meet Laurence in the woods, wandering down the street a ways before finally slipping through the trees, letting him take those first steps alone. The snow in his yard, I knew, would show only one set of prints. One set of footprints and the marks of his three-pronged cane.</p>
<p>My own little walk? If anyone noticed, well, I walked the woods most days. People knew that.</p>
<p>&#8220;Sarah?&#8221; Laurence said, his voice almost yelling over the wind.</p>
<p>I glanced over in surprise.</p>
<p>The woods were like a wall in front of us spreading out in both directions. And the sounds. I could hear voices now. Words anyway. &#8220;Hurry. Faster. Don&#8217;t forget.&#8221;</p>
<p>A woman&#8217;s voice as angry as it was determined.</p>
<p>And then Laurence started to laugh. The slackness in his eyes gone. Now I was the one being tugged forward. Laurence&#8217;s voice calling out to the trees.</p>
<p>&#8220;Damn it, woman. I said I&#8217;d be back soon. Just got caught up for a bit is all.&#8221;</p>
<p>Just like those Saturday nights when Suzie was still alive. Me listening in, so hopeful for them both.</p>
<p>The wind was whipping against my face now. The clattering of the branches mixed with the swirling of the dead leaves. And, somewhere, more words. Still too hard for me to distinguish easily. I thought I caught &#8220;late&#8221; and perhaps even &#8220;bastard.&#8221; I hadn&#8217;t known Suzie Saunders swore.</p>
<p>&#8220;Sweetheart. Suzie.&#8221; Tears were running down the old man&#8217;s face as we stumbled against the now roaring wind. &#8220;God, damn it. It&#8217;s alright. I&#8217;m here. Haven&#8217;t even taken off my work clothes and you’re already going at it.&#8221;</p>
<p>And then he was dropping my arm that cane of his swinging out, sailing toward the trees, toward that light that flooded behind.</p>
<p>I stumbled, falling to the ground, Laurence falling, too. Spittle on his lips, his old man&#8217;s skin grey-blue against the dark ground and the light powdered snow.</p>
<p>&#8220;Suzie,&#8221; he muttered as he tried to push himself up. &#8220;Suzie.&#8221;</p>
<p>I started to shiver. God, it was cold. The tie of his robe had come undone, nothing but that worn cotton top covering his skin. I wanted to cradle him in my arms with his old-man body and half-empty eyes.</p>
<p>His lips were a little blue, but Laurence&#8217;s heart was just fine. Unraveling for years, Suzie was all that was left. Those memories burned so deep, canyons raging through the empty landscape.</p>
<p>Laurence was crawling now, but not for long. Gnarled hands, knotted and arthritic, pressed against rough bark as he used a nearby tree trunk to pull himself upright. His breath was like a cloud, spreading out to meet the light.</p>
<p>&#8220;Suzie,&#8221; Laurence said. His voice was low now. He glanced back at me. &#8220;You shouldn&#8217;t be here.&#8221;</p>
<p>The wind hadn&#8217;t so much settled as decided to wander elsewhere, my hair no longer whipping across my face. The tree branches were silent.</p>
<p>Laurence pulled the tie of his robe back across his waist. The worn pajama top was now hidden underneath. He ran his right hand through his still-thick hair, steel-grey, the edges hanging down over his ears and collar.</p>
<p>And then he turned and looked at me, looked right at me, his eyes holding mine.</p>
<p>&#8220;Time for you to go,&#8221; he said. And he meant it. His voice firm, like that time I found Suzie on the kitchen floor leaning against the refrigerator, a houseslipper on one foot the other slipper clear across the room, resting near Laurence.</p>
<p>&#8220;Don’t worry. We&#8217;ll call you soon,&#8221; he&#8217;d said then. And I&#8217;d nodded, glancing from one to the other, the empty plate left on the counter. No other words spoken.</p>
<p>He said it again now. &#8220;We&#8217;ll call you soon, Sarah.&#8221; The trees and that honey-dark light stretching out behind him.</p>
<p>And after all, wasn&#8217;t that why we&#8217;d wandered into the woods to begin with, so he could find that light?</p>
<p>I nodded once and then turned to go, leaving Laurence leaning against the old tree, his song clear as I followed the trail back to the edge of my house. &#8220;Wake up, little Suzie. Wake up.&#8221; The creaking of the trees was his only accompaniment. The light didn&#8217;t fade, though. Just like on those summer nights all those years ago. In the end, Suzie always ended up turning on that light. </p>
<blockquote><p>Julie Day recently graduated from the Stonecoast M.F.A.program. She also has a B.S. and M.S. in Microbiology. By day Julie work as an IT business analyst. She also volunteers at Small Beer Press and hosts their occasional podcasting series.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1469</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Those Who Do Not Reap</title>
		<link>http://thecoloredlens.com/?p=1491</link>
		<comments>http://thecoloredlens.com/?p=1491#comments</comments>
		<pubDate>Tue, 23 Apr 2013 00:19:02 +0000</pubDate>
		<dc:creator>Kris Millering</dc:creator>
				<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1491</guid>
		<description><![CDATA[The world is water. From horizon to horizon, water. Trade winds go from west to east, and carry weather and fish with them. Wind and weather bring us news of the world, in the form of all manner of things that float. A string of islands are our own, we and the cousins. Fifteen islands, [...]]]></description>
				<content:encoded><![CDATA[<p>The world is water.</p>
<p>From horizon to horizon, water. Trade winds go from west to east, and carry weather and fish with them. Wind and weather bring us news of the world, in the form of all manner of things that float. A string of islands are our own, we and the cousins. Fifteen islands, from tiny Ike to the largest, Yuhime. Ours is the northernmost, Liipil, an island that catches the winds, the volcano beneath dead as our ancestors. As you go south, the land becomes more active, and the cousins become more numerous.</p>
<p>The world is water, and we are at its center.</p>
<hr />
<p>The youngling who had been assigned to the northern heights plummeted into the village, calling shrilly. “Wings! Wings! The ikei are returning!”</p>
<p>“From where?” I asked, straightening from my crouched position over the morning’s treasures.</p>
<p>The youngling pointed with one wing. West by north. “Did you see which they were?”</p>
<p>“Sun behind them.” That would be no, then.</p>
<p>“Find Lilleloi, tell her,” I told the youngling. “She’s in the fields.” Without further comment, it crouched and leaped upward, beating wings frantically upward. I watched the youngling’s attenuated body and great wings catch the breeze and soar upward, sun glinting off of waxy leaf-scales. I wrapped up the day’s gather into a large leaf and carried it in one arm, using the other to help me climb up to the platform where I stored the sea-treasure I had not yet completely studied.</p>
<p>After putting my work away, I swung down, landing heavily at the base of the great starflower tree that the platform was built in. “I’m getting too old to do this,” I muttered. I was going to have to start climbing down rather than swinging, soon. I had years yet before I would be too heavy to use the platforms altogether, when I would have to have those younger than I fetch and carry from the platforms.</p>
<p>Not too old yet to run, though. I trotted through the village, joined by younglings and adults, down to the landing field. We’d fired it less than a month ago, before the winter rains had made it far too damp to burn. It was a good and welcoming landing place for the ikei, our pelagics who spent most of their time at sea, circling the world with the trade winds, following the great sea-herds of whales and fish. It was better than we had managed some years, when the summer had been far too wet for the burn and we’d had to settle for clearing the field by hand.</p>
<p>Kii and Liiloka had brought food with them, voyage-fruit and sweet tik-tik, and we settled down to eat and wait. A flock of younglings arrived, swirling down to land lightly, grabbing and squabbling over tik-tik. A few stretched out, settling to turn the leaf-scales on their backs to the sun.</p>
<p>Kii stumped over to me, her massive body and her fronds of lichen making her seem like a particularly mobile boulder. She held a quarter of a voyage-fruit out to me, and I accepted with a murmur. “Anxious?” she asked, her voice low as distant surf.</p>
<p>“Every year,” I said. “Every year I think is going to be the year that Thiol does not return.”</p>
<p>The elder snorted. “Foolish to get attached. I try new ones every year.”</p>
<p>“He makes fine eggs,” I told her. “I haven’t had one be fallow since he became my favorite.”<br />
<span id="more-1491"></span><br />
A shout came from the gathered younglings, and several of them fluttered up into the air. I turned my eyes to the sky.</p>
<p>There they were! Dark wings against blue sky, bodies stout with months of feeding and flying. Their wings were enormous, spans ten times the lengths of their bodies, and patterned wildly underneath. I strained my eyes, looking. So many patterns, stripes and swirls and eye-spots.</p>
<p>None red with yellow streaks. Thiol was not among them.</p>
<p>But there were only twelve of them, a twentieth of the number we expected to return. This would be the largest group, most of them young, having banded together for their first year at sea. The older ones would return by ones and twos over the next few weeks. For now, we fussed over the ikei who had returned, gathering around them, running hands over their wings as they preened and crowed. Their long heads with the bone crests at the backs were objects of much fuss and admiration.</p>
<p>I stood apart from the crowd, as did those others who had favorites who had not yet returned. None of us were interested in finding out which of these ikei might fill us for the time they were here, because we already had our choices. Lilleloi came to me, crouched down and gestured for me to join her.</p>
<p>Lilleloi was younger than me, with the litheness of youth still on her and her back still more leaf-scales than lichen. She had found a favorite the year before, and from the way her stubby tail twitched she, too, was nervous that he would not return. Merely inexperience; her chosen ikei, Jerul, was younger than she and strong enough that unless accident befell him he would return.</p>
<p>“Does it get easier?” she asked me now.</p>
<p>I shook my head, raising my hand to search through the lichen at the back of my head, an old habit. “Never. But the reunions are worth it.”</p>
<p>“I worry. What if he’s changed his mind? I’m not like you, not beautiful yet.” She was fussing, opening and closing her hands. I took a bite of my voyage-fruit.</p>
<p>“They forget about us, you know. Pelagics forget who they are on land as soon as they lose sight of it. I’ve talked to Thiol about it. He says that this life stops when he takes to sea, and resumes when he comes back. He only vaguely remembers the journey once he touches land. Jerul won’t have changed his mind.”</p>
<p>She put her elbows up, pointing them to the sky. “I hope not.”</p>
<p>That night, as the sun set, we gathered in the village. I climbed up to a platform and watched the younglings show off for the ikei, dancing with their wings spread, patterns painted on them to mimic ikei patterns. Adults watched from the shadows beneath the trees. There would be no couplings tonight, or any night until we were sure that most of those who were going to return had done so. Those with no favorites wanted the widest choice possible; those with favorites would wait until those favorites had returned. If the favorites did not return, they would choose another, probably from this group of young ikei.</p>
<p>Some of the younglings had caught a small cousin, a six-limbed swimming thing with wide membrane between its pairs of forelimbs. They showed it to the ikei, who fanned their wings gently in approval and put their eyes close to it, their long heads tilted so more than one could see at once. One flicked out his tongue to run it over the cousin’s back. “It’s not afraid,” the ikei said. “It is a pet?”</p>
<p>“As much a pet as any of the cousins can be,” came the answer from the shadows.</p>
<p>The ikei considered the cousin, held by a youngling indistinguishable from the others, a youngling like this ikei had been the year before. The younglings crowded around the ikei, rubbing their sharp faces on them, under their chins and beneath the wings where the most fascinating smells came from. Those smells would change in the next few days, as the ikei got into the mood for coupling, but for the moment they were quite attractive to the younglings. The oldest, those who would go through the change this season, stayed the closest, breathing in the ikei scent deeply.</p>
<p>Over the next few days, more ikei arrived. Wings, more wings, and I worked with one eye skyward, waiting to see. The older ones arrived, in pairs and threes and ones, and then they stopped arriving. Coupling began.</p>
<p>No Thiol.</p>
<p>I withdrew from the others, the coupling urge an ache in my nethers and disappointment a pain in my throat. He was old, I told myself. The sea had claimed him, as it claims the ikei. Being pelagic is dangerous, especially for the older ones. There are storms, and there are some large cousins who follow the ikei and prey on them when they can. Thiol must have fallen to one of them.</p>
<p>I did not choose another ikei, deciding to forgo coupling this year. I’d produced at least three eggs every year for the last twenty-three years. I could afford to skip a year. I studied the treasures, reading what they had to tell me about the ocean currents as well as what the others who inhabit this world were up to. Someone was having a war, I could tell, probably the same people that used hollow gourds to float their fishing nets. There were sharp triangles tangled in some of the nets and debris, the remnants of weapons.</p>
<p>The southern current was shifting, as it occasionally did, coming farther north than usual and carrying with it some interesting seeds. I brought some to the story circle, telling the six or seven younglings that were interested and the four adults who were my story-keepers what I saw, and what the far-traveling seeds were telling me.</p>
<p>A pair of ikei settled nearby, turning their heads this way and that. I hissed. These were young and had not had a chance to couple. An older female uncoupled was quite attractive to them, but I was having none of it.</p>
<p>At my hiss, they withdrew a few steps, but stayed close enough to hear. I addressed myself to the adults, ignoring the younglings and the ikei. There was a good chance that at least a few of these younglings might mature into adults rather than ikei, and when they did they might become story-keepers for me, but until then I wouldn’t have anything to do with them.</p>
<p>“This, see how it’s split? It only does this after more than a year in the water.” I pointed to a crack in the husk of the heavy nut I had in front of me.</p>
<p>“How do you know?” asked an ikei.</p>
<p>I hissed again, and continued. “We only get these when a southern current shifts north&#8211;”</p>
<p>“The ikei has a good question,” one of my story-keepers said. “What is the provenance of the story?”</p>
<p>My hand lifted and then fell again. “It came to me from Ihui, from Liiopu, from Uikullu, from Gillo, from Kuiio, from&#8211;” I stopped, fell silent. Was that right? “From Yothul.”</p>
<p>“Yothul? That’s an ikei name.”</p>
<p>I cast my mind back, delving into the memories given to me by those who had gone before. “Yothul is in the line, having brought back a fresh one. Yothul was blown south by a storm and discovered the place where these nuts came from, a place occupied by Stubbed Ones. He was attacked, but threw these nuts to defend himself, and escaped while clutching one. He carried the nut to Kuiio, who was able to do experiments and determine how the nut looked after it had been floating for certain periods of time.”</p>
<p>“Then ikei do contribute to the lines, then.” That was the ikei who had first spoken.</p>
<p>“The ikei are respected for their contributions.” It was as polite as I could manage to be. I gave the one who had spoken a regarding stare. “What is your name?”</p>
<p>“Rawil,” he said. “I find it interesting that there is at least one ikei in a line.”</p>
<p>“The ikei see much, but they cannot tell us any of it,” I said. “This much is known. We do occasionally get contributions from them, but only the most extraordinary ikei can remember anything about what they see while pelagic. Their contributions are usually in the form of physical objects. Like this.” I picked up the nut and hefted it.</p>
<p>The ikei opened and then closed his wings, colored with swirls of white and violet. Younglings looked back and forth between us as the ikei shifted uncomfortably. Finally, he turned away, picking up his claws in a dignified stalk.</p>
<p>I hissed at his back and went back to talking.</p>
<p>Two days later, there was a commotion from the northern heights as two excited younglings plummeted down, shrieking. “Ikei! Ikei! Coming down! Hurt!”</p>
<p>I took in a sharp breath. Could it be? A cloud of ikei rose from the village, leaving their afternoon assignations without so much as a parting word, rising to find their brother. They returned a few minutes later, one with claws wrapped around the hips of the ikei who had been struggling, another gliding and bearing most of his weight on his back. I couldn’t tell who it was.</p>
<p>I couldn’t tell until the one beneath set down, the ikei having trouble slipping from his back to tumble into the dirt. Red and yellow. He lifted his head, met my eyes.</p>
<p>Thiol!</p>
<p>I couldn’t move, couldn’t go to him. He was the responsibility of the ikei for the moment, and they gathered around him, muttering and keening. He was so thin. He looked like he’d hardly eaten for the last few months. They ran wing-fingers over him, his wings, his head. Eventually, two took off, angled south, came back with large flapping fish in their claws. Thiol dipped his head and began to eat, ripping at the flesh with claws and teeth.</p>
<p>Afterwards, the ikei drifted back to interrupted assignations, and I was finally free to approach. He was in the shade of a shorebreak tree, kneeling with wings sprawled outward loosely. He looked up as I approached. “Polliu. More beautiful every year.”</p>
<p>I crouched beside him. “Thiol.” Now here was a place sticky as sap. We never spoke of infirmity or death with the ikei. But speak I must. “What happened?”</p>
<p>“What happens to all of us, in time,” he said. His light voice was exhausted, and he had fish scales around his mouth. “I did not catch as much as I should have at first. Because of that, my strength dwindled, and I could only take fish that were sure catches. A run of bad luck and a storm that came up, and I was grounded for a while on a small island. I thought I was done, but once I started flying again the air started feeling familiar. So here I am.”</p>
<p>I looked at the ikei, and thought. Here was something new. Old ikei, and Thiol was one of the oldest, would go out one year, and then simply not return. But he had gone out, and come back, and he was tired and fragile. “You won’t be going out again.” My tone made it a question.</p>
<p>He raised the center ribs of his wings, dropped them with a rustle. “I will go out again. What else is there? This how we live, and how we die.”</p>
<p>I looked away from him. He was ikei, and I was not. But we had started out in the same place. “You could stay.”</p>
<p>“Here? What is there for me here?”</p>
<p>The disgust in his voice made me wince. I had some affection for this ikei, but he was what he was and would always remain. “Nothing but fruit-eaters and younglings, and talking story.”</p>
<p>“Talking story is always good. But I will die as I lived.”</p>
<p>Looking at him, his elegant head and the few leaf-scales that still clung to him, brown and dead, his long body bent and gaunt, I had an irrational surge of emotion for this creature. A cold flush spread over me, and I knew that my pupils had narrowed to slits, showing Thiol sunset iris. I turned away sharply, rose, my tail thrashing from side to side like a club.</p>
<p>“Wait, Polliu,” he said, and in his voice was a plea. “Many rivers run to the sea.”</p>
<p>I turned, considered. He was willing to negotiate, then. His first reaction to the suggestion had been a reflex, as I thought it might have been. Ikei do not change easily. It is one of the things we have in common. I dropped down beside him once more, abruptly forgiving him. He reached out a wing to gather me in, and I snuggled in beside him. His body was warm, and his wing covered with fine hair. The patterns on the underside of his wings were made in that hair; under it, his wings were as featureless as a youngling’s.</p>
<p>I reached out, stroked that hair, purred as he sighed and relaxed. The smell of him was faint, but there was something of the coupling scent in it. Another few days, I thought, and even as frail as he was he might be persuaded to fill me one final time. I would not have to resort to that impertinent ikei with a mouth full of questions and disturbingly intelligent eyes.</p>
<p>Yes, for the moment, all was well.</p>
<hr />
<p>I cried out sharply, Thiol’s curved member penetrating me, fulfilling the coupling ache. We were still then, resting, his wing-fingers on my shoulders, the underside of his head on the top of mine. A bird shrieked somewhere nearby, leaves clattered together as the breeze gusted. We were half-standing, braced against a tree; Thiol had not the strength to cover me as was customary, so we were improvising.</p>
<p>So far, it was a very pleasurable improvisation. This was different, the angle was strange, and it touched parts of me that did not often get touched by another. I sighed and ran my tongue up his neck, and then squealed as he writhed in me without moving the rest of him. “Oh do that again&#8230;”</p>
<p>After some time, the encounter came to its conclusion, and I surprised both of us by sharing a tik-tik with him. We do not take food together, we and ikei. Once they come to land, ikei do not eat until, half-starved, having grown thin with coupling as many as eight times a day for three handfuls of days, they depart and become pelagic again, to ride the winds and gorge themselves on the bounty the sea offers.</p>
<p>But by common, silent agreement, the ikei had been feeding Thiol, and the youngsters had taken up the habit of bringing him part of their morning’s catch. He was heavier now than he had been when he’d arrived, and this morning I had caught the hot scent of him and led him away to this cove.</p>
<p>Juice dripped down his chin, and his tongue came out to catch it. We lay in tall grass, and the surf nearby beat against the shore in an irregular rhythm. He looked over at me, and his eyes narrowed fondly. “And I suppose you will request that of me again,” he said, the tone a caress even as the words jested.</p>
<p>“As many times as you feel capable,” I told Thiol. “If these are to be my last eggs out of you, I want as many as I can.” The words were false though well-meant; I knew that there was no chance Thiol would be up to as many couplings as it would take to for me to get three or even two eggs this time. We would be doing well to get one, and that only if we worked at making up for lost time.</p>
<p>He snorted. “Polliu, it is you. I will be capable of whatever is required of me. You will accept nothing less. It is, after all, why I am your favorite.”</p>
<p>My chuckle was a deep rumble in my throat. It was true. He had become a favorite by first not taking no for an answer, and then by never denying me anything I’d asked. Thiol’s voice turned contemplative. “I have never seen the process of egg-laying, or of hatching. Or even of younglings changing, other than my own change.”</p>
<p>“Are you thinking of staying?” I asked quietly.</p>
<p>He ducked his head, to scratch the top of it with his claws. “I am.”</p>
<p>I turned my eyes skyward, thinking about this. Then I blinked. “Thiol, look at that. Is that&#8211;”</p>
<p>He followed my gaze. “A great cousin! But what is it doing this far north?”</p>
<p>“I don’t know, but&#8211;” I sucked my breath in as I saw the great cousin, six-limbed and terribly dangerous, go into a dive. My cry of denial was wordless as it dropped out of sight briefly and then winged back into the sky, carrying a struggling youngling in its front claws. “Cover. Quickly.” I got to my feet, dragged Thiol onto his claws, yanked him into a nearby stand of shorebreak trees.</p>
<p>“You hide while the great cousin is on the attack?” Thiol’s voice was astonished, and disapproving.</p>
<p>“It will not attack structures, and if it finds no prey it will not linger!” There had not been a great cousin in our skies while the ikei were on land since&#8211;</p>
<p>My mind raced through stories, sorted memory from memory, built a chronology from converging and diverging lines. Seventy handfuls of years. Eight hundred and forty coupling seasons, my mind whispered.</p>
<p>And the story of that time&#8211;</p>
<p>“No,” I moaned, and “no,” again.</p>
<p>A story was about to repeat itself. For the first time since my own change, I wished for wings. But I was stubbornly earthbound, and Thiol was looking at me with confusion and concern. “The ikei,” I started, and stumbled. “The ikei will attack. They will die.”</p>
<p>“They will drive the great cousin from our island,” he told me.</p>
<p>I moaned, raised my elbows, doubled over. “They will die. Seventy handfuls ago&#8211;it took almost ten handfuls to recover, and the ikei were three times as numerous then.”</p>
<p>It was disaster, and as I raised my head to the sky I watched story repeat itself. Ikei were powering up to the great cousin, who looked startled at the response but answered threat with violence. It gave a crackling roar, and dove at the ikei.</p>
<p>Blood fell from the sky, and Thiol trembled next to me. He could not go. I hung onto his wing, and he was not strong enough to shake me off.</p>
<p>Ikei died. Those of us who had chosen hands instead of wings, and Thiol who had chosen wings and then me, could do nothing but watch.</p>
<p>In the end, the great cousin fell as well, crashing into the sea, gravely wounded. It chose an unfortunate place to come down, near the silty mouth of a river; I could hear screams as the cousins who lived in the dim shallows and were fierce hunters came from miles around, drawn by the blood.</p>
<p>Twenty-five ikei survived. It was a bitter trade.</p>
<p>“There are other tribes to the south. We will try to recruit some of their ikei,” Lilleloi said.</p>
<p>“Do you remember the last time that was tried?” Liiloka, her egg-mate, said sourly. We were gathered under the three large platforms, arguing about what must be done. “I do. The tribe that tried it was slaughtered for trying to steal ikei. No, all we can do is wait, and recover. It will happen eventually.”</p>
<p>Kii stirred herself. We all turned to her. “Those who have not coupled this season, choose an ikei and couple with him enough times to get at least an egg or two. We must replace lost ones. I will kill any who try to keep their ikei to themselves.” We bowed our heads. Kii’s voice, when it was used, was our ultimate arbiter. And though she was old, and large, and slow, none of us doubted she could kill whoever she chose. She could not climb platforms any more, but you could not stay in the trees forever.</p>
<p>Thiol was away from me for a while, comforting his brothers, and I waited for him to return as the sun set. “All are claimed, except for me,” he said diffidently.</p>
<p>“Then I claim you,” I told him. “Once is not nearly enough, if I want even one egg.”</p>
<p>I’d had an idea for a position that I could couple with Thiol in that should not require much energy on his part. We tried my idea, and to my immense gratification, it worked. It worked well enough that he and I made up for lost time that night and the following morning, and after he stopped to wolf down strips of great cousin that the younglings brought the next morning, we continued.</p>
<p>Around us, life moved on. The great cousin had died in the night, and we would eat well off of its body for some time. The ikei, now that it seemed more demands were going to be made on them, chose to partake in the feeding, keeping up their strength so that they could leave every adult gravid with as many eggs as it was possible to carry.</p>
<p>It was not without precedent in story, but there were mutters anyway. The coupling season was being lengthened beyond the usual, and there were many who were not easy with it. The younglings were restless, a number of them starting to show signs of the change beginning to come on them. Some of those weren’t expected to come into their change for at least another year, in some cases two. I laid a private bet that most of those younglings would become ikei, and I was not disappointed.</p>
<p>The village became quiet once the younglings slipped off one by one to make their change. Most would fly into the interior valleys to make their change, and those that became one of us would walk back, having lost their wings and most of their tail in the process. The ikei would fly back, of course.</p>
<p>And so it was, and so it was. We never knew what prompted the ikei to make their flight; something about time of year and weather. The ikei became restless, coupling dwindled to nothing, and they gathered on a beach near the village, walking up and down the length of it, looking out to sea.</p>
<p>So few of them. Thiol was beside me as we watched from the trees, and his long head turned and turned, trying to catch the breeze. “A good day for it,” he said, and his voice was grave. “Feel, the wind’s coming.”</p>
<p>At first, I barely felt it, and then the coolness ruffled through the lichen at the back of my neck. Thiol squeezed his eyes tightly shut, and moaned as if in pain.</p>
<p>On the beach, ikei were spreading their wings, and all at once, oh&#8211;</p>
<p>&#8211;wings!</p>
<p>Exploding outward in dizzying colors, their voices crackling out of them, they climbed and climbed and then the sky swallowed them. In my fascination, I almost forgot Thiol, crouched beside me, until I heard him moan again. “Ah, Polliu&#8211;”</p>
<p>He was folded into himself, wings clutched tight to his body, wing-fingers exploring his head. His eyes, his black eyes, were weeping blood as his inner eyelids flicked open and closed over and over again. He was trembling violently. “Polliu,” he whispered.</p>
<p>I understood, then. “Go,” I murmured. “Go.”</p>
<p>He trembled, but he unfolded himself then, wings still clamped tightly to himself. He stumbled out of the trees, almost tripping over his own claws. That cool wind was still blowing, and Thiol, when he reached the beach, turned his head into it and raised his eyes to the sun, staring. He spread his wings, and took a few running steps, lifting himself into the air one last time on those wings.</p>
<p>He rose, and he was so beautiful. Beautiful, and blind, and dying.</p>
<p>Ikei never die on land.</p>
<p>He got scarcely half a mile away, still within sight, before he fell into the sea and it swallowed him whole.</p>
<p>There was rage in me, and I growled at the sea. “Fruit-eaters,” I snarled. “Fruit-eaters, and talking story!” I walked away from the sea, up the hill, up to the ridge, heedless of how my lichen curled. I walked until the rage ceased, and when it abruptly left me I was in a blackwood grove, the trees and their red bark twisted, flowers growing fragrant among them.</p>
<p>I did not know this place, but it knew me, and the stones stacked up told me what it was. A sacred place, a place of those who had gone before. “I tried,” I said. “I tried to keep him.”</p>
<p>A stirring of air. Disapproval. I hung my head.</p>
<p>I do not know if I imagined that disapproval, or if it was simply the weight of all of the stories I carried, heavy in my belly with the eggs that were beginning to form there. I licked the air, tasting. “The ikei must fly,” I muttered, addressing the ground. “They must fly, or they die.”</p>
<p>It was there in the blackwood grove that I sat, for a night and a day and a night, and grew a story within me. The story fed on me, on what I had known of Thiol, on the things I had noticed about ikei in the many years I had been seeing them come and go. It fed on my own dim memories of being a youngling, of having wings. It fed on my unexpected rage at his death, and my bewilderment that I felt anything at all about it.</p>
<p>It fed, and grew round in me and big as a tik-tik, as a journey-fruit, as an egg.</p>
<p>When the story was whole, I rose. I did not understand the story yet. I would not until it was spoken. So it was that I walked down the ridge and into the valley and into the village, and called my story-circle around me.</p>
<p>The story started like this:</p>
<p>“This is the story of Thiol, who was first a youngling and then an ikei. This is the story of his life, and his death.”</p>
<p>The story broke its shell and came spilling from me. The world is water, and we are at its center. And when we became not one people but two, when one of us chose the land and the other the air, we forgot that we had once been one.</p>
<p>So I told Thiol’s story, an ikei story, using my voice to add an ikei to the lines. When I was done and silence fell, I rose and walked away, going to my platform.</p>
<p>I would tell Thiol’s story over and over again over the years, as the seasons changed and the wind brought the ikei back and then swept them away once more. My attachment to Thiol faded gradually, as I lost the feel and the being of him, as he was woven into his story and into the lines. I kept a little of him: how the hair under his wings had felt to my hands, how coupling with him had felt, the way he would blink affectionately when he looked at me sometimes.</p>
<p>Most of him went into the story and out of me, and it was better that way. Still, sometimes, when the wind turns and touches my lichen in just the right way, he will come back to me, a swift-moving shadow on the endless horizon, a shape in the fog. I watch wordless as he fades again, and wonder if this is a blessing or a curse, or perhaps both.</p>
<p>I turn my head, taste the wind; the ikei will return soon. I am ready to catch their stories, to weave them into the lines. I will wait for Thiol, even though I know he is not coming.</p>
<p>I will wait for Thiol, until I have wings once more.<br />
<blockquote>Kris Millering is a graduate of Clarion West 2009. Millering&#8217;s story “The Isthmus Variation” was published in <em>Beneath Ceaseless Skies</em> in 2010, and was named to Locus‘s 2010 Recommended Reading List. In 2011, “The Isthmus Variation” was included in BCS’s second best-of anthology.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1491</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Fairy Tale</title>
		<link>http://thecoloredlens.com/?p=1656</link>
		<comments>http://thecoloredlens.com/?p=1656#comments</comments>
		<pubDate>Tue, 16 Apr 2013 01:26:42 +0000</pubDate>
		<dc:creator>Emily C. Skaftun</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[Urban Fantasy]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1656</guid>
		<description><![CDATA[The chorus of “Happily ever after” roused me from my stupor. Even from the living room I could hear the bored edge in Elise’s voice; it was as predictable as Kari’s enthusiasm or Allan’s singsongy tone, and as strained. Storytime was finished. I headed to Kari’s room to say goodnight, but paused outside the door [...]]]></description>
				<content:encoded><![CDATA[<p>The chorus of “Happily ever after” roused me from my stupor. Even from the living room I could hear the bored edge in Elise’s voice; it was as predictable as Kari’s enthusiasm or Allan’s singsongy tone, and as strained.</p>
<p>Storytime was finished. I headed to Kari’s room to say goodnight, but paused outside the door when I heard her speak. “Daddy,” she said, “is that how it was for you and mommy?”</p>
<p>I held my breath, sincerely wondering how Allan would answer. But it was Elise who answered: “Of course not. Mom’s not a princess.”</p>
<p>Kari laughed, but Allan didn’t miss a beat. “She is to me,” he said.</p>
<p>I crept away as quietly as I could, unsure whether the sound I suppressed was a sob or something more like bitter laughter.<br />
<span id="more-1656"></span></p>
<hr />
<p>It was a over a week later, and storytime was definitely over. I tried not to think of Allan as I stared into an expanse of prairie grass. It spread like a yellow-green ocean from the light on the back porch to the end of the known universe, losing color the farther it went into the night. Finally I could see nothing but the phosphorescent glow of hundreds of lightning bugs: the deep water. There be monsters.</p>
<p>I sat on the kitchen’s island cradling a glass of Pinot Grigio, and without thinking of Allan I contemplated how I had gotten myself stuck in a place like Ohio, anyway. No, not stuck, my editor-mind corrected: marooned. Marooned and emotionally mutinied by a pair of pirate daughters who had always loved their daddy better.</p>
<p>The glass of wine sweated in the evening’s heat, drops of cold water running down the stem and over my fingers. I wiped my hand across my forehead just as a wave of breeze skimmed across the ocean of my back lawn, in through the open window and over my face, turning me suddenly cold all the way through. The screen door slammed on the back verandah and I jumped up to face my girls.</p>
<p>“Mom!” Elise shouted. She held something behind her back as she stood shifting with excitement from side to side. “You’re never gonna believe what Kari and me found!”</p>
<p>In my editor-mind I cringed, thinking Kari and I, and wondering if ten was too young to start correcting the finer points of my daughter’s grammar. But I figured she’d pick them up with or without me; it seemed all she did was read. I tried to smile. “Did you catch some good lightning bugs?”</p>
<p>Little Kari, hands over her mouth, looked as though she was about to burst. But Elise continued over her sister’s muffled snickering, strangely sober. “Yeah, mom. And something . . . else.” She brought the object out from behind her back without looking at it, and I was so focused on her scrunched-shut eyes that it wasn’t until she re-opened them with a little gasp that I saw what she meant.</p>
<p>She held the mayonnaise jar high in front of her like a trophy. Ragged holes had been punched in the plastic lid, the label peeled off leaving only smudgy streaks of glue obscuring its contents: three agitated fireflies, their green butts blinking on and off like living Christmas lights; a few leaves and a bumpy twig; and, sitting on the twig with her elbows on her knees, a tiny winged person.</p>
<p>I looked from my older daughter’s stunned face to my younger daughter’s suppressed mirth to the mayonnaise jar to the glass of wine in my hand, took a sip and set it down on the counter behind me. I took the jar from Elise, still studying her expression. My mind was struggling to convince me that I couldn’t have seen what I thought I had. Not a fairy; not a real one. Probably some toy I gave them and forgot about, I thought. I laughed at my gullibility, and raised the jar for a closer look.</p>
<p>The figure sat turned away from me, presenting me with coppery hair and greenish wings. Delicate, almost translucent wings which, I now saw, moved gently in and out as if to the rhythm of a creature’s breathing. Holding my own breath I turned the jar around.</p>
<p>There she was, not a toy at all, cast in intermittent lightning-bug light. About three inches tall, fair-skinned and naked, she sat on the twig with her bare feet on the glass bottom of the jar and her head in her tiny hands. One of the lightning bugs—to her the size of a barn owl—buzzed around her head, and she shooed it away with a violent wave of her arm.</p>
<p>She picked her head up and fixed me with fierce green eyes. “What?” she said, in a surprisingly big voice.</p>
<p>My grip on the jar slipped. It fell a few inches before I caught it again, and the fairy—or whatever she was—fluttered her wings in the jar’s airspace before settling back down onto the twig. I set the jar on the kitchen counter.</p>
<p>Kari scrambled up onto one of the stools on the other side of the counter, perching on her knees with her elbows on the formica countertop. She peered into the jar like a cat looks into a fishtank, still grinning. “Can we keep her?” she asked.</p>
<p>The tiny woman threw her hands up in the air. I shook my head, feeling like I was moving underwater. “I think . . .”</p>
<p>“What’s your name?” Elise had scooted onto the stool next to her sister to regard the fairy, though with a less predatory look on her face.</p>
<p>The little creature stood up in her 32-ounce world. “What’s yours?” she asked, pointing her whole arm at my daughter.</p>
<p>“Oh. I beg your pardon,” she said, and I smiled proudly. “My name’s Elise, and this is my sister, Kari.” Kari waved quick as a hummingbird, and Elise gestured across the counter to me. “And that’s our mom.”</p>
<p>The fairy turned toward me and inclined her head slightly. “Hey, mom,” she said.</p>
<p>I laughed, reaching for my glass of wine. “You can call me Deb.”</p>
<p>“Iris.”</p>
<p>“What are you?” asked Kari, and her wide eyes narrowed as Elise punched or pinched or kicked her under the counter’s edge.</p>
<p>“No,” said Iris. “I have a few questions for you. Question one: which one of you slack-jawed gawkers is going to free me from this lard-smelling prison?”</p>
<p>“Will we get a prize? A wish granted?” In her excitement Kari didn’t seem to notice the dirty looks she was now getting from both her sister and Iris.</p>
<p>Iris turned toward her, her voice syrupy sweet. “What would you wish for, little girl?”</p>
<p>Kari squealed with joy, talking a mile a minute. “A new bike, or to be the prettiest—no! Three more wishes! Or just for daddy—” She cut off abruptly, and the joy fell away.</p>
<p>“I can do that,” said the fairy.</p>
<p>Kari and Elise gasped in unison.</p>
<p>“But I’m not going to. Wishes, wishes, wishes. Nope, not this time.” She laughed a squeaky, cackling laugh.</p>
<p>“Now hold on, Iris,” I said, setting the nearly empty wineglass back on the counter.</p>
<p>“What?” she asked. “You don’t like me fucking with your kids?” One of the fireflies dived at her head and she ducked, swiping at it with both arms.</p>
<p>Elise and Kari giggled, and I wondered if it was about the bug or the naughty word. I don’t think they knew what it meant, only that it was off-limits. “Iris,” I began, aiming for an authoritative tone. “I’m going to have to ask you not to swear in front of—”</p>
<p>“Hey,” she said, flapping her wings. “Do you know what kind of fucking powers I have? Maybe I can destroy you with a snap of my fingers.” Squinting, I saw that her tiny fingers were poised to snap. Once again she was dive-bombed by a lightning bug, but she simply pointed at it and the bug blinked out of existence. She leaned one hand against the jar’s wall for a moment, head down, then looked up at me with a dark expression. “You don’t know, do you?”</p>
<p>I shook my head.</p>
<p>“Then I call the shots. Open lid, now.”</p>
<p>Her arms were crossed over her naked chest, her foot tapping impatiently. With a shrug I reached over and unscrewed the mayonnaise jar’s lid. Iris flew out, stretching her wings, as did one of the lightning bugs. The other bug seemed content to throw itself repeatedly against the glass wall of the jar.</p>
<p>“Iris,” Elise said, a waver in her voice. “How did you make that bug disappear?”</p>
<p>The fairy paused in mid-air, looking at Elise. “I told you I had powers, didn’t I?”</p>
<p>Elise seemed to consider this, eyes rotating in their sockets to follow Iris, flying in loop-de-loops in our kitchen. She looked more than a little frightened, Elise, and I thought I should say something to comfort her. But what was there to say? Eventually she continued: “But where did it go?”</p>
<p>I re-screwed the lid, locking the remaining firefly inside. In a small way I mourned its missed opportunity for freedom. You snooze, you lose, I thought, and with that, unbidden, came thoughts of Allan. He’d flown right out of the jar that was our marriage—vanished, or maybe just escaped—and I could still hear the buzzing sound as I banged my head against the glass.</p>
<p>Iris flew around, floating like a butterfly with her nude legs trailing behind. She hadn’t answered Elise, and it didn’t seem like she was planning on it. “Can you bring it back?” Elise asked.</p>
<p>Iris set down on the counter, stretching upwards with her arms. Kari reached her arm across the countertop to get my attention, whispering loudly enough for everyone to hear. “Mom? She’s not wearing any clothes.”</p>
<p>“No she’s not, honey,” I said, looking at Iris’s tiny white butt as she bent to touch her toes.</p>
<p>“No she’s not,” Iris echoed. “An astute observation, little girl. And no, I don’t want any of your doll’s clothes. You people are all the same.” Suddenly she twirled around and pointed at me. “Hey, how ‘bout a drink?”</p>
<p>I shrugged, looking into my own empty wineglass. “Wine okay?” She nodded. “What can I put it in for you?”</p>
<p>Iris sighed loudly, and I imagined I could see her roll her bright green eyes. “A thimble is traditional,” she said. She paused, while I mentally searched the house for a thimble. I wasn’t exactly a seamstress. “If you can’t manage that, the cap from the toothpaste tube will do.” She sounded incredibly put out by the whole thing.</p>
<p>I nodded to Elise. “Will you get a cap for our guest?”</p>
<p>Elise hurried off in the direction of her bathroom.</p>
<p>“Wash it out real good!” Iris called after her. “That shit tastes horrible.”</p>
<p>Really well, my editor-mind said. Wash it out really well.</p>
<hr />
<p>It took forever to get the kids to sleep that night; fairy tales didn’t interest them, especially not ones read by mom. “Can we keep her?” was all they wanted to know. I told them it wasn’t really our choice, but I did eventually get them to bed with the assurance that Iris would still be around in the morning. Relieved, I crept out to the back porch with an opened bottle of Pinot Grigio, and lit a cigarette.</p>
<p>“Blow that my way,” said Iris, as I dropped into one of the padded deck chairs. She sat on the edge of the table between them, legs swinging in the night air. “That’s one of the things I miss out on, being so small. Cigarettes. There’s just no way to shrink those.”</p>
<p>I exhaled a lungful of smoke at her, watching as she basked in its carcinogenic fog. “Yeah, but at least you’re a cheap date.” I pointed to the toothpaste cap in her hands, filled with a few drops of white wine.</p>
<p>She laughed, leaning back on her elbows on the table. A few caps of alcohol had made her far less cantankerous.</p>
<p>“And you have magical powers,” I added. “I think I’d like that.” Iris said nothing, her shiny green wings moving slowly in and out like a fan. “Iris?”</p>
<p>“Yeah.”</p>
<p>“If you could make that lightning bug disappear, why couldn’t you get out of the jar?”</p>
<p>“Who says I couldn’t?” she said, an edge entering her voice.</p>
<p>I put my hands up, backpedaling. “You’re right. I shouldn’t assume.” I sipped my wine, then quietly: “I just thought if you could’ve gotten out, you would have.”</p>
<p>She glared at me. Her eyes seemed to be made of emerald light; sometimes they shone, other times they pulled light into them like twin black holes. “You think magic’s like turning on a light switch?”</p>
<p>“I don’t know.”</p>
<p>“Not even a light switch is like a light switch. You just think it is because you don’t see what it takes to get the power into your house. Somewhere coal is burned to turn water into steam to spin a turbine to make electricity, which travels for miles to get to your house. You flip a switch and the light comes on, like magic.”</p>
<p>“Okay, so . . .”</p>
<p>She sighed. “So I’m having an off day.”</p>
<p>I raised my glass in a toast. “I hear that.”</p>
<p>Iris leaned back again. “It’s pretty out here,” she said. “Calm.”</p>
<p>I looked out at the waving field of prairie grass, trying to see it as anything but a wasteland. The lightning bugs had all gone to sleep, along with the few neighbors we could see, and it was quiet, quiet, quiet. In the town behind me lay the college campus with its old stone buildings and its suddenly unfunded and un-staffed literary magazine, all folded in for a summer’s hibernation. Sometimes I thought I could hear it snoring, rumbling like an approaching summer storm. Soon it would wake, breaking open like a hatching egg-sack with motion and noise and youth, and I knew we’d see Allan then, at least. He wouldn’t turn his back on a tenure-track position, even if he had no problem turning it on me.</p>
<p>“So what would your wish be?” Iris asked, turning over on her side. Her wings out of sight behind her, she looked just like a woman in miniature.</p>
<p>“I don’t know,” I said. “World peace? Naw, that’s boring. I really don’t know. Money wouldn’t fix anything. I don’t even think having my job back would.” I took another drag from my cigarette and blew the smoke over Iris’s recumbent form.</p>
<p>She shivered in delight. “You want him back?”</p>
<p>“Can you really do that?” It didn’t occur to me to ask how she knew about Allan in the first place.</p>
<p>She laughed. “No, not really.”</p>
<p>This time I laughed too. “Oh. Well, he always comes back eventually. Not that it matters much. Seems like he’s not here even when he is here.” I paused, sipping from my glass. Iris did the same, then extended her toothpaste cap to me. I took it, dipped it into the wine in my own glass, and handed it back to her. “I guess my wish isn’t so much that he’d come back as that it would matter if he did.”</p>
<p>“That’s a tough one.”</p>
<p>“I know. So how ‘bout you? What’s your wish?”</p>
<p>She looked at me, startled. “I—I don’t know.” She turned toward the ocean of green grass, wings moving subtly in the breeze, but before she did I thought I saw a new look on her tiny face, a darkness that I couldn’t quite identify.</p>
<hr />
<p>The next morning I woke to the sounds and smells of breakfast, and for an instant I thought Allan had returned. But he doesn’t make breakfast, I thought. And then I remembered the previous evening.</p>
<p>I stumbled downstairs to the kitchen, where Iris was flying above the stove. Under her command breakfast literally made itself, spatulas hanging in the air waiting to turn slices of French toast and bacon. She was still naked, of course, and I wondered how she avoided splatter burns.</p>
<p>Kari busied herself setting the dining room table—four plates, but only three with glasses and silverware. On the fourth plate sat Iris’s toothpaste cap. Kari scurried past me holding a carton of orange juice and a jug of syrup, while Elise huddled next to the stove, watching intently as Iris hovered over the frying pans.</p>
<p>Seeing that there was nothing I could do to help I sat down at the table. Before I could even pour myself some orange juice Iris and my girls came into the room, preceded by floating plates of food that somewhat unsteadily set themselves down on the table.</p>
<p>“Good morning, girls,” I said. And to Iris, “Looks like you’re having a better day.”</p>
<p>She smiled, breaking off a crumb of French toast with her hands and carrying it to her plate. “Your girls have been helping me.”</p>
<p>“I set the table,” said Kari, her face already smeared with syrup.</p>
<p>“I see that, Kari,” I said. “Thank you.” Elise’s eyes remained focused on little Iris sitting cross-legged on her floral-print plate. “Elise, how were you helping?”</p>
<p>She just shrugged and stabbed a piece of French toast with her fork. I looked to Iris, hoping to catch some sort of answer in her gleaming eyes. But her head was bowed away from me.</p>
<p>Ebullient and oblivious as always, Kari broke the silence. “What’s your family like?” she asked, showing everyone her partially masticated breakfast.</p>
<p>Iris looked around as though she wasn’t sure the question was addressed to her. As her attention settled on my younger daughter her wings drooped. “I don’t really have one . . . anymore.”</p>
<p>“What happened to them?” asked Kari.</p>
<p>The little fairy shrugged, moving wings as well as shoulders. “What happens happened. The world is big; we’re small. It’s easy to lose things.”</p>
<p>Her sadness was palpable, so many times bigger than her. It hovered around the table as if borne by transparent wings.</p>
<p>“It’s okay,” said Elise, finally starting to eat her breakfast. “You can stay with us.”</p>
<p>She didn’t ask me if it was okay, and the parent in me wanted to protest on principle. Nonetheless I was glad when Iris answered, “Maybe just for a little while.”</p>
<p>When we finished eating, Iris cleaned our plates with one sweeping wave of her arm. Like that the syrup and crumbs and the little white strings of bacon fat that Allan used to eat but none of us liked were dispatched, perhaps to some other realm. “Beats the dishwasher, don’t it?” she said, winking at me. I heard myself giggling, imagining the dimension of banished items. A land piled high with table scraps and lightning bugs, but also with secret treasures stored for safekeeping, with precious children and irritating lovers.</p>
<p>Echoing my own thoughts Elise asked, “But where does it go?”</p>
<p>“Would it bother you if I said I didn’t know?”</p>
<p>Elise shook her head and Iris watched her, an appraising look on her face. “I think it’s just gone.”</p>
<p>“Can you bring it back?”</p>
<p>The fairy was grave. “Disappearing is easy, but bringing things back is hard. It may be the hardest thing in the world.”</p>
<hr />
<p>Iris had been with us for a week, which meant it had been eighteen days since Allan had gone, and I still wasn’t thinking about him. Not enough to pick up the phone, anyway, and once again be the first to crumble. It had always been easy not to answer when his cell number appeared on the caller-ID; the calls were never for me. This time, though, he hadn’t called. But it seemed like even the girls missed him less with Iris around. Who needed Allan when there was magic in the house, a little more magic each day?</p>
<p>With Iris’s help the housework got done in a snap: dirty socks floated merrily into the washing machine and streaks simply vanished from the windows. Even better, she was very patient with the girls, taking the edge off the long summer days that would ordinarily have had me begging for year-round schooling. Elise in particular had taken to the little fairy, and if she wasn’t haunting the college’s library or reading in her room she could be found trailing Iris around the house like an oversized shadow.</p>
<p>Every day I felt I ought to be looking for a new job, but then I would remember where I was and laugh out loud at my nonexistent options. Having been let go by the college, what was there for me? The town didn’t even have a grocery store.</p>
<p>After dinner we’d all go out to the backyard and watch the day’s radiance give way to darkness. You could see stars blink on almost one-by-one, mirrored on earth by the creepy staccato blink of hundreds of fireflies. Warm nights were a relief after sweltering days, and Iris and I would sit on the verandah and sigh into our wineglass and toothpaste cap.</p>
<p>Iris fidgeted with her cap of wine, picking it up then setting it back down, then picking it up and passing it from one hand to the other. Without looking at me or at Kari and Elise she asked, “Do you see what they’re doing out there?”</p>
<p>“They’re catching lightning bugs.” Almost every night my girls were out in the tall grass trapping the luminous bugs in a jar.</p>
<p>“Maybe you can’t see it from here,” she said, peering into the dim yard. “Kari’s catching them; Elise is doing something else.”</p>
<p>I covered my eyes with my hand and squinted, but I could only see the shapes of my daughters hunched in the grass. They were just figures outlined against a backdrop of tiny green lights blinking on and off.</p>
<p>“Maybe you should go look,” Iris said, still avoiding my gaze.</p>
<p>I pulled myself out of the low chair, feeling huge and ungainly and suddenly excluded, and stepped into knee-high yellow grass. It whispered as I waded through it, but I couldn’t understand what it said.</p>
<p>I came up behind Elise without her noticing, she was so focused on something in front of her. She knelt so motionlessly that I almost worried about her; she looked like she’d been turned to stone. In front of her, fireflies blinked on and off and she watched them, intently.</p>
<p>I knelt behind her and watched what she watched. As my eyes adjusted to the dark the lightning bugs came into better focus, and I could confirm visually what I knew intellectually: that even with their lighted butts extinguished the bugs still existed, flying about as modestly as any fly in the dark. But then, two feet in front of my daughter, I saw one that didn’t. The firefly’s taillight went out, and with it the whole bug popped right out of existence. I blinked my eyes and shook my head, hoping to clear whatever distortion had produced the effect, but as soon as I opened them I saw it again. The light was snuffed and the bug was gone.</p>
<p>“Elise . . .” I said.</p>
<p>I said it calmly, but she jumped so high she almost fell over. She turned and looked at me with saucer eyes.</p>
<p>“Are you doing that?”</p>
<p>She nodded, a grin creeping onto her face.</p>
<p>I stood up, startled by a tug on the back of my shirt. Twirling around I saw Kari, lifting a jar high in front of her for my approval. “Look mom,” she said.</p>
<p>In the jar were four lightning bugs, and I stared at them for a long time. When I was satisfied they weren’t going anywhere I looked back to my younger daughter, forcing a smile. “Good job, Kari,” I said, backing toward the house. “You too, Elise. Good work.”</p>
<p>Stumbling back onto the solid ground of the porch I felt my heart racing. Iris was still sitting on the edge of an overturned ashtray that served as a bench, and when she looked up at me her tiny face was blank. “What else have you taught my kids?” I asked.</p>
<p>“It wasn’t me,” she said.</p>
<p>I laughed, bitterly. “Like hell it wasn’t.”</p>
<p>“Sit down, Deb.”</p>
<p>“Don’t tell me what to do,” I said, weakly. I wavered between sitting and standing before dropping into my chair.</p>
<p>“Do you know what Elise’s wish is?”</p>
<p>I looked at her, overcome by a sick feeling in my stomach. “I don’t know,” I said. “What? To become a witch?”</p>
<p>Iris shook her head, a sad smile on her face.</p>
<p>“Okay, what? I don’t know.”</p>
<p>“That’s exactly the problem,” she said, and with a sudden flap of her wings she lifted off the table, floating toward the yard.</p>
<p>“Wait,” I said, wondering how we’d gotten so far off track. “I think you should leave.” Even I could hear that my voice carried no conviction.</p>
<p>Iris just started laughing, bobbing up and down like a buoy. “You gonna make me?” she asked. “Your kids like me better than you, and we’re more powerful than you are. I like you, Deb. So relax, and stop saying stupid things.” She turned sharply and flew off into the yard, leaving me stunned and alone.</p>
<p>I grabbed my wine glass and went back into the kitchen to re-fill it. Damned uppity fairy, I thought. First Allan and now her. I thought of calling Allan, making him come back. I had the feeling it would fix everything that was broken, but something stopped me. Pride, maybe. Or something deeper. It wouldn’t fix everything, my editor-brain corrected. It would fix everything but you.</p>
<p>I wandered around the house. Everything sparkled a little more than it used to; it seemed fresh and clean, but also unfamiliar and subtly menacing. I found myself standing in the doorway to Elise’s room, looking into it as if for the first time. The room was a sea of lavender, her favorite color. Every surface was covered with either stuffed animals or books, and they all seemed to be watching me with dark accusing eyes. I stepped into the room and sat down on my daughter’s neatly made bed.</p>
<p>Her bedside table and the floor in front of it were littered with library books. Setting my wineglass down I picked the top one up. Magic, Applied was the title, and the one under it was Invocations, Spells &#038; Charms. They were all on similar topics. The topmost book on the floor, The Magical Encyclopaedia: R – V, had a rainbow-colored bookmark sticking out its top, festooned with a red yarn fringe. I picked up the book, opening it to that page. There were a number of entries in the two-page spread, but one of them was marked with a penciled-in star. “Summoning,” the book said, “is the act of bringing an object or a person to the summoner by means of incantation or spell. The degree of difficulty—and danger—varies with the object being summoned, with even small inanimate objects requiring a moderate to high level of magic. The summoning of persons should not be attempted except by one well-trained in—”</p>
<p>“Snooping, huh?” The voice startled me, and I dropped the book. I whirled around to see Iris shaking her finger at me as if to say shame on you. Guiltily I picked up my glass and took a step toward the door, but as I got closer I saw that Iris was smiling. “It’s okay,” she said. “I snooped all the time when I had kids.” She waved her arm in the air, brushing that topic away. “But that’s beside the point. Have you figured out what your daughter’s wish is yet?”</p>
<p>Iris hung in the middle of the doorway like the littlest gaol-keeper, and I couldn’t bring myself to brush past her. Diminutive as she was, I was tinier still.</p>
<p>“No, I was just—” I paused, remembering the book. “Summoning? Is that it? What does she want to summon?”</p>
<p>“Hey, you’re almost there,” she said.</p>
<p>In her eyes I saw encouragement tempered with frustration and mockery. “It’s not Allan, is it?” I asked.</p>
<p>“You got it!” she said, flying in a celebratory circle.</p>
<p>“But the book said—”</p>
<p>“That’s right. That’s why you should be worried.” She flew closer, so close she was looking into my eyes one at a time. “You may actually have to talk to your daughter.”</p>
<hr />
<p>I re-filled my glass, then changed my mind and left it in the refrigerator. While it might’ve been easier for me to tell Elise about the danger of easy answers with a glass of wine in my hand, it definitely would’ve been harder for her to listen. Taking a deep breath I stepped onto the porch, where both girls were sitting on its edge.</p>
<p>The screen door slammed behind me and they looked up together. “Is it time for bed?” Kari asked.</p>
<p>“Yeah, Kari. Go brush your teeth, okay?” She ran into the house, letting the screen door bang closed again. I had to smile; at least she seemed unchanged. Elise started to follow her little sister. “Elise, can I have a minute?”</p>
<p>She shrugged. I sat in the place Kari had occupied, unsure how to begin. I looked up at the bright carpet of stars, but they were silent, inert. I decided to lie.</p>
<p>“Hey,” I said, pointing up. “Shooting star! Make a wish.”</p>
<p>Elise looked at me like I was a lightning bug she hoped would disappear. “I didn’t see it. Can’t make a wish if you don’t see it.”</p>
<p>I sighed, dropping the pretense. “Elise, what’s up with you lately? You’ve been so quiet.” She shrugged again, silent and inert as the stars. “Is it because dad’s gone?”</p>
<p>Nothing.</p>
<p>“You know, it’s not like I don’t miss him too,” I said.</p>
<p>Elise snorted.</p>
<p>“I do miss him. But you can’t force someone to be someplace if he doesn’t want to be.”</p>
<p>“I can,” she said, and I saw a scary gleam in her eye. It was probably my imagination, but in that instant her brown eyes seemed to glow green.</p>
<p>“Okay,” I said, hearing the quiver in my voice. “I know you’ve found a way that you think you can bring him back, but—”</p>
<p>“I don’t think,” she said. “I know I can. Even if you don’t believe in me.” She started toward the house.</p>
<p>“Elise,” I said, almost begging, “please don’t. What if you get hurt?”</p>
<p>She snorted again. “Like you care.”</p>
<p>Shocked, I could think of nothing to say.</p>
<p>“I’m doing it,” she said, in an eerie low whisper.</p>
<p>“Elise”—my voice was raising into a shout, the twang of my frustration clearly audible—“just listen to me!”</p>
<p>“No, you listen!” She towered over me, and I was actually afraid of her. “I’m bringing him back, and you can’t stop me.” She stalked into the house, letting the screen door fall. But this time it stopped before slamming, settling into its frame without a sound.</p>
<p>I sat there for a long minute, looking out into the prairie grass. Fucking Ohio, I thought. Fucking Allan, fucking college, fucking prairie grass. Fucking magic. Fucking fairies.</p>
<p>As if on cue Iris flew out the door holding her toothpaste cap in one hand, preceded by my wineglass. “Didn’t go well?” she asked, landing beside me on the porch.</p>
<p>I turned to her, panicked. “What could happen to my daughter if she tries this?”</p>
<p>“Bringing things back is the hardest thing in the world. Even I couldn’t do what Elise wants to do.”</p>
<p>“Okay,” I said, my patience at its end. “But what will happen to her?”</p>
<p>“It’s like . . .” she seemed to search for an appropriate simile. “Electricity, right? The wires in your house can only handle so much, and if you try to pull more through them they . . . blow a fuse?” She frowned. Maybe this wasn’t the simile she was looking for. “Except there are no fuses for this kind of power.”</p>
<p>“So what happens?”</p>
<p>“She’ll be destroyed. And so will I, and probably you and Kari too.”</p>
<p>“What do you mean, destroyed? What does that mean?”</p>
<p>Iris just shrugged, an almost imperceptibly small movement.</p>
<p>“Great,” I said, jumping up from the porch. “Thanks! So what do I do, smarty? Clearly I can’t talk to her, and apparently I can’t stop her.” Iris stood on the porch in the strange light-and-dark shadow of my wineglass, impassive. I felt like grabbing her, crushing her in one hand, crumpling her into a ball like a piece of winged junk-mail. “This is all your fault!” I yelled. “I wish you’d never come here!”</p>
<p>“Wishes, wishes, wishes,” Iris said. She floated lazily up and toward the house. “Keep dreaming, sister.”</p>
<p>I fumed at her for a moment, then went into the house. As soon as I did I could tell something wasn’t right. The air seemed shimmery, unstable, and the hair on my arms stood on end. I ran through the hallway to Elise’s door and tried the handle, but of course it was locked. Pressing my ear to the door I thought I heard murmuring, though it might have been the reflected sound of blood pounding in my ears. Otherwise the house was as quiet as it had ever been, which added to the spookiness. Was she trying the summoning now? How would I know? Did magic have a sound?</p>
<p>I rapped on the door with my knuckles. Nothing. I knocked harder with the side of my fist. Stepping back from the door I examined the handle. Maybe if I got a paper clip or a bobby pin I could pick the lock.</p>
<p>My left hand felt heavy, and my ring warm on my finger. My wedding ring.</p>
<p>Not just warm, hot, and getting hotter all the time. I pulled the gold ring over my knuckle as it started to burn, and quickly dropped it onto the hardwood floor. It clattered to a stop, emitting a mild glow, then it wobbled once and slid purposefully under the gap in the door.</p>
<p>“Elise!” I yelled, pounding on the door with the heels of both hands. “Stop! Let me in!”</p>
<p>“Go away,” she yelled back. “Why don’t you drink some more wine?” The air seemed less agitated while she spoke, which I took as a good sign.</p>
<p>Ignoring her insult I continued. “I’m not going away, Elise. You have to stop before you hurt yourself.” Iris flew down the hallway, and even from a distance I could see that she was worried. “Before you hurt all of us.”</p>
<p>“All you care about is yourself!”</p>
<p>The door next to Elise’s opened, and Kari stumbled into the hallway in her oversized nightshirt. “I feel funny,” she said, leaning against the wall.</p>
<p>“That’s not true, Elise. How could you even think that?”</p>
<p>Iris paused in mid-air. “That’s a good question,” she said.</p>
<p>I blinked, and opening my eyes I saw the little naked fairy hovering over Kari. She was peering into her eyes and feeling her forehead with the back of her arm, as Kari smiled sleepily back at her. I thought of the books in Elise’s room. Why hadn’t I known what she was reading? How could I not have known her wish? I thought of the wine, and the secret smoking, the three of them all awake before me, making breakfast. My girls used to help me in the kitchen all the time. When was the last time we’d done that?</p>
<p>I shook my head, blinking in the increasingly fuzzy air. My head was starting to hurt, and I felt dizzy. I leaned against the wall for support. “Nevermind that, Elise,” I said. “I know why you think it. I haven’t been spending much time with you lately, have I? I’ve just been so . . .” How were you going to end that sentence? my editor-mind asked. Selfish? Mopey? Pathetic?</p>
<p>“Distracted,” I finished, and immediately thought better of the whole sentence. “But that’s no excuse. I screwed up, and I’ll do anything to fix it.”</p>
<p>The voice coming through the door sounded hard, yet brittle, like it could shatter. “You’re just trying to trick me into stopping.”</p>
<p>I hung my head against the smooth-painted wood of Elise’s door. Kari had slumped to the floor, and Iris was hovering with her palms against the girl’s forehead.</p>
<p>“Elise,” I said, sounding weary even to myself. “I’m not. I love—Ow, what the fu. . . ?” Something sharp had hit me in the shoulder, bouncing off to land on the door in front of me. It was a picture frame, held picture-side-down to the vertical surface of the door by some force I couldn’t begin to understand. Turning it around I saw that, of course, it was a picture of Allan. He was sitting on Elise’s bed in the old house between our two grinning princesses, all three of them done up in my makeup. I remembered the day; he’d let them dress him up as their “fairy godmother,” with a pink tutu over his jeans and a too-small conical princess hat strapped tight under his chin. The lavender wings from Elise’s Halloween costume had barely fit over his shirt, bunching the fabric at the armpits in what looked like an uncomfortable way. But in the picture he smiled his goofy smile, holding a wand with silvery streamers in the air over Elise’s head.</p>
<p>You couldn’t see me in the photograph, standing behind the camera. But I knew how I looked: plain old Deb, plain old clothes, no fun at all. Like an evil stepmother.</p>
<p>My eyes were wet as I looked up from the picture, and the door looked blurry. “Please stop, honey,” I said. “I’ll give you anything you want, I promise. If you want—daddy—then we’ll get him back.” I paused, sniffling. “But not like this, Elise. It’s not the right way.”</p>
<p>There was a pause, during which I almost thought things would be okay. But then I heard Elise’s ice-cold voice. “You don’t mean it,” she said. “You don’t love him.”</p>
<p>I couldn’t respond. It was at once too simple and too complicated an accusation.</p>
<p>“It’s true!” she said, louder now. “You don’t love him and you don’t love me either!”</p>
<p>Of course I did. I shouted as much. I pounded on the door again, pulling on the handle. I looked around the hallway for something to break down the door with, but there was nothing. There was only Kari twitching on the floor, and Iris hovering over her. There was only me.</p>
<p>“Do something!” I hissed at Iris.</p>
<p>The fairy glared at me. Then she suddenly smiled, in a way that made me sick to my stomach. I will never forget that smile. “There is one thing I can do,” she said.</p>
<p>“You’re lying!” Elise screamed, and it was the longest, loudest sound I’d ever heard in my life. The glass in the picture frame shattered. I heard things move all over the house, falling and thumping and clattering like loose stones in an earthquake. Iris snapped her fingers, and at last my daughter’s shrill scream broke off into unnatural silence.</p>
<p>Iris was gone. Kari was stirring on the hallway floor, murmuring like she did just before waking. I threw my shoulder into Elise’s door again and again until the latch finally gave, and I tumbled into an empty room.</p>
<hr />
<p>I’d like to say that I never saw Elise or Allan again. It would be simpler than the truth, and truer than it too.</p>
<p>After Elise and Iris vanished I put Kari to sleep, then I picked up the phone and dialed Allan’s number. It rang and rang and rang, and I wasn’t surprised. I was starting to think he was way outside cell range. After that I called the police and filed missing persons reports on both Elise and Allan, though I knew it was a fool’s errand.</p>
<p>And then I wept. For hours, for days.</p>
<p>There was a lot of talk in that small town, especially when the police investigated me for killing my husband and daughter. But they never found any bodies, and most people thought I’d simply been abandoned. Perhaps Allan had been cheating, they said. Wasn’t our marriage on the rocks already?</p>
<p>Part of me still thought Allan would be back for the fall semester, but of course he wasn’t. I started working as a freelancer, refusing to move from the farmhouse and the town that I had never loved and hated more and more all the time.</p>
<p>Kari grew up, as children do, and went off to college on the west coast. She married and had kids of her own, two boys, and then divorced while they were still in school.</p>
<p>I spent many years alone. I grew older than I ever thought I would, until I was so old that I became young and helpless again. Kari’s boys were grown by then, and after I slipped on the steps and broke a hip she came home to live with me.</p>
<p>She told me, as many had, that I should move. But I couldn’t.</p>
<p>One day I was woken from an afternoon nap by the sound of the front door swinging open on squeaky hinges. It was a small sound, barely audible to my elderly ears, but I’d been listening for it for almost fifty years. A young man and a little girl walked tentatively through the door, looking with shock and fear at the house they thought they knew. I didn’t need to look at the pictures on the walls to recognize them; they hadn’t changed at all.</p>
<p>I stirred on the sofa and made ahem noises, trying not to startle them, but it didn’t work: they both jumped. “Who are you?” Allan asked. “What are you doing in my house?”</p>
<p>“It’s my house too, sweetie,” I said. “I’m glad you’re home. I’ve been waiting for you for a long time.”</p>
<p>Kari came in from the kitchen then, and dropped whatever she was carrying with a clatter and splash. “Daddy,” she said, breathless, and sounded just like a girl again. “Elise.” She ran to them and wrapped them in hugs while they stared dumbfounded, looking like memory made flesh.</p>
<p>Allan’s horrified stare cut right through me. I knew I wasn’t beautiful anymore; I was old enough to be his grandmother. I was nobody’s princess. Still he came over to me and held me in his arms. “I’m so sorry,” he said, and when he pulled away his eyes were wet.</p>
<p>My own tears spilled over my eyelids and ran down a wrinkled, unfamiliar face. “I know,” I said. “I’ve always known.”</p>
<p>It wasn’t exactly a storybook ending, but it was enough for me.<br />
<blockquote>Emily C. Skaftun is a graduate of the Clarion West Writers Workshop, and holds an MFA in Creative Writing. She lives in Seattle with her husband the mad scientist and a cat who thinks he’s a tiger. She dabbles in roller derby and other absurd opportunities as they come along, while writing about fate, flying tigers, and strange fish.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1656</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Leavings and Remains</title>
		<link>http://thecoloredlens.com/?p=1744</link>
		<comments>http://thecoloredlens.com/?p=1744#comments</comments>
		<pubDate>Tue, 09 Apr 2013 00:28:13 +0000</pubDate>
		<dc:creator>Laura DeHaan</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Slipstream]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1744</guid>
		<description><![CDATA[Homework Assignment #22: Write About Your Family by Meoquanee Minawasinons (age 7) &#8211; April 28, 2079 My family is my two older half-brothers and my two older sisters and my dad and my mom and me. Sansuka and Sasrutha are old old men, Dad says they would be 26 now. Sansuka is a geomancer and [...]]]></description>
				<content:encoded><![CDATA[<p> Homework Assignment #22: Write About Your Family<br />
by Meoquanee Minawasinons (age 7) &#8211; April 28, 2079</p>
<p>My family is my two older half-brothers and my two older sisters and my dad and my mom and me.</p>
<p>Sansuka and Sasrutha are old old men, Dad says they would be 26 now. Sansuka is a geomancer and he works in the Deep Fishing Mine in Wattlesburg North. He writes us lots of letters that come in by carrier pigeon because he says they&#8217;re faster than the Internet. He calls me baby and gives me piggy-back rides when he visits. Dad says Sasrutha went to Toronto to be with his boyfriend and ended up being a travel writer. He has been everywhere except Mars and always sends us copies of his articles with his very own notes inked in. He writes under a fake name because he doesn&#8217;t want the places he&#8217;s visiting to know he was there. Except they do, they just don&#8217;t know that he talks about them after.</p>
<p>My oldest sister is Keezheekoni, I don&#8217;t remember much about her. Dad says she left right after the government had the airtrains put in and maybe she is travelling like Sasrutha, except liking it more and that&#8217;s why she doesn&#8217;t write to us. Sasrutha always ends up getting a mango worm in his head or needing money for bail, his articles are pretty funny.</p>
<p>Ominotago we call Minnow and she is only four years older than me but she calls me baby-baby, which I like when Sansuka calls me that but not her. Dad says she was used to being the baby and doesn&#8217;t like that I&#8217;m younger than her, which is silly. I&#8217;d rather be older, but not as old as the twins because Sansuka is losing his hair already. Also we call her Minnow because Ominotago means &#8216;nice voice&#8217; and she sounds like a cat being stepped on. At least I think that&#8217;s why we call her Minnow. It&#8217;s why I call her Minnow. Sometimes I call her Fishbreath.</p>
<p>Dad says he used to be a no-good layabout before he met Mom, and then he became a good daddy BOOM like that. He grew up in the Tooth for a Tooth War, in the Wild Eagles tribe, but he wasn&#8217;t kidnapped like the other kids. He was actually born into the tribe, but he doesn&#8217;t remember who his parents are because none of the adults were very good at taking care of kids. That&#8217;s why the war ended so badly, because they were all hiding in the Northwest until the leaders finally said, &#8220;Oh wait we&#8217;re actually pretty stupid and we have no idea what we&#8217;re doing.&#8221; That&#8217;s what Dad says happened. He says they were just a bunch of angry kids and if they had just stayed in the North and been angry all by themselves instead of stealing people&#8217;s babies, nobody would have cared. Except they did and some people died and the government couldn&#8217;t always figure out which kids belonged to which parents and sometimes they thought the parents didn&#8217;t even want their kid back. That&#8217;s why I have an Aunt Ying even though she&#8217;s not really my aunt, but Dad says she didn&#8217;t have anyone else to be family with.</p>
<p>He was trained up to be their storyteller except I don&#8217;t think his tribe would like the stories he&#8217;s ended up telling about them. He also says Wild Eagles is a dumb name but they chose it because they got tired of news reporters mispronouncing their own language at them. Dad tells stories to the tourists who come up by airtrain now.</p>
<p>Mom&#8217;s from Sri Lanka and she married a bad man and she had Sansuka and Sasrutha there but she didn&#8217;t want to stay with her husband so she came to Canada instead. And the government found out she was a terramancer and told her to go north and make the hinterlands (where we are) better for tourists. Dad says she must have been a fertility goddess too because she kept popping out babies way after he thought they wouldn&#8217;t need protection. I don&#8217;t know what that means.</p>
<p>Mom&#8217;s a zombie now. She cut herself about a month ago when she was making dinner and we didn&#8217;t think it was bad but the next day it went all green and by nighttime she was dead. She and Minnow and Dad and I had all piled into the truck and drove to the hospital fast as we could but it&#8217;s really far and the doctors say she would have probably lost her arm anyway.</p>
<p>She had signed up to be an organ donor so we stayed at the hospital overnight while the doctors took out her eyeballs and heart and things. They sort of stitched her back up and we drove home. Minnow and I went to school like always in the school bus but when we got out Mom was waiting to take us home. Minnow started crying and got on the bus, but I let Mom pick me up and she ran all the way home with me on her shoulders. She&#8217;s a lot faster than the bus because she doesn&#8217;t have to stop at all the houses.</p>
<p>Tammy Gabriel saw Mom drop me off at school the next day and started yelling, &#8220;Your mom eats brains! Your mom eats brains!&#8221; over and over until I threw rocks at her. When I got home I told Dad about it and he said Tammy&#8217;s just upset because her dad died in a mining accident last year but he stayed dead. So the next day I told Tammy I was sorry for throwing rocks at her but if she ever said anything bad about Mom again then next time I would make her eat them. The end.<br />
<span id="more-1744"></span></p>
<hr />
<p>Meoquanee sits on a chunk of granite which lumps outside the principal&#8217;s office. The stone is comfortable, for stone. Her brother Sansuka had made a cozy little depression in it and gifted it to the school a few years ago, when the wooden bench that originally sat outside the principal&#8217;s office fell apart from rot.</p>
<p>The principal&#8217;s office is a clapboard addition to the schoolhouse proper. Its door is a single sheet of ill-fitting particle board, with a twisted-up wire coat hanger for a knob. It would be impossible to not hear what her teacher and her principal are saying, and since they are talking about her she feels it would be rude not to listen.</p>
<p>So she listens.</p>
<p>&#8220;I&#8217;d say she&#8217;s dealing with her mother&#8217;s death just fine.&#8221; That&#8217;s Jacy Stonefish, the principal. He looks like what a bear would look like if it were human. &#8220;Aside from throwing rocks at the other students, but girls will be girls.&#8221;</p>
<p>&#8220;Her mother is a zombie.&#8221; That&#8217;s her teacher, Johansen. Meoquanee doesn&#8217;t think he has a first name. &#8220;I don&#8217;t know if you read that part.&#8221;</p>
<p>&#8220;That was definitely the part I read, yes. I&#8217;ve seen her around. What&#8217;s the problem?&#8221;</p>
<p>&#8220;Sir? She is, need I repeat, a zombie. She&#8217;s scaring the students. She just stays outside all day, waiting for school to be let out.&#8221;</p>
<p>&#8220;Whereupon she takes her daughter home. I don&#8217;t see this as frightening.&#8221;</p>
<p>&#8220;Not frightening? The woman has no eyes.&#8221;</p>
<p>Meoquanee leans a little to look out the front door. Her was-mother is standing on the single flagstone outside, waiting for Meoquanee to come out so she can run her home. It&#8217;s hard to tell how her was-mother knows when it&#8217;s time to take Meoquanee home. At recess her was-mother stands over her like a patient vulture. At home she does it to Minnow.</p>
<p>Meoquanee waves. Even without eyes, she knows her was-mother sees it.</p>
<p>&#8220;What are you expecting me to do? Tell was-Jivanta not to look after her children? I don&#8217;t know how closely you follow the news, but so far it&#8217;s proved impossible to make a zombie do anything it does not already wish to do.&#8221; There&#8217;s a pause. Meoquanee can hear papers being shuffled. &#8220;There is also no evidence that zombies will attack the living except under the most exceptional circumstances.&#8221;</p>
<p>&#8220;And who decides these &#8216;exceptional circumstances&#8217;?&#8221; Johansen&#8217;s voice raises like the sound of a wet finger dragged along the lip of a wineglass. It shatters at the end, too, just like what happened to the one and only wineglass Meoquanee&#8217;s ever found. &#8220;Who knows what&#8217;s going on in their brains?&#8221;</p>
<p>&#8220;Nothing&#8217;s going on. It&#8217;s been tested. They are dead. And the dead still have rights. As long as they are mobile, they will be treated with the same respect you would give to anyone, regardless of their physical or mental quirks.&#8221;</p>
<p>&#8220;It&#8217;s quirks now? I thought it was attributes.&#8221;</p>
<p>&#8220;Policy changed a couple days ago. I sent a memo.&#8221;</p>
<p>Meoquanee loses interest in the conversation. Johansen told her to stay after school while Jacy looked at her homework, and now it sounds like she&#8217;s been forgotten.</p>
<p>By her teachers, anyway.</p>
<p>Her was-mother&#8217;s mouth hangs slackly open. Tautologically, no muscle is used until it is used. Her arms dangle flaccidly. Even her neck is cantered at a loose angle, lolling occasionally when Meoquanee waves.</p>
<p>Her was-mother is more here for her now than when she was alive.</p>
<p>Meoquanee slips off the granite block &#8212; comfortable, but even her brother can&#8217;t change its inherent chilliness &#8212; and picks up her bag. The voices on the other side of the door continue to speak, absorbed in the intricacies of matters which do not concern her.</p>
<p>&#8220;Speaking of keeping informed,&#8221; says Jacy, &#8220;the annual Gay to be Grey zombie walk is being held in Ottawa this year. Perhaps you&#8217;d like to go.&#8221;</p>
<p>&#8220;Impossible, sir,&#8221; is Johansen&#8217;s immediate reply. &#8220;My mother…&#8221;</p>
<p>&#8220;Oh yes, I&#8217;m sorry. How is she?&#8221;</p>
<p>There is no verbal response. Jacy replies with, &#8220;Mm. Are you a religious man? Some people find it a comfort.&#8221;</p>
<p>&#8220;Me, sir? No, I&#8217;m an atheist. Frankly, I think zombies are living, ah ha, proof that there is no God. No loving God would do this to His children.&#8221;</p>
<p>&#8220;Ah,&#8221; says Jacy. &#8220;A Christian atheist. By the way, I&#8217;d be interested in reading her sister&#8217;s report.&#8221;</p>
<p>&#8220;Minnow&#8217;s? There&#8217;s nothing to worry about. She&#8217;s fine.&#8221;</p>
<p>&#8220;By the way. I&#8217;d be interested in reading her sister&#8217;s report. If that could be arranged.&#8221;</p>
<p>Papers are picked up and shoved roughly into a satchel. &#8220;Could we do this tomorrow? Ms. Chan needs to leave at 4:30.&#8221;</p>
<p>&#8220;Of course. Give my best to your mother.&#8221;</p>
<p>Johansen flees. He forgets he even asked Meoquanee to stay after class until he sees her riding her was-mother&#8217;s shoulders as he drives by.</p>
<p>Was-Jivanta is running in great leaping bounds. The sewn-up skin of her emptied belly flops inside her dress, creating an oddly hypnotic ripple in her silhouette. Her arms bounce up sharply with every heavy impact of her hiking boots on the dirt road. Meoquanee is shrieking her laughter, her arms wrapped around was-Jivanta&#8217;s head in an effort to stay balanced on what could be mistaken for a two-legged pogo stick.</p>
<p>Meoquanee looks happy. Was-Jivanta looks dead.</p>
<p>A great sticky lump clogs Johansen&#8217;s throat as he continues the drive back to his house. Ms. Chan does not tolerate tardiness, has threatened numerous times to leave Mrs. Johansen alone if he is not back by 4:30. Sometimes he wonders what would happen if he took her up on it.</p>
<p>It&#8217;s not fair.</p>
<p>&#8220;It&#8217;s not fair,&#8221; Johansen whispers.</p>
<hr />
<p>Minnow and Meoquanee are in their room. Minnow is trying to do her homework, but her was-mother is standing right behind her. There&#8217;s a tension in the room that reminds Meoquanee of the wineglass again. She&#8217;s fiddling with a bit of string and one of her socks. She has been pretending it was a tree with a lake beside it, but the wineglass tension distracts her from play. She looks up to watch her was-mother, not motionless, but swaying gently in the faint breeze of the room.</p>
<p>Minnow&#8217;s shoulders are hunched. Meoquanee thinks of them as the halves of a book, closing.</p>
<p>Suddenly Minnow yowls like a cat and slams her math book shut. She hurtles out of the room, roughly shoving their was-mother aside. Was-Jivanta bumps into the wall and gently collapses. Meoquanee drops her string and her sock and watches her was-mother stand, using her legs and the wall and nothing else.</p>
<p>Was-Jivanta glides out of the room and Meoquanee follows.</p>
<p>&#8220;She&#8217;s looking at me again!&#8221; Minnow has found their father in the room that serves as both living room and parents&#8217; bedroom. Ahmik is on the futon. The TV is on, the one channel showing something from the House of Commons.</p>
<p>&#8220;Madam Speaker, this is a gay time to act,&#8221; says an officious man in a suit.</p>
<p>Ahmik clicks off the set. &#8220;Troutlet, I don&#8217;t think she can help it.&#8221;</p>
<p>&#8220;Make her stop!&#8221;</p>
<p>&#8220;Troutlet.&#8221; Was-Jivanta is standing behind Minnow again. Everyone sees it but Minnow. Ahmik gestures to her to sit beside him. Minnow crosses her arms instead and sets off a furious pout. Ahmik keeps his hands out. &#8220;You have to remember, she doesn&#8217;t mean anything by it. It&#8217;s just what zombies do.&#8221;</p>
<p>&#8220;Why is she still here? Why can&#8217;t she just be dead?&#8221;</p>
<p>Ahmik turns from tired to annoyed, limp to sharp. &#8220;Don&#8217;t talk that way about your mother.&#8221;</p>
<p>&#8220;She&#8217;s dead and I hate her!&#8221; Minnow yells. She turns to storm out and bumps into was-Jivanta&#8217;s legs. &#8220;Get away from me!&#8221;</p>
<p>Was-Jivanta stands there, rocking back and forth gently as Minnow punches her. Meoquanee, with the wineglass feeling in her bones, rushes over and shoves Minnow as hard as she can.</p>
<p>Minnow stumbles into the futon. Ahmik catches her before she tumbles. Minnow is looking at Ahmik and Ahmik is looking at Meoquanee and Meoquanee is looking at was-Jivanta and was-Jivanta is.</p>
<p>Ahmik breaks the cycle. &#8220;Troutlet,&#8221; he says, addressing Minnow, &#8220;your mom&#8217;s a zombie. You don&#8217;t have to like it, but you do have to live with it. I know it&#8217;s not fair, but…&#8221;</p>
<p>Minnow wrenches away from him, ducks around was-Jivanta and throws herself back into her room. The door slams and there is the thunk of a latch slotting into place.</p>
<p>Was-Jivanta goes to stand outside the door.</p>
<p>Ahmik sighs and gives Meoquanee a look that she isn&#8217;t sure about. &#8220;Are you mad at me?&#8221; she says.</p>
<p>He blinks. &#8220;At you? No, not at you. Not at Minnow, either.&#8221; He pats the futon and Meoquanee obligingly curls up beside him. &#8220;I guess our family&#8217;s gotten a little strange, eh?&#8221;</p>
<p>Meoquanee shakes her head, but it&#8217;s not clear if she&#8217;s actually disagreeing. &#8220;It&#8217;s okay,&#8221; she says.</p>
<p>He rubs her back. &#8220;So how do you feel about Mom being a zombie?&#8221;</p>
<p>&#8220;I like it,&#8221; she says instantly. She feels his hand judder and bumps her head against his thigh. He goes back to stroking her, but it&#8217;s slower now, and lighter, like he&#8217;s scared she&#8217;s going to break.</p>
<p>&#8220;Why&#8217;s that?&#8221; he says.</p>
<p>&#8220;She spends more time with us. She gives good piggyback rides,&#8221; she says decisively. &#8220;Dad, why is she a zombie?&#8221;</p>
<p>&#8220;Ah, frogget,&#8221; he says. &#8220;Do you know what a theory is?&#8221;</p>
<p>&#8220;No.&#8221;</p>
<p>&#8220;It&#8217;s a guess. It&#8217;s a good guess, and it might even be true, but it&#8217;s still a guess.&#8221;</p>
<p>&#8220;Well?&#8221;</p>
<p>&#8220;There&#8217;s lots of things that doctors think make some people more likely to be zombies than others.&#8221; He ticks them off on his fingers. &#8220;She was a &#8216;mancer, and they tend to come back as zombies more often. She was an organ donor, and they tend to come back as zombies. And… well, she was very attached to her work.&#8221;</p>
<p>&#8220;She was always working.&#8221;</p>
<p>&#8220;I know.&#8221; He stands up suddenly and she plumps against the futon. There&#8217;s a row of mason jars on the window sill and he picks one up to show her. It&#8217;s covered with smudgey fingerprints and crusted with old, dried dirt on the inside. &#8220;You know what this is?&#8221;</p>
<p>&#8220;Uh.&#8221; She sits up. &#8220;Mom would wash our feet at the end of the day, and she&#8217;d squeeze some of the water into those.&#8221;</p>
<p>&#8220;Yup. Each of you had your own jar. Sansuka and Sasrutha and Keezheekoni and Minnow and you.&#8221;</p>
<p>&#8220;What about you?&#8221;</p>
<p>He chuckles. It&#8217;s an odd chuckle, starting off genuine and ending sour. &#8220;She knew I didn&#8217;t need one.&#8221;</p>
<p>&#8220;What are they for?&#8221;</p>
<p>&#8220;If you went off wandering,&#8221; he says, tapping the jar, &#8220;she could find you with this.&#8221;</p>
<p>Meoquanee&#8217;s eyes are wide. &#8220;She couldn&#8217;t!&#8221;</p>
<p>&#8220;Could. Did.&#8221;</p>
<p>&#8220;I never wandered off!&#8221;</p>
<p>Ahmik looks very much as though he wishes he&#8217;d never taken the jar off the sill. &#8220;No, you didn&#8217;t.&#8221;</p>
<p>He puts the jar back and sits next to her. She snuggles into him, but her eyes are for was-Jivanta. &#8220;Is Mom dead?&#8221;</p>
<p>He sighs. &#8220;It depends who you ask.&#8221;</p>
<p>&#8220;Do you think she&#8217;s dead? Everyone at school says she is, but we didn&#8217;t ask the Midewewin to come by, and we still say her name.&#8221;</p>
<p>Ahmik takes his time answering. &#8220;I think her body died at the hospital, but her soul and her spirit got confused about where to go after.&#8221;</p>
<p>Meoquanee says with certainty, &#8220;Her body isn&#8217;t dead. She runs really really fast.&#8221;</p>
<p>&#8220;She&#8217;s good at running,&#8221; Ahmik agrees. He thinks about all the running she&#8217;s done: from her country, from her husband, from the Wild Eagles, from her children. Now she&#8217;s run away from death. &#8220;Lots of practice.&#8221;</p>
<p>Suddenly there is a loud thudding against the door to Minnow&#8217;s room. Ahmik is up so quickly that for a moment Meoquanee thinks he&#8217;s vanished. She trails behind him and they see was-Jivanta throwing herself face-first into Minnow&#8217;s door.</p>
<p>&#8220;She knows how to open that,&#8221; says Ahmik. There is a horrible panicky sound to his voice that makes Meoquanee want to sit down and bawl. He brushes past was-Jivanta and tries the knob. &#8220;The latch &#8212; Minnow, open the door!&#8221; he yells.</p>
<p>There is no answer, but was-Jivanta solves all the problems by hurling herself once more at the door. The latch breaks and she falls inside the room.</p>
<p>The room is empty and the window is open.</p>
<p>&#8220;Minnow!&#8221; Ahmik wails.</p>
<p>Before he can even turn around, was-Jivanta is up and diving through the window. Ahmik snaps at Meoquanee to stay here! as he rushes out to the truck.</p>
<p>He doesn&#8217;t get as far as turning on the ignition before was-Jivanta appears in the rearview mirror, with Minnow under her arm.</p>
<p>Ahmik gets out of the truck and his storyteller&#8217;s voice gets big and shouty. &#8220;What the hell was that about? Don&#8217;t you ever run away again!&#8221;</p>
<p>For once, the fight is out of Minnow. &#8220;Was going to find Keezheekoni,&#8221; she mumbles.</p>
<p>&#8220;No you&#8217;re not.&#8221;</p>
<p>&#8220;I want to live with Keezheekoni!&#8221;</p>
<p>&#8220;Won&#8217;t happen.&#8221;</p>
<p>&#8220;I want my sister!&#8221;</p>
<p>&#8220;hgghh,&#8221; says was-Jivanta.</p>
<p>It&#8217;s not even a word &#8212; it&#8217;s barely a cough &#8212; but it startles Ahmik and whatever he was going to say gets caught somewhere between his diaphragm and larynx.</p>
<p>Minnow starts to squirm. &#8220;Put me down!&#8221;</p>
<p>You need air to talk, and to get air you have to breathe, and breathing means lungs, which she doesn’t have anymore. Ahmik stares at his was-wife and realises, with the pinpoint accuracy of those in shock, that he is having a deeply profound and unsettling epiphany.</p>
<p>&#8220;We&#8217;ll talk about this later,&#8221; he says, the shout gone from his voice. &#8220;I need to talk to the twins.&#8221;</p>
<p>Was-Jivanta takes Minnow inside. Ahmik goes to the shed where the water coolers are kept. There&#8217;s two of them, each fitted into its own dispenser, both kept clean and mostly shiny. There&#8217;s still a good bit of pinkish water left in each, as correspondence between Ahmik and the twins doesn&#8217;t usually require immediate responses, and Jivanta often let months go by between hydrocalls.</p>
<p>Near the coolers are a shallow metal pan and a tuning fork. Ahmik dispenses a little water from each cooler &#8212; one with Sansuka&#8217;s blood and one with Sasrutha&#8217;s &#8212; into the pan and sets it on the floor. The floor&#8217;s just dirt and seeping dampness, but the call won&#8217;t take too long.</p>
<p>Water is the great medium of all transmissions and the blood tunes the call to the individual. You tap the tuning fork and get it humming and stick it into the water and let it buzz itself out, and then dip your ear into the water and talk like normal. The person on the other end gets a persistent buzzing in their ear, and if they want to talk, they just lick their pinkie finger and stick it in their ear. If they don&#8217;t want to talk, they wait for the buzzing to go away. A hydromancer on vacation set it up for Jivanta. It&#8217;s cheaper than a telephone, doesn&#8217;t need electricity or bandwidth like the Internet, and won&#8217;t disturb anyone at the movies. It&#8217;s also the most private call you can make, which appealed to Jivanta&#8217;s sensibilities. Sure, the solution is finite, and sure you&#8217;re dipping your ear into someone&#8217;s watered-down blood, but these modern conveniences, right? There&#8217;s always a catch.</p>
<p>Ahmik taps the tuning fork and sticks it in the water. It seems to take a long time for the water to stop twitching, and he lays on the dirt with his head in the pan.</p>
<p>&#8220;Boys?&#8221; he says.</p>
<p>You feel the voice in your bones more than hear it in your ear, but he knows it&#8217;s Sansuka who answers first. &#8220;Hi, Ahmik.&#8221;</p>
<p>Sasrutha says, &#8220;Ahmik, what&#8217;s gay?&#8221;</p>
<p>&#8220;Minnow tried to run away tonight.&#8221;</p>
<p>&#8220;She get very far?&#8221;</p>
<p>&#8220;No. Was-Jivanta brought her back pretty much soon as she left.&#8221; Ahmik pauses. &#8220;She wants to live with Keezheekoni.&#8221;</p>
<p>&#8220;Awh, Scheiße.&#8221;</p>
<p>Sansuka asks, &#8220;What did you tell her?&#8221;</p>
<p>&#8220;Nothing, yet. But I think I should tell her. Both of them. I wanted to talk to you two first. See if it was a bad idea.&#8221;</p>
<p>&#8220;I don&#8217;t think it&#8217;s a bad idea,&#8221; says Sansuka hesitantly, &#8220;I just don&#8217;t know if it&#8217;s the best time for it.&#8221;</p>
<p>&#8220;Yeah, &#8217;cause waiting for her to hop on the airtrain is a much better time.&#8221;</p>
<p>&#8220;I meant with Mom dying. It might be too big a shock.&#8221;</p>
<p>&#8220;Sansuka&#8217;s right. Continual lying is definitely the best way to go.&#8221;</p>
<p>&#8220;I&#8217;m just saying she&#8217;s at a rough age and it might be better for her to mature a little before springing it on her.&#8221;</p>
<p>&#8220;Get her to a happy secure point in her life first? And then take it away?&#8221;</p>
<p>&#8220;So you&#8217;d rather give her all the bad news at once and expect her to just get over it?&#8221;</p>
<p>&#8220;Okay,&#8221; says Ahmik.</p>
<p>&#8220;Okay what?&#8221;</p>
<p>&#8220;Tomorrow,&#8221; says Ahmik. &#8220;After school. I&#8217;ll tell them tomorrow. About Keezheekoni. And Jivanta. Everything she did.&#8221;</p>
<p>Sasrutha says, &#8220;Eh, was?&#8221;</p>
<p>Sansuka says, &#8220;Hey now.&#8221;</p>
<p>&#8220;I think it&#8217;s right,&#8221; says Ahmik. &#8220;You boys, you grew up knowing everything, and you both left. I think…&#8221; He stops. There are too many years of swallowing words and bottling feelings to let them out over a hydrocall. &#8220;Your mother had her reasons for everything, even if she didn&#8217;t explain them all.&#8221;</p>
<p>&#8220;Any of them,&#8221; says Sasrutha. &#8220;I wonder if she&#8217;s happier now that she can&#8217;t talk. She never liked doing it when she was alive.&#8221;</p>
<p>Ahmik wants to tell them about the strange noise was-Jivanta made, but he can&#8217;t find the words to explain his epiphany. They would react like Minnow, ignoring the importance of that odd exhalation…</p>
<p>&#8220;I&#8217;ll tell them tomorrow,&#8221; he repeats. &#8220;I should go check on the girls.&#8221;</p>
<p>&#8220;Bye, Ahmik,&#8221; says Sansuka. There&#8217;s a slight lessening of pressure in Ahmik&#8217;s head, and he knows Sansuka&#8217;s taken his finger out of his ear.</p>
<p>&#8220;Lahter, Vater,&#8221; says Sasrutha. &#8220;You know, I&#8217;m glad she chose you. You&#8217;re the only one around here who doesn&#8217;t run away.&#8221;</p>
<p>Tonal variations don&#8217;t translate well over hydrocalls, but it doesn&#8217;t take an hour&#8217;s therapy session to suss out the self-loathing in Sasrutha&#8217;s voice. Before Ahmik can reply, Sasrutha&#8217;s gone. Ahmik wouldn&#8217;t have known what to say anyway.</p>
<p>Ahmik stands creakily. His arm&#8217;s gone numb from lying on it and his hip hurts from pressing into the ground. He dumps the pinkish water outside on some rocks and replaces everything in the shed. As he does so, Sasrutha&#8217;s parting shot echoes oddly in his mind. His family does have a bad habit of running away from each other, but it occurs to Ahmik that for the first time, was-Jivanta might be running towards.</p>
<p>Inside the house, Meoquanee is sitting on the futon with her knees up and her arms around her legs. The TV is on, a voiceover commentating soberly on two lines of people shouting at each other. It&#8217;s the news.</p>
<p>&#8220;…clashes expected between the festival organisers and Go to Hell, the radical Texas-based anti-zombie group. This group has taken credit for the dehumanisation of zombies in several American states in the past year, and border police are warned to be extra-vigilant in the coming weeks as the Gay to be Grey zombie walk prepares to kick off in Ottawa in July.&#8221;</p>
<p>&#8220;You can&#8217;t kill what&#8217;s already dead!&#8221; screams a young woman in the background.</p>
<p>&#8220;Lazarus rose! Jesus rose! The righteous also rise!&#8221; That comes as a mass chant from the other side.</p>
<p>&#8220;Meanwhile, the Trillium Gift of Life Network reports that organ donation registration is on the rise among the youth across Canada, while numbers have dropped sharply for the elderly community, with many refusing to even accept life-saving transplants.&#8221;</p>
<p>There&#8217;s a cut to a close-up of a middle-aged doctor, stethoscope like a talisman around her neck. &#8220;Receiving a transplant from someone who later becomes a zombie is no different than any other kind of transplant,&#8221; she says. &#8220;A heart from a deceased patient or a kidney from a live patient, it&#8217;s all the same. These people were all willing donors.&#8221; It&#8217;s clear the doctor has plenty more to say, but gets cut off in favour of more people shouting at each other.</p>
<p>Ahmik turns off the TV. &#8220;How you doing?&#8221;</p>
<p>Meoquanee shrugs.</p>
<p>Ahmik kisses her on the top of her head. &#8220;It&#8217;ll be okay, frogget.&#8221; Louder, he calls, &#8220;Minnow?&#8221;</p>
<p>&#8220;What.&#8221; It&#8217;s little and croaky.</p>
<p>&#8220;Can you come out here for a minute?&#8221;</p>
<p>Minnow shuffles out of her room. Was-Jivanta pivots to keep an eye on her.</p>
<p>Ahmik takes a deep breath. &#8220;Girls, we&#8217;re going to go for a little trip on Saturday, okay?&#8221;</p>
<p>Meoquanee finally looks at him. Minnow pouts rebelliously.</p>
<p>&#8220;We&#8217;re going to visit Keezheekoni,&#8221; says Ahmik.</p>
<p>Minnow&#8217;s eyes go big.</p>
<p>&#8220;We&#8217;ll need to bring tobacco and sweetgrass,&#8221; he says.</p>
<p>Minnow&#8217;s eyes go small.</p>
<p>Ahmik crouches down and puts his hands on her shoulders. &#8220;Troutlet… we&#8217;re visiting her grave.&#8221;</p>
<p>Minnow throws her head back and screams.</p>
<p>Meoquanee claps her hands to her ears. Even Ahmik can&#8217;t help wincing. Minnow screams like a throat-singer, one continuous note, rising and falling. Minutes go by and Ahmik tries shaking her gently, then harder, but the noise won&#8217;t stop. Eventually he and Meoquanee retreat to the girls&#8217; room and shut the door. It doesn&#8217;t help.</p>
<p>Was-Jivanta stands behind Minnow, and Minnow leans against her and howls and howls and howls.</p>
<p>Eventually the noise dies down. There&#8217;s a residual buzzing in their ears: for Ahmik, the hydrocall; for Minnow, a wineglass.</p>
<p>They open the door and cautiously step out into the living room/bedroom. Was-Jivanta is standing, swaying in that way she has. Minnow is curled around her feet, snoring like she does.</p>
<hr />
<p>Minnow stays home from school the next day. Was-Jivanta runs Meoquanee to school as usual. A little after lunch, when Johansen is talking about chlorophyll and photosynthesis, Jacy walks into the room and takes him aside.</p>
<p>Meoquanee, at the front of the class so she can crane her neck to see her was-mother outside, hears these words: &#8220;Ying&#8217;s on the phone.&#8221;</p>
<p>Johansen scurries across the hall to Jacy&#8217;s office, where the one phone is. Jacy shuts the door to the classroom, for privacy&#8217;s sake.</p>
<p>Jacy smiles reassuringly at the fourteen children in the room while Johansen&#8217;s voice gets louder and louder. Then the phone slams down and Johansen is back in the classroom, grabbing his coat and shooting words over his shoulder to Jacy. &#8220;She&#8217;s leaving. I have to go. She can&#8217;t be alone.&#8221;</p>
<p>&#8220;Johansen&#8211;&#8221;</p>
<p>&#8220;She&#8217;s my mother!&#8221; Johansen does stop by the door long enough to give Meoquanee a look of such hatred that she finds herself rising out of her seat, ready to attack.</p>
<p>Johansen runs. Through the two doorways, the classroom&#8217;s and the hallway&#8217;s, Meoquanee sees him spit on her was-mother.</p>
<p>Jacy shuts the door again as Meoquanee pushes her chair back. &#8220;All right, class, let&#8217;s get this settled and then we can move on with the lesson.&#8221;</p>
<p>&#8220;He spat on my mom,&#8221; Meoquanee says. She doesn&#8217;t feel angry. She feels like she&#8217;s waiting.</p>
<p>Jacy doesn&#8217;t say anything for a moment. He saw the look Johansen gave her, and he remembers the homework assignment. He addresses the class. &#8220;I suppose most of you know Mrs. Johansen?&#8221;</p>
<p>Someone says, &#8220;My mom says she&#8217;s sick.&#8221; Someone else says, &#8220;She used to watch my brother.&#8221; Meoquanee says, &#8220;My Aunt Ying looks after her.&#8221;</p>
<p>Jacy nods. &#8220;Mrs. Johansen needs more attention these days.&#8221;</p>
<p>It&#8217;s not good enough. Meoquanee isn&#8217;t satisfied with leaving things at that. &#8220;Aunt Ying says Mrs. Johansen bites her sometimes.&#8221;</p>
<p>Before Jacy can answer, another voice pipes up. It&#8217;s quiet but pointed, like a pin sliding under a fingernail. &#8220;Didn&#8217;t know Mrs. Johansen was your mom.&#8221;</p>
<p>Crash.</p>
<p>No sooner does Jacy pull Meoquanee off Tammy Gabriel than was-Jivanta is in the room, kissing-close to Jacy and showing him her teeth. Jacy pulls his hands away from Meoquanee and ducks down to check on Tammy, bleeding from the nose and crying. Meoquanee is breathing hard, and she and her was-mother seem to be trying to stand protectively in front of each other at the same time.</p>
<p>&#8220;Everyone settle.&#8221; Jacy&#8217;s voice is deeper than Ahmik&#8217;s. When Ahmik&#8217;s voice gets big, it goes straight to your head, sets it spinning. When Jacy&#8217;s voice gets big, it goes down to the roots of your feet. &#8220;Back in your chairs. We&#8217;re having a history lesson.&#8221;</p>
<p>Meoquanee sits on the edge of her chair, hands gripping the seat. Was-Jivanta is out the door, but not out of sight. The other kids fidget, glance at Tammy and her red-spilling nose. Jacy gets her some tissues and tells her to keep her head down.</p>
<p>He paces in front of the class. &#8220;Who knows who the first recorded zombie was?&#8221;</p>
<p>An older student, thirteen, raises his hand. &#8220;Inga Stjerna. From Sweden. Uh… 2003.&#8221;</p>
<p>&#8220;Right,&#8221; Jacy nods. His pacing slows, his hands raise up and slash down, creating notes on an invisible blackboard. &#8220;Inga Stjerna was an arbourmancer of considerable note in Sweden, an international ecogeek well known for her sustainability projects in Greenland. Plantlife Plants Life was one of hers. While vacationing in Iceland, she fell into a fissure and was retrieved some six hours later. Unfortunately, she had broken a lot of bones in that fall, and she died some three hours later in hospital. True to her reduce-reuse-recycling nature, she had signed up as an organ donor and what parts were still functional were duly taken out. Her body was put on a plane to be sent back to her native Sweden for burial. When the plane landed, ground crews were understandably taken aback to find Ms. Stjerna had freed herself from the airplane coffin during flight.&#8221; Jacy clasps his hands together. &#8220;Her family was notified and I believe Ms. Stjerna spent the rest of her days roaming Padjelanta National Park, where sightings of her eventually became as legendary as those of the Loch Ness Monster, Elvis Presley and Godzilla.&#8221;</p>
<p>Jacy stands behind Johansen&#8217;s desk and lays his palms flat upon it. &#8220;That&#8217;s our first official zombie. Pretty smooth sailing she had, didn&#8217;t she? Why was that?&#8221;</p>
<p>The same student raises his hand again. &#8220;Sweden&#8217;s got the highest life expectancy rate so people there are used to…&#8221; He cut himself off. &#8220;Uh.&#8221;</p>
<p>Jacy raises his eyebrows. &#8220;Used to?&#8230;&#8221;</p>
<p>&#8220;…having those kind of people around…&#8221;</p>
<p>&#8220;What kind of people around?&#8221;</p>
<p>The student shrinks into his chair. &#8220;…kind of useless almost-dead people…&#8221;</p>
<p>Jacy leans back. &#8220;We&#8217;ll discuss that attitude later. Any other reasons? No? Here&#8217;s one: Ollie Brown. Ollie Brown,&#8221; says Jacy, strolling around the room again, &#8220;was a Jamaican-Canadian boy, born 1976. Died 1994, at age eighteen. Motorcycle accident. Registered organ donor. Eyes were all they could harvest from him. Ollie Brown goes into the hospital morgue and not long after scares the skin off a janitor who came down to investigate some strange noises. Janitor finds Ollie Brown up and about. Ollie Brown did not yet have a mortician put his bones back into more or less place, did not have anyone pretty him up with pancake make-up and make him presentable to the family. Ollie Brown is a shuffling, shambling mess, and it does not help that the janitor had some fairly right-wing hang-ups which do not bear going into.&#8221;</p>
<p>Jacy sits sidesaddle on the desk and draws his lips down. &#8220;There&#8217;s a lot of unhappy coincidences that take place in this story. There have always been stories of zombies rising from the dead, but until Ollie Brown there hadn&#8217;t been security cameras to capture it happening. Specifically, there hadn&#8217;t been cameras to capture it happening to a young, black man who already looked to be in pretty bad shape… getting what was left of him smashed in by a white man with a ring of keys.&#8221; He pauses, looks around the room, nods. &#8220;And if that is making you angry and uncomfortable, you are not alone. The janitor was eventually charged with &#8216;indecently interfering with&#8217; and &#8216;offering indignity to a dead human body&#8217;. He was sentenced to five years in prison. During those five years, Ollie Brown&#8217;s family worked to not only seek life imprisonment for the janitor, but to change the definition of &#8216;dead&#8217;.&#8221;</p>
<p>He stood. &#8220;You see, everyone knew that Ollie Brown had died. No one could have survived that motorcycle crash and then had his eyes taken out without kicking up some kind of a fuss. Plus there was that security video showing Ollie fighting for fifteen minutes to get out of that drawer in the morgue, and then stumbling around on half his legs. Like it or not, people had to accept the fact that life after death didn&#8217;t necessarily happen somewhere else.</p>
<p>&#8220;Ollie was not the first to be recognised as a zombie, but because of his family&#8217;s efforts, the world started being able to recognise zombies when they happened.</p>
<p>&#8220;Medical dictionaries changed. The Criminal Code of Canada changed. Religions changed. Thinking changed.</p>
<p>&#8220;A single zombie changed the world.&#8221;</p>
<p>It&#8217;s a long lecture for the kids. Some look bored. Tammy glares at Meoquanee over the soiled wad of tissue in her nose. Jacy claps his hands. &#8220;Recess.&#8221;</p>
<p>After Tammy&#8217;s nose is examined and both she and Meoquanee are giving a finger-wagging, Jacy takes a moment to look through the satchel Johansen left behind.</p>
<p>The papers on the kids&#8217; families are still in there. Jacy sits at the desk and puts his feet up to read Minnow&#8217;s report.</p>
<p>She talks a little about her dad and mentions her brothers. Meoquanee gets a paragraph of complaints. There&#8217;s a lot about Keezheekoni.</p>
<p>There&#8217;s nothing about her mother.</p>
<p>&#8220;Damn you, Johansen,&#8221; Jacy mutters. &#8220;Bagwanawizi. Stupid man.&#8221; There&#8217;s plenty for Jacy to worry about with Minnow&#8217;s report, but just as much to worry about Johansen&#8217;s reaction. It&#8217;s true Mrs. Johansen needs more attention these days. Attention, and maybe a muzzle.</p>
<p>&#8220;Jealous idiot,&#8221; Jacy says suddenly. &#8220;Bagwanawizi.&#8221; He&#8217;ll pay a visit to the Johansens tonight. As zombies have proven, sometimes just being there is enough.</p>
<hr />
<p>The next day is Saturday, and Ahmik and the girls ride in the pick-up. There&#8217;s tobacco and sweetgrass, cedar and sage. Minnow&#8217;s got her fear bundle all wrapped up. Ahmik has Meoquanee hold onto Keezheekoni&#8217;s foot-dirt mason jar. Was-Jivanta lopes along beside the truck.</p>
<p>&#8220;Does she know where we&#8217;re going?&#8221; Meoquanee asks.</p>
<p>&#8220;I don&#8217;t know,&#8221; says Ahmik. &#8220;Maybe she&#8217;ll remember when we get there.&#8221;</p>
<p>It&#8217;s an hour&#8217;s drive. Nobody talks. The road is just dirt piled onto more dirt. There&#8217;s jack pines and not much else, but Ahmik always knows where to take a turn.</p>
<p>Eventually he stops the truck in front of a hill and they get out, bringing a picnic basket with them. Ahmik walks them up the hill and all of a sudden an amethyst post comes into view.</p>
<p>It&#8217;s lovely. It&#8217;s very lovely. There&#8217;s a small lodge built behind it, and while not lovely it is very pretty and it suddenly hits Meoquanee that Keezheekoni is buried somewhere underneath it.</p>
<p>Minnow is already running her hands over the post, over the upside-down bear totem carved into it. &#8220;Who made this?&#8221; she asks.</p>
<p>Ahmik sets down the picnic basket. &#8220;Sansuka. The amethyst comes from his mine.&#8221; He chuckles. &#8220;I don&#8217;t think he told his supervisors he was taking it.&#8221;</p>
<p>Minnow asks, &#8220;Did Keezheekoni have a guide?&#8221;</p>
<p>&#8220;Yes. A Midewewin came. Maybe you girls remember when we had Aunt Ying stay with you for a while? I was here with Keezheekoni.&#8221;</p>
<p>Minnow nods. Suddenly she stops stroking the amethyst post and slaps her hand on the ground. &#8220;Why didn&#8217;t you tell us?&#8221;</p>
<p>Ahmik sighs and runs his hands through his hair. &#8220;Sit down, girls. It&#8217;s story time.&#8221;</p>
<p>They sit in a circle which includes the post. Was-Jivanta doesn&#8217;t seem to notice them. She&#8217;s standing in front of the little lodge and not swaying at all.</p>
<p>Ahmik says, &#8220;First I need to tell you about your mother.&#8221; Minnow sputters while Ahmik lights a cedar stick. Her voice trails away as the scent rolls over the hillside.</p>
<p>&#8220;You know she was a terramancer and the government hired her as a kind of tourism promoter, but that wasn&#8217;t all they wanted from her. When she came here… Jivanta had never divorced her husband. She came all the way here with the boys to get away from him. When she got here, the government said, &#8216;We can&#8217;t let you just stay here and cause problems between our countries. But, if you agree to work for us, we can offer you protection and a new life.&#8217; So she did. Publicly, she was sent north to make the land better for tourists. Privately, she was used to find the children in the Tooth for a Tooth War. It was very sensitive, politically &#8212; she pretty much had to give up her identity. And she decided it was better that way.&#8221;</p>
<p>He sighs. &#8220;So they brought her up here and she spent a lot of time tracking down the kidnapped children and figuring out where they had come from and who they belonged to. And she did it using…&#8221;</p>
<p>He sets the dirty mason jar in front of him on the grass. &#8220;Dirt. As a terramancer, Jivanta could change the very earth itself, make it sand or loam or grow things you never thought possible up here. She could change the shape of the land itself, make a hill where a valley had been. But you can do so much more with terramancy than just play with dirt. You can track down an Ojibwe through his own magical borderlands, you can take the dirt from a child&#8217;s foot and find out where they came from.&#8221; He taps the jar. &#8220;You can find your missing child.&#8221;</p>
<p>Minnow frowns. &#8220;She&#8217;d wash our feet and the used water would go in there.&#8221;</p>
<p>&#8220;That&#8217;s right. When Keezheekoni ran away&#8211;&#8221;</p>
<p>&#8220;Why did she run away?&#8221;</p>
<p>&#8220;She was never really happy here. Do you remember the summer we let her stay with Sasrutha? He and his boyfriend took her in for a couple months and they said she liked Toronto and Montreal well enough, but she didn&#8217;t like visiting the places in between. She wasn&#8217;t made for any city smaller than a million people. We knew she&#8217;d leave eventually, like the boys did, but we hoped it would be when she was older and… not so angry.&#8221;</p>
<p>&#8220;Why was she angry?&#8221;</p>
<p>&#8220;Why are you angry?&#8221;</p>
<p>Minnow digs at the dirt with her fingers and doesn&#8217;t say anything.</p>
<p>Ahmik sighs. &#8220;So. Keezheekoni didn&#8217;t like it here, so when the airtrains came in, she got on one and left. We weren&#8217;t worried, because we knew Jivanta could always find her with the dirt from the mason jar. We thought we&#8217;d give her a few weeks to cool off before bringing her home.&#8221;</p>
<p>He stops talking. The smoke from the cedar drifts west.</p>
<p>&#8220;The Mounties brought her home first.</p>
<p>&#8220;Troutlets… Keezheekoni was murdered.&#8221;</p>
<p>Minnow&#8217;s face crumples up like a dried flower. For Meoquanee, the concept of murder is barely understood. She thinks of Tammy&#8217;s nose when the blood was pouring out, tries to imagine what that would be like all over. Her face is wet and she feels her own nose running.</p>
<p>Ahmik continues. &#8220;Your mother and I washed her body. While the Midewewin and your brothers and I kept watch over Keezheekoni, your mother…&#8221; He swallows. &#8220;Jivanta had cleaned under Keezheekoni&#8217;s fingernails, and there was dirt under there, but it wasn&#8217;t hers. It was from the man who&#8217;d attacked her. While the rest of us were holding vigil, your mother was hunting the murderer.&#8221;</p>
<p>&#8220;Did she get him?&#8221; Minnow whispers.</p>
<p>Ahmik looks away. &#8220;She told me she&#8217;d buried him so deep that he&#8217;d be a fossil before anyone found him.&#8221;</p>
<p>Minnow and Meoquanee stare at their was-mother, their mouths as slack as hers. Ahmik shakes his head. &#8220;She told the boys. She knew they would have guessed it for themselves eventually, and they were old enough to understand why they couldn&#8217;t talk about it. I wanted to tell you girls, at least that Keezheekoni was dead, but Jivanta thought it would just make you ask more questions.&#8221; His storyteller&#8217;s instincts are telling him to stop talking, the story&#8217;s done, but it&#8217;s as if the words in his brain and the words from his mouth are disconnected. &#8220;I don&#8217;t know if either of them were very happy. I don&#8217;t know why she thought she&#8211;&#8221; could love me. &#8220;I wish she had spent more time with you girls. After Keezheekoni died, it was like she &#8212; ran further away.&#8221;</p>
<p>Minnow&#8217;s voice is so quiet it barely exists. &#8220;Did she even love us?&#8221;</p>
<p>He wants to lie, but he&#8217;s run out of good ones and okay ones and lousy ones. &#8220;I don&#8217;t think she wanted to, but it happened anyway.&#8221;</p>
<p>They burn Minnow&#8217;s fear bundle and nibble at the picnic. Sometimes Minnow brings up a memory. Meoquanee barely talks and frequently goes to was-Jivanta to hug her legs. They spend the day there, exploring the land around the gravesite. They leave before nightfall, when Ahmik can still recognise landmarks.</p>
<p>As they&#8217;re getting in the truck, Minnow says, &#8220;Can we come back next week?&#8221;</p>
<p>Ahmik says yes. Meoquanee clears her throat. &#8220;Isn&#8217;t Mom coming with us?&#8221;</p>
<p>Was-Jivanta is still in front of the lodge. She hasn&#8217;t moved since she got there, not even to watch the girls.</p>
<p>&#8220;She&#8217;s a terramancer,&#8221; says Minnow. &#8220;She can find her way back if she wants to.&#8221;</p>
<p>Yesterday, Ahmik would have heard spite in those words, but today there&#8217;s only peace.</p>
<p>&#8220;And if not, we&#8217;ll see her next week,&#8221; he says.</p>
<hr />
<p>They do see her next week. And the next, and the next.</p>
<p>Between visits, there&#8217;s school. There&#8217;s Tammy Gabriel, who makes one joke about was-Jivanta not being around any more and when Meoquanee says nothing it&#8217;s Tammy who apologises. There&#8217;s Johansen&#8217;s mom and her dementia, and Johansen running out of the classroom because another caregiver can&#8217;t take it anymore. There&#8217;s Jacy, teaching most of the classes and not sleeping well, because sometimes Johansen calls him in the middle of the night.</p>
<p>And there&#8217;s was-Jivanta, standing by Keezheekoni&#8217;s grave. It&#8217;s hard to tell, because she doesn&#8217;t move much any more, but she looks fatter. Maybe not fatter. More like her hollowed-out belly is getting filled in. Meoquanee mentions it to Ahmik, but nobody can pluck up the courage to lift was-Jivanta&#8217;s dress and see what&#8217;s going on. He asks her, sometimes. He hasn&#8217;t convinced himself yet that she didn&#8217;t actually speak those months ago, but it&#8217;s weighing less on his mind. The girls are happier, or at least healthier.</p>
<p>One fine summer day, was-Jivanta is nude at the gravesite.</p>
<p>The hiking boots are still on, and that&#8217;s it. The family hurries over, more confused than concerned. Was-Jivanta&#8217;s back is to them, her arms crooked at her sides. They have to squint against the afternoon sun.</p>
<p>Meoquanee says, &#8220;She&#8217;s holding her stomach open.&#8221;</p>
<p>Ahmik says, &#8220;What?&#8221;</p>
<p>They circle around was-Jivanta. She&#8217;s standing as she always stands, right in front of the lodge, facing west, not moving, but this time her midsection is open. The thick black thread holding her skin together has been taken out, and inside the cavity where her organs used to live is a pile of dirt.</p>
<p>And a fireweed, blooming.</p>
<p>&#8220;Did she put it there herself?&#8221; Minnow says, though it&#8217;s hard to imagine anyone else doing it for her.</p>
<p>&#8220;Maybe she grew it,&#8221; says Meoquanee. &#8220;From herself.&#8221;</p>
<p>Minnow looks in the little lodge. &#8220;I think she took the dirt from in here,&#8221; she says. &#8220;It&#8217;s kind of dug up.&#8221;</p>
<p>Ahmik studies was-Jivanta&#8217;s slack and faraway face. Part of him wants to touch it, to get any reaction that will tell him there&#8217;s still someone in there. He doesn&#8217;t touch her. &#8220;I never know what you&#8217;re thinking,&#8221; he whispers.</p>
<p>&#8220;Keezheekoni,&#8221; says was-Jivanta.<br />
<blockquote>Laura DeHaan is a healthcare practitioner in her hometown of Toronto.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1744</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Adverse Possession of Madeline Greene</title>
		<link>http://thecoloredlens.com/?p=1802</link>
		<comments>http://thecoloredlens.com/?p=1802#comments</comments>
		<pubDate>Tue, 02 Apr 2013 00:30:34 +0000</pubDate>
		<dc:creator>Tessa Bennett</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Slipstream]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=1802</guid>
		<description><![CDATA[There is a legal doctrine called adverse possession whereby one man – in absence of legal or moral claim – may come to own the property of another. In its simplest terms, it requires only that the trespasser take hold of the land and cling to it as long as possible. By sheer force of [...]]]></description>
				<content:encoded><![CDATA[<p> There is a legal doctrine called adverse possession whereby one man – in absence of legal or moral claim – may come to own the property of another. In its simplest terms, it requires only that the trespasser take hold of the land and cling to it as long as possible. By sheer force of will and the passage of time, he can take the ground right from under your feet.</p>
<p>Perhaps this principle is a vestige of our flag-bearing forefathers, who declared themselves founders of a land that had already been found. As a child learning American history, this irony had troubled Madeline. She could not understand how something could be discovered that was already known, anymore than something that was seen could be unseen, heard be unheard, or any sensory phenomena be erased from memory.</p>
<p>It was only as she grew older that she began to appreciate the duplicitous nature of existence and even observe the dichotomy within herself. She was twenty-four, therefore above the age of majority but uncomfortable identifying herself as an adult. She was neither tall nor short, neither thick nor thin, and hair that was neither straight nor curly but rather overtaken by a slight wave and frizz. Even her eyes were unable to reach a definitive conclusion as they alternated between gray and blue depending on the light and time of day.</p>
<p>As physically unobtrusive as she was, Madeline was even more nondescript as a personality. At work she was an office automaton, her desk serving as a way station for memos and reports that passed under her purview without remark or notice. In the few social events that she attended, she invariably found herself standing at the edges of conversations, listening and nodding but utterly ambivalent about whether to participate herself.</p>
<p>In short, Madeline Greene was sure of nothing except that she existed and about even that she was beginning to have her doubts.<br />
<span id="more-1802"></span></p>
<hr />
<p>On Tuesday morning, Madeline woke up to the sound of rain. She kept her eyes closed tightly for several minutes, savoring the weight of the blankets over her body, the heavy warmth pressing her into the mattress until she felt as though she had disappeared into the fluff and feathers that cradled her. Unwilling to let the violence of her alarm violate the peacefulness of the moment, she opened her eyes and reached for the clock only to see it was well past the time she had set for the buzzer to sound.</p>
<p>And it wasn’t raining.</p>
<p>The sound that woke her was not the crash of rain against the windowpane but the clatter of water against the shower tiles. Her heart thudded in her chest and her breathing became quick and rapid. She clutched the comforter to her chin and tried to lie perfectly still. Terrified but unsure of what to do, she found herself defaulting to the childhood belief that nothing sinister could reach you if you hid under the covers. The bathroom door opened and the trespasser appeared amidst a gasp of steam, wrapped in one of her powder pink bath towels.</p>
<p>It was Madeline. And yet, it was not.</p>
<p>It was a version of Madeline.</p>
<p>The eyes were a piercing bluish-grey, like the ocean sky before a storm. The body was firmer, the muscles more defined and toned, perhaps after hours at the gym she had always resolved to spend but never actually accomplished. Even her skin seemed different with a glow as if a lamp had been lit and was radiating from within her; casting its subtle incandescence through the blush on her cheek and the curve of her bare shoulder. But these were only minor differences; slight alterations that Madeline recognized from the years spent seeing the figure, now standing in the doorway of her bathroom, staring back at her from a mirror.</p>
<p>“Are you still here?” The trespasser sighed and dropped her towel onto the bedroom floor. Madeline blushed and felt strangely embarrassed at the sight of her own naked body from this voyeuristic perspective. She crossed to the closet and began to sort through the hangers of her work clothes as Madeline continued to watch in shocked silence. The trespasser selected a low-cut green blouse that Madeline had bought on a whim but always been too timid to wear outside of the dressing room. She then turned back to address her duplicate cowering in bed. “I said, are you still here?”</p>
<p>“Of course I am,” she managed to whisper. “Where else would I be?”</p>
<p>“Oh, I don’t know,” The trespasser sighed again as she began to dress. “Floating as a wisp of consciousness lost on the abstract plane of existence? Dissipating among cosmos in the vacuum of space? Whatever happens to people who get replaced.” Madeline sat up with a start.</p>
<p>“Replaced? What, like, is this invasion of the body snatchers?”</p>
<p>The trespasser laughed slightly as she turned to the jewelry box and began sorting through a selection of earrings.</p>
<p>“Oh, nothing so fantastic as a Jack Finney novel. I’m not an alien; I’m you. Just…well, I’m a you that exists.” She slipped tiny silver hoops through the holes in her ear lobes, which surprised Madeline since she had never had her ears pierced. She had planned to when she was twelve but lost her nerve at the last moment and never gathered the courage for a second attempt.</p>
<p>“I exist!” Madeline protested, beginning to find her voice within this absurdist nightmare.</p>
<p>“Yes, in a purely physical sense. Which is strange but I suppose these things take time.”</p>
<p>“Did you hear me? I said I exist!” She stepped out of bed now and took a couple steps forward, her fear being steadily displaced by an anxious anger. The trespasser turned and regarded her sternly.</p>
<p>“No, you do not. And you have not for a long time. Maybe you never did.”</p>
<p>“Of course, I do! I’m here! See?” Madeline grabbed the lamp off the bedside table. She held it forcefully about an inch from the trespasser’s nose. She thought of smashing it for dramatic effect, but after a moment of impotently waving the lamp before the amused, pitying eyes of the trespasser – her eyes only not her eyes – she set it down weakly.</p>
<p>“Couldn’t even do that could you? In your last desperate moments, you couldn’t even break a lamp.”</p>
<p>“It doesn’t matter if a break a lamp! I can touch it; I can move it! That proves I exist!”</p>
<p>“No, it does matter. It matters very much because it’s the difference between being and existing.”</p>
<p>“What the hell does that mean?”</p>
<p>“It means you&#8217;re nothing but space! At least if you’d smashed the lamp you would have done something! For once in your life you would have done something!” She scoffed, “Although I suppose it’s my life now.”</p>
<p>“I’ve done things!”</p>
<p>“No, you really haven’t. You’ve spent twenty-four years on this planet being nothing but a blip on the physical plane. That is not existing. Think about it. Socrates said, ‘To be is to do.’ Sartre said, ‘To do is to be.’ Whichever way you look at it, the result is the same – existence and action are correlatives. You can’t have one without the other. If you don’t exist, you can’t take action. And you can’t refuse to take action and expect existence to continue right along. That’s what it comes down to.”</p>
<p>“I take action!”</p>
<p>“Breathing is not an action. Neither is sleeping or eating. Those are bodily functions necessary for survival and no more make you a conscious creature capable of deliberate self-determination than steamed broccoli. Your life has been a series of false starts and unrealized notions. You’ve had your chance and done nothing with it. So, now it’s my turn to be Madeline Greene. It’s my turn to be and to do.” The trespasser looked to the clock, “Damn, I’m late for work.”</p>
<p>“No, I’m late for work!” Madeline insisted with hot tears burning in her eyes and her face becoming flush with indignant fury. The trespasser shook her head and heaved a frustrated sigh.</p>
<p>“You still aren’t getting this are you?” She slipped her feet into a pair of black pumps and grabbed the purse off the dresser. “I am you, only I’m the you that exists. So enjoy whatever fleeting seconds of physical presence you have left. Sit around, watch television, or smash a lamp if you can muster up the gumption. But your time is over.”</p>
<p>She turned and walked down the hallway toward the front door. Madeline followed quickly after, the slap of her bare feet on the wood floor echoing the clack of the trespasser’s heels in perfect time, shouting protests at the interloper. But the trespasser did not turn around or glance behind her, just opened the door and stepped out onto the breezeway. Taking a deep breath of the morning air, she closed her eyes and stated plainly, “It’s my turn.”</p>
<p>“What was that, Madeline?” She turned with surprise to see her neighbor picking up her newspaper.</p>
<p>“Oh, nothing Mrs. Chambers. Sorry to bother you.”</p>
<p>“No bother at all! Although, um, is everything all right? Walls are thin in this building, you know, and, I thought I heard arguing this morning.”</p>
<p>The trespasser looked behind her but saw no one and nothing – just an empty apartment. “No problem at all! Just talking to myself.” She closed the door and locked it before turning to her newly familiar middle-aged neighbor, holding a newspaper in one hand and clutching her tattered old bathrobe closed at the chest with the other. “I’ve decided its time to make some changes in my life for the better. It’s time to stop sitting around and waiting for my life to start.”</p>
<p>“That’s wonderful, Madeline! Good luck!”</p>
<p>“Thank you, Mrs. Chambers. I appreciate it.” With a smile and a wave, Madeline Greene went off to begin the first day of the rest of her life.<br />
<blockquote>Tessa Bennett is the pseudonym of a legal services attorney recently moved to the East Coast, thus completing her third cross country move in the last ten years. In her free time, she scribbles furiously in her note book and is working her way through the entire works of Kurt Vonnegut.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=1802</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blessings by the Shade</title>
		<link>http://thecoloredlens.com/?p=2240</link>
		<comments>http://thecoloredlens.com/?p=2240#comments</comments>
		<pubDate>Tue, 26 Mar 2013 00:01:01 +0000</pubDate>
		<dc:creator>S. L. Nickerson</dc:creator>
				<category><![CDATA[Alternative History]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Mythic Fantasy]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=2240</guid>
		<description><![CDATA[They still tell stories about the day I was born, of how a lilac comet streaked across the stars and the volcano ceased spitting fires to the heavens. They call it omens but I call it a conspiracy of convenience. This is what made me High Priestess, because I am blessed. The volcano is Lua [...]]]></description>
				<content:encoded><![CDATA[<p>They still tell stories about the day I was born, of how a lilac comet streaked across the stars and the volcano ceased spitting fires to the heavens. They call it omens but I call it a conspiracy of convenience. This is what made me High Priestess, because I am blessed. The volcano is Lua Pele and Lua Pele is the volcano, and only the High Priestess of Lua Pele can soothe her. She gives us ebon earth for sustenance; she takes our lives with vermilion lava.</p>
<p>The Altar of Lua Pele is not ordinary. While the High Priestesses before me have studied it for lifetimes, I stand before it but once a day. It is not marble, because what marble glistens like the flesh of dew-drenched coconuts? They have only given me the knowledge I need. I am to go to the altar once a day, they whisper, and no more. To my left, on the altar’s top face, are hieroglyphs wrought in bronze; those are for the incantations and they are always first. For the sacrifice a spike rises from the middle, pale as the rest of the altar and thin to a point beyond my observation; that is for the sacrifice’s head and not the heart. The altar needs no cleansing. Its surface drinks like a stranded mariner. I never could find out where all the blood went. The basin to my right is for washing my hands last, its waters redolent of &#8216;?helo berries that replenish without human touch.</p>
<p>There is a legend of a High Priestess once who had cleansed her hands, made the sacrifice, and then chanted the incantation. On the panel that faces me the altar’s seamless surface has the thinnest crack dark as charred kukui oil. It is the altar’s only flaw. The High Priestess vanished by night, but the legend says no more. I would that I could be so bold.</p>
<p>Sometimes my sister visits me in the night. I have guards and priestesses to keep my privacy, but she enters my chambers unannounced. Even though she is only Queen and I High Priestess, they follow her orders before mine. There were no comets and the volcano did not stop when she was born.</p>
<p>“Sweet sister,” she asks, resting her face next to mine on the pillows, “whom have you sacrificed today?” She knows the answer, but she asks all the same. Her crown is a chain of polished aventurine links, wrapped around her skull thrice, and from it a single black pearl the size of an eye dangles over her forehead.</p>
<p>I tell her. It was the merchant who charged too a high a price for lapis lazuli sweet sister, it was our cousin who tried to usurp you one time too many sweet sister, it was the baker who burned your bread sweet sister. And while she asks for details, she runs her fingers through my hair. Mine is soft and long as hers and the strands shimmer jet violet in the candlelight because we are of the same seed, the seed of Lua Pele, and we are blessed. She strokes my cheeks and rubs her thumb to my lips and nothing more follows when I am good. She does not mind my shuddering.</p>
<p>“Good, sweet obedient sister, blood of mine by half,” she whispers when she leaves, still with the moons high in the sky or as night gives way to dusk. I draw the curtains around my bed to lie still and weep. To her I am always half-sister and never elder-sister.<br />
<span id="more-2240"></span><br />
Every day begins as the last before it. I only have a precious few moments to myself before the priestesses enter my chambers by the time the rays of the risen sun crack over my balcony and kiss my cool marble floor.</p>
<p>On the underside of my desk there is a false bottom, and in it each morning is a new note inked on papyrus long as my hand and rolled slender as a finger. The colours of the wrapping ribbon are always different, never once the same shade. Incarnadine, henna and obsidian, amber and lapis lazuli, alizarin streaked with absinthe, saffron spots on silver, beryl that fades to ochre that slips into coral that ends with calamine. I would collect each ribbon to count my days but that might make them suspicious for they are always watching me. For as long as this has been my home, she writes.</p>
<p>Because of her I know the world outside the temple changes. A new isle is discovered on the distant seas. Locusts destroy the barely crop this year. There will be a competition for composers in two months. No detail is too much for me, not what she has eaten, or her favourite gown, or her journey to the bakery. I need to know it all. She tells me where she last saw me. Sometimes she even mocks my guards and attending priestesses and I have to stifle my giggles. Because of her, I know I am loved.</p>
<p>Her words are drenched in beauty vivid as her ribbons. Sometimes when I am alone I whisper what she has written to me, and their sounds taste sweeter on my tongue than the juices of any &#8216;?helo berry. She is my soul’s manna.</p>
<p>I write a response on the letter’s back, but never too much to make them notice a difference in my ink pot, tie the ribbon back and slip it into its hiding place. I do not know her, she will not give herself away, but I am in love with her words. I do not need a face, a voice, the smell of perfume or touch of soft fingers. I wonder if she is a priestess or a guard who has access to my quarters when I am not there, or a woman with power enough to bribe both their delivery and their silence while she watches me from afar.</p>
<p>Today she writes to me, This sunset I will stand by the Column of Second Victory, the one etched in hawks holding whales in their talons, dressed all in azure but for a flaxen veil over my hair. From my lobes I shall wear the silver curled earrings you once slipped into the scroll for me. I have seen you all these years, but you have yet to see me, distant as it will be. Do not let your eyes linger on me, we have loved too long beneath anyone’s notice; we mustn’t make suspicion.</p>
<p>My images of her I have shaped a thousand times in my mind, misted and changed again and again. She is anything I wish her to be in that moment. I wonder if to know her finally would betray my fantasies or fuel them. I have until sunset to decide if I will gaze upon her.</p>
<p>Knowing what she looks like, that can be change too. Today I pen no answer.</p>
<p>The priestesses arrive and remove my robes and I bathe in water carried scalding fresh from hot springs that sprout at the volcano’s feet. They scrub me with soda until my skin is raw and run bronze razors over it until it bleeds and is hairless as a newborn’s bottom. My first duty is to be clean. Only alabaster white flowers are allowed to bob in my pool and scent its steams, plucked fresh from the kapaoa shrub that is the first to flourish over Lua Pele’s lava flows, and for that they are sacred.</p>
<p>When the priestesses remove their brushes I arise, dripping, from the pool and they pat my body all over. They rotate the priestesses who attend me so that they do not grow too fond of me, but their faces always look the same. I am still as they massage ointments into my flesh, glistening my chafes, and whip linens around my body. Twenty-two folds, nine knots, and thirty-four wraps the dressing takes. My linens are always gold-dusted solferino, one shade crimson shy of violet. They braid my wet hair in coils around my skull to fit beneath my headdress. I am told that this is made only of gold, but for all the pain in my neck it might as well be limestone. The cap at the base seals in any loose strand of hair that might escape, and two horns rise above each of my ears to clasp a disk between them that is studded with garnets set like rivulets of lava. When I stand in the sun, sometimes the reflection of my ridiculous headdress blinds those nearest to me. I try to make it appear an accident.</p>
<p>My quarters have always been as I remember them, though I know that before my time they were not always thus. Before they were mine someone had chiselled out several figures in the frieze, hurriedly because they had not had time to reset the clay and paint them anew. I have the time to study them. The vandalism is not random. The chiselled figures are usually the tallest, taller than the Queens even—that means they are important—and they never wore headdresses like mine. Otherwise, they could be me.</p>
<p>I eat my haupia pudding alone. Of course I am not alone, but no one speaks to me. I sit at the table on the high dais, in the throne of the High Priestess, and there are no other chairs at the high table. Three guards stand to either side of me, and all I need do is sit and my food is brought to me. I can watch the rest of the priestesses eating below me and talking amongst themselves, but that is soon tiring because I barely hear their words. Sometimes they notice my gaze and go quiet. These days I more often study the walls. Every frieze here shows a feast, and at each feast a tall, erased figure sits at head, only she is not alone but surrounded by her priestesses who are merry. They should have chiselled out more. I am not stupid.</p>
<p>Our mother, the last Queen, had two men. The first, my father, was a prince from two vales away, born to a taller people with coppery skin and hair wispy as the fronds of ‘ama‘uma‘u ferns and nearly as green. They are not blessed, but they are wealthy. When I was eight he raped a priestess and our mother had him sacrificed. They whisper that my face is his and that is why our mother eventually sent me away to the temple. My hair is not his, I tell myself, and neither is my skin.</p>
<p>The second, my sister’s father, was a distant relative still of the seed of Lua Pele, but his hair was only jet without violet, dark as his skin like the rest of our people. They said that with him our mother cleansed herself of foreign taint.</p>
<p>After I finish my pudding, my escort brings me to the courtyard garden that is shaded by wiliwili trees. Their lower branches are pruned, but the higher ones are left wild to run in a knurled, rust-barked mess. If it is summer then their leaves are in small jade clusters, and in autumn their hairy flowers blossom, milky and auramine. In the courtyard’s centre there lies a cage of ‘apapane honeycreepers with scarlet bright feathers. All they have to do is flutter in circles, sit, or nestle within the cage. Sometimes they fly at the bars, and I fancy it is madness driven by boredom.</p>
<p>Every morning I find flowers cut fresh from the koa trees in a watered vase beneath the cage, within view but out of reach. I take the branches one at a time, and I slide them into the vase within the cage to fuel the birds’ feeding. They sink their bitumen black beaks into the flowers like hooks. Only I can feed the ‘apapanes. “The birds are well,” I say. A messenger runs off to the palace to tell the Queen and then announce to the rest of our valley in the shade of Lua Pele that the High Priestess has today pronounced, “The birds are well.”</p>
<p>“The birds are well.” It is all they have ever told me I needed to say. There are times when I try to emphasise a different word, sequentially in the sentence each day starting with “the” and ending with “well”, then working my way back to “the”. I might say it a little faster, a little more slowly, perhaps with sounds from my throat deep, a whispered utterance or even a squeak. There are only so many ways one can pronounce “The birds are well” without tiring of it too quickly.</p>
<p>I must retreat indoors after my pronouncement, for afternoon is when the sun is at its hottest. Too much sun bleaches my fine jet flesh, they whisper, and I must not strain myself. From my chambers my balcony overlooks the valley. The balcony is shaded this time of day, of course. There I set aside my headdress to let the winds blow through my uncovered hair and I crack my strained neck. I lean against the parapet. If there were sun here my hair would also shimmer violet, to show that I too am blessed.</p>
<p>Inside the temple is always sleepy, but my scant view of the world moves and I can see the city below. Between homes of mud brick painted sallow, citizens carry two jugs of water each, which dangle from ropes fastened to the staffs across their backs; or they lead their fattened cows to the slaughterhouse where joints of fresh meat hang outside from the windows. Just outside the temple walls there is a brewery and bakery complex. If I am lucky the sweet smells of fermenting dough and baking cakes carries to my nostrils, but if not I only hear the unending whack from grain grinding, the crack of the overseers’ batons, and the scrapes of pokers on iron ovens.</p>
<p>After the priestesses set my second meal in my rooms, I slip back inside. They leave me baked breadfruit and steamed kalo roots, and if the season permits it bananas and &#8216;?helo berries, goat cheeses to nibble on, and honey-thick wine to drink. Beneath my cheese there is a scroll wrapped in sharkskin. The names on it are different, but they all mean the same. I unveil it after I lick the last of the breadfruit from my fingers. Today I am to sacrifice one of the Queen’s viziers. She disliked the Queen’s proposal for higher taxes on trade from a neighbouring vale.</p>
<p>Before the sacrifice there is the incense as two priestesses precede me down the colonnade, pendulating nacre censers. It hazes the air so thick I would not know which way to walk but for the tight escort of guards who match my steps. Priestesses fuss about me, straightening my ridiculous headdress so not a wisp of hair escapes, adjusting the golden bracelets that curl around my arms, dabbing my lips of all moisture as I try not to cough, straightening my linens so that I am everything proper once the blazing beams of setting sun pierce the incense and my vision clears to the roar of the square that yearns for death.</p>
<p>The Altar of Lua Pele stands on the edge of a drop where the square far below, speared with columns to commentate centuries of our valley’s victories, fills with people who watch and holler. In the square’s centre there is a raised throne of polished sandstone, gargantuan and the one thing level with the altar. Only the Queen can sit upon it, but today my sister has deemed the sacrifice not important enough to watch. Even when she is absent the same number of guards circle the sandstone chair.</p>
<p>I keep my eyes lowered, so as to not look at the Column of Second Victory. I have not yet decided if I should behold my secret lover. I shuffle up to the Altar of Lua Pele. I begin to read the incantation. The reading is long, but I have it memorised. I look at it for show, the bronze letters liquefied like fire in the sunset, etching light into my eyes. I blink away, and as I chant I look to the distant Column of Second Victory. My heart flutters like the caged ‘apapane birds.</p>
<p>There she stands on the eastern side, slightly elevated above the crowds. A breeze catches at her azure robes, and while I chant I wish the words held power, true power, enough for the breezes to lift her flaxen veil so that I can see my beloved’s hair and know if she too is blessed. That is my one wish, but all I say are empty words as I turn my gaze back to the hieroglyphs, dimmed now and less blinding.</p>
<p>They march the sacrifice from an archway to my right, always from the right, with her hands bound and her head in a sac of beaten m?maki bark. They force her to her knees with the Altar of Lua Pele and the spike between us.</p>
<p>I do not like looking in their eyes, even for a moment. I do not want to know the sacrifices are human, like me. I do what they tell me and try not to think. That is how I survive. I pull her hood off quickly, deftly, with practice. A sound issues from her throat, a word cut short as I grab the back of her head in two hands and thrust her face-first into the spike. For my first few sacrifices I was fascinated at the sight of a spike that plunged up from the back of skulls and stayed undamaged day after day, and by the way the Altar drank their blood. Once or twice I missed and got the neck, but not any longer. Now I dread my duty and try not to look.</p>
<p>I wash my hands in the basin of waters smelling sweet as &#8216;?helo berries and it stings sharp as their juices. It hurts a hangnail on my left thumb, and I keep my eyes downward as I wash. I want to glance up at her on the Column of Second Victory, one last time, but I will not allow myself the second temptation.</p>
<p>A flash of reflection to the left, not bronze like the hieroglyphs but silver, catches my gaze. Before I can school myself I look at the sacrifice. Her hair is fallen forwards to expose each of her ears, and around their edges curl the silver earrings that I have given her.</p>
<p>I take a step back, then a second, and before I crumble in front of the entire square my escort usher me back into the temple through the colonnade, dark and smoky with ash.</p>
<p>My sister awaits me in my bedchamber, clothed in the most wicked of smiles and azure robes. She throws the flaxen veil back to show her hair shimmering jet violet in the candlelight. There is no crown today. The door booms shut behind me, leaving us alone. She sweeps her arm across my breasts and under my arm, pushing us both back onto the bed. I stare at my flinty canopy and had eyes for nothing more.</p>
<p>“Tell me, sweet sister,” I whisper between my teeth, breathing hard from her weight on my diaphragm, “did I truly sacrifice your vizier today?”</p>
<p>“Does it concern you who she was?” she asks me, tilting my chin up in her fingers. They dig deep into my flesh, straight to my bone. “I can feed you lies and you will never know if she even existed, sweet sister.”</p>
<p>I sink into the bedding, letting the back of my skull rest on the pillows. No matter what I feel or hear, I close my eyes to lock the greyness within and keep my body as still as she allows it. Only when I feel the sun pound the back of my eyelids I open them to the daylight and I am alone.</p>
<p>I am alone.</p>
<p>I go through the bathing and the dressing, the eating and the birds, the fruit and the cheese, a name and a reason on sharkskin under the cheese, incense and incantations. To my right the sacrifice stumbles in his taupe kilt, and then kneels before me in submission, the spike between us. I lift the m?maki sac from his head, and stare into his slate eyes, which is difficult because the setting sun is to his back, making him a shadow against the blinding light.</p>
<p>I pull off my headdress and toss it down, deep into the square to throngs of outstretched hands, letting my beautiful tresses spill free over my shoulders. “After the sacrifice, remember to wash my hands,” I tell him and plunge my skull onto the spike. </p>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=2240</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Feeding the Dragon</title>
		<link>http://thecoloredlens.com/?p=2576</link>
		<comments>http://thecoloredlens.com/?p=2576#comments</comments>
		<pubDate>Tue, 19 Mar 2013 00:59:03 +0000</pubDate>
		<dc:creator>Timothy Mudie</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[TCL #6 - Winter 2013]]></category>
		<category><![CDATA[Urban Fantasy]]></category>
		<category><![CDATA[The Colored Lens #6 - Winter 2013]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=2576</guid>
		<description><![CDATA[I have to say, it was easier than I expected to exhume Keith. We were able to drive my parents’ station wagon right into the cemetery, parking just a few feet from the grave. The soil was still loose and we managed to frantically shovel our way through the six feet to the coffin in [...]]]></description>
				<content:encoded><![CDATA[<p>I have to say, it was easier than I expected to exhume Keith. We were able to drive my parents’ station wagon right into the cemetery, parking just a few feet from the grave. The soil was still loose and we managed to frantically shovel our way through the six feet to the coffin in under an hour. I had insisted on both Eric and I wearing all black, including ski masks over our faces, but no one came by. No night watchman on patrol or even any kids looking for an out of the way place to make out or smoke pot.</p>
<p>There wasn’t enough room in the back of the station wagon for the casket, even with the seats down. We knew that before we got there, but I don’t think what it meant had really registered for either of us until we were in the hole, crouched over the casket and holding<br />
crowbars.</p>
<p>Eric turned his gaze from the coffin to me. “I don’t want to do this, Ian,” he said, his voice quavering.</p>
<p>“Me neither,” I said, but I wedged the crowbar under the lid and leaned on it. After a second, Eric did too. We bounced up and down, jimmying the lid until the wood shattered and it sprung open. And there was Keith.</p>
<p>I started to dry heave and Eric turned away, audibly hyperventilating. Somehow we communicated enough to grab hold of Keith—me under his armpits, Eric by his ankles—and carefully lift him above our heads to the grass. We closed the casket and climbed back out, then placed Keith in the back of the car, covered him with a white sheet and two army blankets, and hastily shoveled the soil back into the hole. All the while, we wore the ski masks, and by the time we were finished they were crusty with dirt and sweat. When we got into the car, the stench caused me to dry heave again. I hoped it was Eric and I and not Keith. He couldn’t be decomposing already. Would the dragon even want to eat him if he was so clearly dead?</p>
<p>I drove for the first leg of the trip, until we got far enough away from the cemetery that we weren’t worried that we were being followed. At a truck stop three hours west, somewhere in western Massachusetts, we finally stopped to shower. Neither of us had spoken a word the entire time.<br />
<span id="more-2576"></span></p>
<hr />
<p>When Keith died, he had one very unique and difficult request, but since he was like a brother to us, we never really questioned whether we would do it. He died unexpectedly, so it wasn’t like he wrote it in his will or anything—he was seventeen; he didn’t even have a will—but we’d talked about our funerals before. I remember one time in particular, the three of us sitting around the playground of our old elementary school on a Friday night because there was nothing else to do, eating fast food burgers, wishing we knew someone old enough to buy us beer, and listening to Irish music on the radio of my parents’ station wagon. A punk cover of “Finnegan’s Wake” came on and we all agreed that the Irish know how to celebrate the dead. </p>
<p>“That’s what I want when I die,” Eric said. “Don’t even bother with a funeral. Just throw a party and dump my body somewhere. I don’t even care.”</p>
<p>“In lieu of flowers,” I said, “please send whiskey.” I was sitting next to him on the swings, my feet dragging back and forth in the gravel. Keith sat on the bottom of a corkscrewing plastic slide a few feet away. </p>
<p>That’s when Keith spoke up and said what would lead the two of us who outlived him on what can only be called an adventure, childish as it makes me feel to use that word. “When I die, I want to be fed to a dragon.”</p>
<p>For a long moment no one spoke. The Pogues started playing “Streams of Whiskey.” Finally, Eric asked, “Any particular dragon you were thinking of? Also, for god’s sake, why?”</p>
<p>“No specific dragon,” Keith told us. “Just so long as it eats my body. Then I’ll be part of a dragon forever.”</p>
<p>And he did mean forever. Ever since I’d known him, Keith had been obsessed with dragons and wanted to study them when he grew up. He read pretty much everything that’s ever been written about them, every scientific paper, every history of their interactions with humans. And not just the real, factual stuff. I never knew Keith to be a church-goer or to believe in angels or even an afterlife, but he believed every out there and mystical theory about dragons anyone had ever advanced. Considering how hard it is to study dragons, maybe the crackpots were right. Maybe if a dragon ate a person, it would absorb his memories, his personality, mixing it with those of all the other people and cattle and who knows what else it had eaten over its centuries-long life.</p>
<p>“Well this is grim,” Eric blurted, pushing back off the ground and sending his swing into the air. “Anyway,” he said, “What do you guys think about the Sox signing Gonzalez?”</p>
<p>One month later, Keith went in to the hospital with a bad stomach ache after putting off going for three full days. His appendix burst in the waiting room and he was dead by the time the doctors got him to the operating table.</p>
<hr />
<p>Keith and Eric and I had been friends for as long as I can remember, meeting at preschool and bonding over Transformers and Ghostbusters and Ninja Turtles. But that bonding actually started as a fight, me and Eric unable to share a cheap plastic toy, the Ghostbusters’ car. Keith, even though he was the same age as us, came in and broke up our tussling like a teacher or older brother. And that was that. Keith was the pebble that our friendship snowballed around until we had such a massive and shared history we may as well have been related by blood.</p>
<p>In elementary school we never had much choice where we’d go, but it seemed we ended up at Keith’s more often than not. Even once we could drive, we would go to his parents’ house.</p>
<p>I don’t remember ever fighting with Keith, not even arguing. Sometimes, I would get moods, but he seemed able to tell and knew what to do, whether it was just to leave me alone or to try and talk to me about some innocuous sitcom or movie that was like comfort food to me. </p>
<p>Eric couldn’t always tell. One time—we must have been about ten years old—the three of us were playing in the snow at Keith’s house. Eric whitewashed me over and over and I couldn’t seem to do anything to fight back. Finally I shoved him too hard and ran into the house, sprinting up to Keith’s room without even taking off my coat or boots, leaving a trail of melting slush.</p>
<p>Keith came into the room while I lay face down on his bed, trying to force myself not to cry. I heard him come in, but didn’t look up until I felt him sit down beside me. </p>
<p>“This is an Australian Spinetail,” he said, holding up a small figurine of a dragon. It was sand-brown and sinewy, with a long whiplike tail that was covered in what looked like razor-sharp spikes. I sat up and wiped my nose on my sleeve, but it was wet too and didn’t do anything.</p>
<p>“It’s the smallest species of dragon in the world, but it’s also the most vicious. They say that when the British landed in Australia, they didn’t see any aborigines along the whole west coast. And it was ’cause these were there. No people would even think about messing with them or trying to move into their territory.”</p>
<p>I sniffed long and hard. “What about now?”</p>
<p>Keith handed me the figurine. “There are still more of them than any other kind, and they’re the only species that actually mates and lays eggs instead of just having babies by themselves, but there aren’t as many as there were, obviously. Same as it is everywhere. Once there’s too many people, the dragons get killed.” He smiled widely, “But according to this book my mom got me, they still kill a couple dozen people a year.” </p>
<p>I don’t know why, but that made me feel better. Keith was like that. He could always be counted on for a fun fact about some dragon species or another. I wish I remembered them all.</p>
<hr />
<p>I suppose it’s to help us feel closer to the deceased, but it doesn’t make much sense to me to mourn someone while you enjoy their favorite things. When my grandfather died, we had the reception after the funeral catered by his favorite restaurant, even though no one else in our family thought it was particularly good. We did the same thing when Keith died. With his parents’ permission, Eric and I put the Australian Spinetail figurine in the coffin. One of the floral arrangements was in the shape of a dragon, blood red carnations like fire spurting out of a mouth made of white lilies. A line drawing was etched into the cover of his casket, the last thing we saw before he was buried. The constellation draco, the dragon, a little trapezoid for the head and the line of its body snaking away. Keith had pointed it out to Eric and I plenty of times, and it’s still the only constellation I can pick out in the night sky.</p>
<p>I couldn’t tell you much else about that day, nor could I tell you any specifics of what we talked about with Keith’s parents and sisters. What do you tell someone when their son dies? What do you tell someone when their best friend dies?</p>
<hr />
<p>Keith’s funeral and burial were on a Tuesday. That night, Eric and I again sat on the swings at our old elementary school. We had tried to buy whiskey so we could drink to our dead friend, but Eric’s bluster hadn’t worked. I sipped a chocolate milkshake through a straw in silence.</p>
<p>We must have been there for almost an hour, neither of us saying anything, when Eric abruptly turned to me and said, “You know, we’re going to have to do it.”</p>
<p>I didn’t answer, pretending I didn’t know what he was talking about, but of course I did.</p>
<p>“We should do it soon,” he said. “Before he starts decomposing. I can’t imagine any dragon would like that.” He scuffed his sneakers on the gravel. “And what about the embalming fluid and stuff? Will a dragon even want to eat him? Assuming we can get past the park rangers in the first place.” He sighed. “This might be harder than we thought.”</p>
<p>I hadn’t thought about it at all, though. I remembered Keith’s request, but I couldn’t bring myself to actually contemplate doing it. As if, if Keith was just buried, still all in one piece, maybe there was some chance he’d come back.</p>
<p>It was ten o’clock. My parents would be expecting me home at midnight. There was no way I could tell them what we wanted to do. I couldn’t call them up and say, “Hey Mom and Dad, sorry, but I’m going to be late tonight. I need to dig up Keith’s body and drive to upstate to New York so we can feed him to the dragon there. Oh, and can I borrow your car?” We would have to dig up Keith, drive to the wildlife preserve in the Adirondacks, carry his body to a spot where the dragon could find it, make sure he got eaten, and then drive back. There was no way we could do it without our parents knowing we’d gone. </p>
<p>I looked up at the sky. The night was clear and I could see all the stars spread across it like a kid’s scattered toys. </p>
<p>“Okay,” I said.</p>
<hr />
<p>In first grade, Keith won an award for knowing so much about dragons. For whatever reason, we spent a whole month learning about them. Dragons and dinosaurs—things kids actually want to learn about and since teachers can classify it as teaching science, it seems that everyone learns about them at some point. It should have been an easy month for our teacher, Mrs. Swift, but Keith was more than she bargained for.</p>
<p>“All the dragons in Europe went extinct due to hunting and loss of habitat by about 1000 A.D.,” she would say.</p>
<p>And Keith would chime in, raising his hand and saying, “Mrs. Swift, there was a dragon in northern Scandinavia until 1500. And some people think there might be small ones living in caves in France and Germany still.”</p>
<p>“As far as we know, there isn’t any real evidence that if a dragon eats someone, that person’s memories and consciousness becomes part of the dragon.”</p>
<p>I would still be trying to wrap my head around what “consciousness” meant, when Keith would again pipe up. “But what about their decorations? How come dragons arrange skeletons and things in ways that look like art if there aren’t peoples’ minds inside them?”</p>
<p>I bet there’s one in every school.</p>
<p>He tried to convince Mrs. Swift to bring us on a field trip to see a dragon, but considering it would have had to be an overnight trip—the closest dragon being the one in New York—that was a no-go. It wasn’t until he was thirteen that Keith finally saw his first dragon in the flesh.</p>
<p>“Oh my God, guys, you wouldn’t believe it,” he said upon returning from the trip he and his family took to Texas. “It’s so huge. Even from so far away, I barely even needed binoculars.”</p>
<p>He held a dented and dirty copy of the <em>Peterson Field Guide to Dragons of the Americas</em>. He flipped to the page with the picture of the Texas dragon, displayed in various poses: wings outstretched; in profile, showing its two ridges of thick plates running along its spine; a close up of its gaping jaws.</p>
<p>No one knew how old the dragon in Texas was, just that it had been there when the first settlers arrived and had previously lived in relative harmony with the native tribes for as long as they could recall. After the settlers arrived from the east, it survived any number of attempts to kill it before dragons were finally declared protected in 1886, and its territory had been protected land ever since. Considering all the European dragons had been killed hundreds of years before anyone even set sail for the Americas, it may have been the oldest dragon in the world. I didn’t think about it at the time, but on our trip to feed Keith to the New York dragon, I wondered how many people the Texas one had eaten, how many memories and minds it had bouncing around in its scaly head. </p>
<p>“It’s so beautiful,” he said. “It’s like so white that in the desert with all the sun it practically glows.” He flipped to the back of the field guide, where there was a list of all eighteen dragons in the Americas, with boxes next to each one so you could check off all the ones you’d seen. Keith held out that page to us. There was a big X next to the Texas dragon. Five more were circled. “I want to go see those ones next,” he said. “My dad said maybe we can go for a weekend this summer and see the New York dragon.”</p>
<p>During the reception at his parents’ house after the funeral, Eric and I went to his bedroom and found the field guide. Keith had marked an X next to the dragons in Texas, Newfoundland, and Florida. The box next to the New York dragon was circled, but unmarked. We brought the book with us, along with Keith’s binoculars. It would be the first dragon Eric or I had seen in person, and in a way, we would be seeing it with Keith.</p>
<hr />
<p>The town of Maple Lake, New York seemed to exist solely for dragon-viewing tourists. When Eric and I rolled into Main Street just before six in the morning, there were only a few people about, opening shops and diners. At the end of Main Street was a market, and then after that was the road to the dragon preserve. Even though the sun was barely up, it was bright and cloudless, and was obviously going to be a hot day. </p>
<p>We pulled into the market’s small parking lot and saw that it wouldn’t be open until seven, about fifteen minutes. As Eric walked behind the building to pee, I called my parents on my cell phone. I had missed forty-seven calls from them. </p>
<p>My mother picked up about halfway through the first ring. “Ian? Is it you? Are you okay?”</p>
<p>“I’m fine, Mom,” I said. “I’m sorry I scared you.”</p>
<p>“What’s wrong? Where are you? Is Eric with you?” In the background I heard my father asking, “Does he need the police?”</p>
<p>“I’m fine, Mom,” I repeated. “Nothing is wrong, but I can’t tell you where I am right now. Eric and I had to do something. A last request for Keith.”</p>
<p>She was silent then. “What are you going to do?” </p>
<p>“I can’t tell you, Mom, but I promise it’s nothing bad. It’s what Keith wanted.”</p>
<p>She must have put her hand over the phone. I heard muffled conversation, but couldn’t make anything out. Finally, she came back and said, “You know that you technically stole the car, right?”</p>
<p>“I’ll fill up the tank,” I said. “And get it washed. I’ll be home by tonight.”</p>
<p>I told my parents I loved them, assured them again that everything was fine, and hung up. Eric was just getting back.</p>
<p>“Your parents pissed?” he asked.</p>
<p>“Not as bad as I thought they’d be,” I answered. “You call yours?”</p>
<p>He shook his head. “I’m going to wait till this is all over. I’d rather deal with one thing at a time.”</p>
<p>We watched the front of the market, looking for signs it was opening. </p>
<p>“Remember when Keith came back from Texas?” Eric asked. “The look on his face?”</p>
<p>I smiled. “He was like a kid on Christmas.”</p>
<p>“My grandmother used to get that look when she was in church. Kid was crazy.”</p>
<p>It got quiet again. After a long minute, I said, “We’re good friends, right?”</p>
<p>“Absolutely,” Eric answered. “More. We’re brothers, the three of us.”</p>
<p>“This is the right thing to do,” I said.</p>
<p>Eric nodded. </p>
<p>A man wearing an apron over jeans and a black t-shirt pushed open the door, leaned outside, and flipped a sign from “closed” to “open.” We went in to buy the meat.</p>
<hr />
<p>The field guide had warned that dragons are attracted by scent, so dragon watchers trying to avoid detection should douse themselves in unnatural scents to keep from smelling like food. For Keith, already smelling unnatural due to the embalming fluid, we would need to entice the dragon somehow. Raw meat seemed a good way to do it.</p>
<p>At the market, we filled a cart with the cheapest meat we could find, tossing in pound after pound of beef, pork, and chicken. We were the only customers in the store.</p>
<p>“Should we get a cooler?” I asked Eric.</p>
<p>“I don’t think we’ll need one,” he said. “We shouldn’t have this for too long.”</p>
<p>As I pushed the cart toward the registers at the front of the small store, I happened to glance out at our car. Parked next to it was a park ranger’s cruiser, brown and green with a light on top like a police car. I couldn’t tell if someone was in it or not. Had our parents figured out our plan and called? The ranger was parked directly next to us, just feet from a corpse we had stolen from a graveyard that was hidden only by a couple army blankets. My heart leapt into my throat as my guts dropped to my shoes. I took a deep breath and walked steadily to the register. </p>
<p>We loaded the meat onto the conveyor and watched as the teenage girl cashier blankly scanned each item. </p>
<p>A low whistle came from behind me. “Damn, my man, that’s a hell of a lot of meat.”</p>
<p>I turned around slowly, calmly, even though I knew just what I’d see. And sure enough, it was the park ranger, looking very official and intimidating in his green and khaki uniform, wearing a green hat. He wasn’t very old, probably just out of college. He smiled, but whether it was meant to be friendly or not I couldn’t tell, I was too nervous. </p>
<p>“What’s all that for?” he asked. </p>
<p>“Barbeque,” Eric answered. </p>
<p>“Mmm, I’m jealous. You mind me asking where at? It’s just I don’t recognize you guys is all.”</p>
<p>“We’re going camping,” Eric said. “A few miles from here.”</p>
<p>The ranger nodded. “That’s going to be one meaty barbeque. No potato salad? Hamburger rolls? Hell, not even some ketchup?”</p>
<p>“Friends are bringing those,” Eric said. “Not that it’s any of your business.”</p>
<p>He nodded slowly, like he was really thinking it over. “Well, that may be true,” he said. “But, see, I work up at the reserve, and if you’re buying all that meat with the intention of feeding the dragon, then it is my business.”</p>
<p>“Why the hell would we want to do that?” Eric asked.</p>
<p>He shrugged. “Oh, you know. People want to attract it, get up extra close. We get a few crazies every year. Honestly, though? You don’t want to bring this guy anywhere near you, unless you’re looking to get yourself eaten.”</p>
<p>Neither Eric nor I spoke. I paid the cashier and helped her bag the meat. I picked up all the bags at once, the weight making the plastic handles dig into my fingers. </p>
<p>“Ready?” I asked Eric. “We don’t want to keep the guys waiting.”</p>
<p>Eric nodded. “You have a good day, Mr. Ranger,” he said as he passed me, heading for the door. We reached the car, threw the bags into the back, and drove away before we’d gotten our seatbelts on, Eric behind the wheel.</p>
<p>As we pulled out the lot, I saw the ranger watching us and striding very purposefully across the parking lot.</p>
<hr />
<p>“Come on, come on, come on,” Eric repeated, tugging Keith’s blanket-wrapped body up the slope, one arm looped around the upper part of his body and the other hand holding bags of meat. On the lower half, I was doing the same thing, struggling to keep up.</p>
<p>We weren’t following any trail, just crashing through the woods to where we hoped would be a good vantage point for attracting the dragon. And we had just stepped across a rocky clearing, where the break in the trees let us see down into the parking lot where we had left the car. Once again, right next to it was the ranger’s cruiser. And if he knew we were trying to feed the dragon, then he could guess where we were headed.</p>
<p>Eric trailed off in a gasp, leaving only the sounds of chirping birds and buzzing cicadas. Branches scratched my face and tore at my clothes and the bags and blankets. I was sweating bullets, but my mouth was bone dry. My shoulders and back ached. Judging by the look on his face, Eric was in the same boat.</p>
<p>After about ten more minutes of frantic scrambling through the underbrush we reached the cliff. Eric had read about it online, on a website giving advice for people trying to get illegally close to dragons. The cliff jutted out from the forest, looking out over the valley below and the other mountains dotting the horizon. All the pine covered slopes looked the same to me, but Eric pointed out the dragon’s cave. There was only one way to find out if we were close enough to get its attention.</p>
<p>We unwrapped Keith from the blankets and placed him near the edge of the cliff. Both of us beginning to retch, we pulled the warm meat from its styrofoam containers and covered Keith with it, first his torso, then his limbs, and finally we covered his lidded eyes and beatific half smile with two handfuls of ground beef and a skirt steak. </p>
<p>With Keith’s body prepared, we sat back along the tree line to wait, me repeatedly spitting to try to clear my mouth of the bile. I could only hope that the dragon would arrive before the ranger.</p>
<p>Blood ran between my fingers and down my arms. We didn’t have to wait long.</p>
<hr />
<p>The ranger beat the dragon there by about two minutes. As Eric and I sat, catching our breath and looking out at the dragon’s mountain, me trying to will it to appear, the ranger burst through the trees and onto the cliff behind us.</p>
<p>“God damn it, guys,” he said. “This is so not safe. We need to get you out of here now.”</p>
<p>We turned to face him just as he noticed that our pile of meat was in the outline of a human, that it was covering a body. “Jesus!” He pulled his gun from his holster, but kept it pointed at the ground. It didn’t look like he had had a lot of experience with it. </p>
<p>“What’s going on?” he asked. “What is this?”</p>
<p>“Hey, come on,” Eric said. “It’s cool. Be cool.”</p>
<p>The ranger looked from Eric to me to Keith and back. “You guys are under arrest. We need to clean this up immediately and get out of here before the dragon smells it. If you try anything, I will shoot you.”</p>
<p>I raised my hands in front of me. “Please,” I said. “This is our friend.” </p>
<p>“Yeah, you guys look like real pals.”</p>
<p>“He… he died.” My voice caught in my throat. I told myself that the pressure in my eyes was from the stress, from the pain in my back and the heat. “This is our friend Keith. He loved dragons, and he died. This is his last request.”</p>
<p>The gun dropped a couple inches, as if he had forgotten he was holding it. “He wanted to be fed to a dragon? God, why?” Then it hit him. “He thinks he’ll be absorbed by it, doesn’t he? That he’ll have his memories in the dragon forever?” When I didn’t answer he shook his head. “That’s not true, man. That’s just a… a myth. It’s not magic. It’s an animal.”</p>
<p>“It’s a dragon,” Eric said. </p>
<p>“No,” the ranger said. “We need to get out of here right now. Get your friend, leave the meat, and let’s go.”</p>
<p>I heard a massive shush, the sound of air being displaced by the steady flaps of huge leathery wings. We all turned to see the dragon rising from below the cliff, slowly exposing itself to view like a surfacing submarine.</p>
<p>“Move,” the ranger called. “Get out of there. Into the trees.”</p>
<p>I couldn’t look away, but I heard Eric behind me, kicking up pebbles as he jumped to his feet and ran into the trees. </p>
<p>“Ian!” he hissed. “Come on.”</p>
<p>Without standing—my legs felt limp all of a sudden—I slid until my back pressed against a tree trunk. Eric and the ranger urged me back further, but I was frozen. And then the dragon landed on the cliff on its hind legs, wings splayed out to steady it. Combined, the wings were even larger than its body, thin but tough skin hanging from curved hollow bones that sprouted from its shoulders. Each one was tipped with a yellowed hooked claw. Though the wings were leathery, the rest of its body was covered in large round scales. It was a good thirty feet long from nose to tail. If it was hungry, it could easily fit Keith and me in its stomach, with room for Eric and the ranger as dessert.</p>
<p>As I’d learned from Keith, dragons tend to be colored so they can blend in with their surroundings. Being the sort that lives in a mountain forest, the New York dragon was a mix of green and brown and gray. The scales were iridescent, seeming to shift between all three colors at once. It wasn’t something a person would notice from further away. Maybe a handful of people in the whole world had ever seen it.</p>
<p>The dragon folded its wings and dropped to all fours, stretching its long sinewy neck toward Keith. It made a chuffing sound that I assumed was a sniff. It looked up at me, then back to Keith as it reared its head. A low rumble came from its throat and suddenly a puff of flame burst from its mouth, charring the meat heaped on Keith’s body. A quick blast of heat hit me. I heard crinkling and smelled scorched hair. When I touched my face, I realized my eyebrows had burned off.</p>
<p>I shifted slightly to my left, hoping to get amongst the trees, but the instant I moved the dragon dropped its head and glared at me, freezing me in my tracks. From behind me, I heard Eric and the ranger breathing heavily. I could picture them, watching, hoping to help but ready to sprint off if they needed to. </p>
<p>As I sat paralyzed, the dragon lowered its head and carefully, almost daintily, closed its jaws around Keith’s body. It lifted him up, tilted its head back, and swallowed him whole like a seagull with a fish. And just like that Keith was gone.</p>
<p>Cuts of meat rained from the dragon’s jaws, plopping on the ground in front of me with a squish. One of Keith’s shiny black shoes followed. It bounced off the rock and landed a foot to my right, and I instinctively picked it up. Unfortunately, that caught the dragon’s attention and it whipped its head down until it was so close I could feel the heat coming off its body and its breath ruffled my hair. Its jaws cracked open. My stomach and throat tightened until I felt like I both couldn’t breathe and was about to vomit. It stared into my eyes and I stared back. They were disconcertingly human, intelligent eyes, with large whites around the outside and dark black pupils surrounded by deep watery blue. At that moment, I was certain that I would shortly be following Keith down the dragon’s throat. I wondered if we would recognize each other inside the dragon’s mind. </p>
<p>Then, after what seemed like hours but was in reality just a few seconds, the dragon snapped its jaws shut with a loud clack. It raised its head and turned around, perching on the edge of the cliff. Just before it took off, it turned back and looked at me one last time. It unfurled its wings, and with a massive flap stepped off the cliff and into the air. I realized I had been holding my breath and slowly exhaled. As the dragon languidly flew toward its cave, I passed out. When I came to a few minutes later, the ranger had me in fireman’s carry as he picked his way along the trail. His breath was coming ragged, sweat was pouring off his forehead, and he seemed not far from passing out himself. I got off his shoulders, and the three of us supported each other all the way down the mountain.</p>
<p>When we reached the bottom, the ranger didn’t speak. He just stared at us for a long minute before getting in his car and driving away. </p>
<hr />
<p>I was initially grounded for the entirety of my senior year, though good behavior got my parents to relent after a few months. Still, though I was allowed to go out on weekends and to play video games, my car privileges were revoked. There was no discussion on that.</p>
<p>A year later, still no one else had figured out that Keith was missing from his grave. Eric and I had apparently reburied the casket convincingly. </p>
<p>I think we had both hoped that honoring Keith’s final wish would help us get past his death, but it didn’t really. At one point on the drive home, I thought Eric was sleeping, so I turned the radio off and realized he was crying very softly, though I couldn’t tell if it was in his sleep or not. I turned the radio back on to cover the sound. When I was finally allowed to stay at Eric’s house overnight again, we spent the whole night reminiscing about when we had had sleepovers of all three of us. I wasn’t able to sleep for more than a few minutes at a time that night, and every time I woke Eric was also awake.</p>
<p>On the one year anniversary of when we gave Keith to the dragon, Eric and I borrowed his parents car—with permission. We left on a Thursday and drove through the night, getting to the same parking lot we’d started up the mountain from early Friday morning. The lot was empty. </p>
<p>It was cooler that morning than it had been the year before. Dew still clung to the grass and dripped off leaves. The ranger and his cruiser were nowhere to be seen.</p>
<p>We hadn’t brought any meat this time, but we did bring Keith’s binoculars. We sat cross-legged on the rocky ground where we had laid him out a year earlier. </p>
<p>I scanned the dragon’s mountain without the binoculars, but I couldn’t see the dragon anywhere. I didn’t see it when I looked with the binoculars either, but as my view passed by a large cave that had to be the dragon’s lair, I noticed something white standing out from the darker grays and browns. I squinted, wishing the binoculars were stronger, but they were strong enough for me to make out what it was. Arranged in front of the cave’s entrance was a complete human skeleton, put together as perfectly as if it were standing in a science classroom. Except instead of its arms hanging by its side, the skeleton’s right hand was raised in a wave. And I know I was far away and looking through binoculars, and that all skulls supposedly look the same, but I swear that Keith was smiling.<br />
<blockquote>Born and raised in Worcester, Massachusetts, Timothy Mudie now lives outside of Boston, where he works as an assistant editor at a publishing house. His fiction has either been published or is forthcoming in Spinetingler, Space Squid, The Worcester Review, The Fifth Di&#8230;, This Mutant Life, State of Horror: Massachusetts, and several other magazines and anthologies.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=2576</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eight of Swords &#8211; Part 2</title>
		<link>http://thecoloredlens.com/?p=4299</link>
		<comments>http://thecoloredlens.com/?p=4299#comments</comments>
		<pubDate>Tue, 12 Mar 2013 00:10:18 +0000</pubDate>
		<dc:creator>Darja Malcolm-Clarke</dc:creator>
				<category><![CDATA[Slipstream]]></category>
		<category><![CDATA[TCL #5 - Fall 2012]]></category>
		<category><![CDATA[The Colored Lens #5 - Autumn 2012]]></category>

		<guid isPermaLink="false">http://thecoloredlens.com/?p=4299</guid>
		<description><![CDATA[Looking for Part 1? Click here to read Part 1 of Darja Malcolm-Clarke&#8217;s novella Eight of Swords. After class, she gave Chris an excuse about studying for the next day’s chemistry test so she wouldn’t meet him in town. He peered at her as if trying to detect animosity in her. But she had sealed [...]]]></description>
				<content:encoded><![CDATA[<p>Looking for <a href="http://thecoloredlens.com/?p=4298">Part 1</a>? Click <a href="http://thecoloredlens.com/?p=4298">here</a> to read <a href="http://thecoloredlens.com/?p=4298">Part 1 of Darja Malcolm-Clarke&#8217;s novella <em>Eight of Swords</em></a>.</p>
<hr />
After class, she gave Chris an excuse about studying for the next day’s chemistry test so she wouldn’t meet him in town. He peered at her as if trying to detect animosity in her. But she had sealed herself off from him, as she always did when they got this way; she wouldn’t let him know anything, despite his claim that he was able to read her.</p>
<p>She needed time to figure out what she was going to do about him.</p>
<p>It felt good to be distant, but she ended up going to their alleyway anyway, in part because she longed for his presence despite herself, and in part out of curiosity, to see if the tagger had replied to her Bentwater tag.</p>
<p>Chris wasn’t there, she was, after all, relieved to see. But the tagger had been.</p>
<p><em><centeR>Beware: the government shuttles aliens over Beckford in helicopters</p>
<p>     &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;8 of Swords</p>
<p>RAF—Bentwater. 1980.</p>
<p>     &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;5/8—A16</p>
<p>          &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;5/9—A1<br />
</centeR></em><br />
At first the lines of numbers and letters made no sense. Then she realized it was two sets of consecutive dates, the first being two days from then. But what about the numbers and letters that followed?</p>
<p>She had that feeling of being observed again. She looked around, half expecting to see Chris coming down the alley or a stranger watching her from the shadows, but she was alone. She opened her backpack and scribbled down the new message, then got out her Emerald Krylon and considered her reply.</p>
<p>She surprised herself.</p>
<p><center><em>5/10 8:45pm</em></center></p>
<p>A time to meet her fellow tagger.</p>
<p>Chris would have been proud at such bravado.</p>
<hr />
<p>&#8220;I’ll have more mashed potatoes,&#8221; said Chris, and Emily’s grandmother fumbled with the dish for a moment before Emily’s mother, across from her, managed to rescue it from landing square on his plate.</p>
<p>&#8220;Glad you made it tonight,&#8221; said her mother, smiling at Chris. Emily stared down at her own plate; her mother’s invitation had come out of the blue and without Emily’s foreknowledge. Moreover, it was May 9 and she still didn’t understand the number and letter half of the tagger’s message.</p>
<p>&#8220;So when is prom, next weekend?&#8221; said her mom.</p>
<p>Emily glared at her. &#8220;Yes,&#8221; she said coolly. &#8220;A group of us are going—Lindsey, Ashley and me with Nick, Tyler, and Chris.&#8221;</p>
<p>Her mother was surprised. &#8220;You didn’t tell me that,&#8221; she said. She looked like she was trying to decide if that was good news or not. &#8220;You’re going as a group?&#8221;</p>
<p>&#8220;Yes,&#8221; said Emily, willing her mother to be quiet. Chris said nothing.</p>
<p>&#8220;Did you hear about the war protests in Virginia and Massachusetts?&#8221; said her dad, rescuing the conversation.</p>
<p>&#8220;I saw that in the paper this morning,&#8221; said Grandma.</p>
<p>&#8220;Damn shame people don’t understand what’s important anymore,&#8221; said Grandpa. &#8220;Back in my day, people believed in right and wrong.&#8221;</p>
<p>&#8220;With all due respect, sir,&#8221; said Chris, &#8220;some might argue that the human cost of these wars is the important thing—that it’s a great wrong.&#8221; Emily’s mother beamed at him.</p>
<p>For Emily, the conversation melted into a blur as something clicked. &#8220;‘Scuse me a minute,&#8221; she said, rising from the table. What her grandmother said made her realize—the newspaper—of course! In the living room, she wrestled the front page from the stack of <em>Dailys</em> beside the sofa: A1 on 5/9. She scanned the page once, then again—but there didn’t seem to be anything there along the same lines as before. The lead article was about the growing number of protests against the wars across the country. There was another about Senate and House races. There was one about an experimental weedicide being used in the area against an invasive nonindigenous ivy. And the final article was about new veterans coming back home to the state.</p>
<p>Confused, she found yesterday’s newspaper in a pile next to the side table. She dug out the first section and turned to A16 as the tag in the alley instructed.</p>
<p>And there it was: &#8220;After Two Years Strange Lights in Local Forest Still a Mystery.&#8221;</p>
<p>She laid it on the sofa next to today’s front page.</p>
<p>&#8220;These are a different kind of war,&#8221; she heard Chris asserting truculently. Her grandfather growled something in return. Her mother made sounds supporting Chris.</p>
<p>&#8220;Whatever,&#8221; cut in her dad. &#8220;We’re at war. That’s what happens between countries sometimes. &#8221;</p>
<p>Her mother sputtered. &#8220;‘Whatever’?&#8221; she said. &#8220;<em>‘Whatever’?</em> Rich, do you have any idea….&#8221; Emily’s attention drifted; Dad’s response was odd, another odd thing along with the myriad others, but these articles…what did it mean? Here was one that fit the theme she and her informant had been working with. There was something here on today’s front page that she was missing; something her informant wanted her to know.</p>
<p>She put one hand on each of the two newspapers as if to keep them from blowing away. One thing she was sure of—the article about the RAF had preceded the helicopters going overhead and a visit from the intruder.</p>
<p>Today’s article had to herald the same. She would be ready.</p>
<p>She made her way back to the dinner table and slowed as she heard Chris’s voice.</p>
<p>&#8220;And then she told me the protest in Beckford didn’t really happen! She said it was a mass hallucination!&#8221; Everyone chuckled and looked at her as she slid into her seat, stricken.</p>
<p>&#8220;We have our very own conspiracy-theorist,&#8221; said her mother, beaming at her but bemused.</p>
<p>&#8220;Well, I wish she was right,&#8221; said her grandfather. &#8220;It would certainly bode better for the country.&#8221;</p>
<p>Emily glared at Chris in disbelief. She tightened like a drum in dry desert. She couldn’t stay quiet any longer. &#8220;Haven’t you noticed there’s something weird around here? Haven’t you felt odd? Haven’t you felt like something was wrong?&#8221;</p>
<p>They stared at her, all their eyes hanging over the table, zeroed in on her like she was a target.</p>
<p>&#8220;Like what, honey?&#8221; said her dad.</p>
<p>&#8220;Like,&#8221; she started. She knew she couldn’t say, aliens have visited my room. &#8220;Like, the city is trashed. Like people going nuts at school and in town. There’s a monument to Twitter made of mannequins on Fifth Street. There is a lamppost with raw meat and road kill duct-taped to it near the courthouse.&#8221; She told them more; told them what she saw.</p>
<p>This time they didn’t laugh. They looked at her like you’d look at a sick baby animal. &#8220;Emmy, you’re confusing the war protest and…I don’t know what,&#8221; said her dad, shaking his head. &#8220;Sometimes the world can feel like a confusing place. I think this presentation did a bigger number on you than you or we realized, sweetie.&#8221;</p>
<p>They took her to her room and made her go to bed. &#8220;I’ll call you in sick tomorrow,&#8221; her mother said, stroking her forehead as if she were putting a five year old down for the night.</p>
<p>But Emily didn’t stay in bed for long.<br />
<span id="more-4299"></span></p>
<hr />
<p>She waited in the dark, crouching in the corner near her open window, hidden by the bed. The shades were up. She was holding the can of pepper spray her mother had given her for when she was allowed out after dark. In case that didn’t work, next to her was also an old baseball bat from the garage. She had gotten a bunch of smashed milk jugs from the recycling bin and placed them in front of her bedroom door to alert her when the being arrived. But mostly she intended to leap out of the ground floor window, close it, run to her parents’ window, and coax them away from the house. She had already unlocked her parents’ bedroom the window that afternoon while they were at work.</p>
<p>Time crawled. She heard her parents argue in their room, then go to bed. She listened outside for the helicopters and inside for the door to open and something to enter.</p>
<p>Finally, the helicopters approached: she could hear them far off. Her stomach fluttered.</p>
<p>They drew closer. She fixed her attention on the door, listening far into the hall for something coming toward her room. In the back of her mind she wondered how the beings managed to get in the house, but the question disintegrated into the white buzz of her fear.</p>
<p>She waited. She could hear the helicopters overhead now, moving from the west back and forth over the area. Her legs were aching from being in the same position. Something nagged the back of her throat; she stifled a cough.</p>
<p>After a while she heard a voice—somewhere outside her window, someone was speaking. She couldn’t make out the words, but someone else was yelling in reply. She recognized her father’s voice. She looked outside, saw two figures facing each other, her father and a neighbor.</p>
<p>Far off, she could see something moving strangely in the dark on the ground. The hair on her arms stood up as she tried to understand the way its body was moving. Was it the being, the alien, on its way to her bedroom?</p>
<p>Her father yelled and gesticulated wildly in the dark at the neighbor, oblivious to the thing on the ground.</p>
<p>Emily crawled out the window, the moist ground seeping through the knees of her jeans. The thing on the ground slunk or writhed closer. Afraid, she stepped towards her father, who, she realized, was about to exchange blows with the neighbor.</p>
<p>&#8220;Dad,&#8221; she said, and suddenly aware of a strange sensation—like mist that hangs in the air on damp mountaintops. &#8220;Dad?&#8221; she said again and looked to the thing behind him on the ground. Her eyes were adjusting to the pale light of the gibbous moon.</p>
<p>She realized it was a person, an actual <em>person</em>, digging in the ground. Somehow it was one of the civilians of the countries across the ocean that they had bombed; she knew it was digging in rubble looking for its child, its child caught under collapsed walls and fallen ceilings. A slow horror fell around her like snow.</p>
<p>&#8220;This is <em>my</em> property,&#8221; snarled the neighbor. &#8220;She has no right digging up my lawn.&#8221;</p>
<p>&#8220;Emily,&#8221; called the civilian whose child had been buried. It was a woman’s voice. &#8220;Come over and see what I’ve found.&#8221;</p>
<p>&#8220;I’ll protect it to the death,&#8221; said the neighbor in a menacing voice.</p>
<p>&#8220;This is our yard, Phil,&#8221; said her dad. &#8220;I bought it from the Pilgrims nearly four centuries ago.&#8221;</p>
<p>Emily went towards the woman in a daze with the nagging sense she should help her father. The mist drifting down from the sky was cool on her face, though, and drew her mind from him.</p>
<p>At the edge of the pit from which the woman had been digging out her child, Emily realized it was her own mother—not a foreigner in a distant land. She’s digging me up she thought, but the notion faded as Emily noticed the ground where her mother had lined up her findings: a clothes iron from a past era; a soggy cereal box with &#8220;Cinnamon Crunch Os!&#8221; emblazoned across the top; some over-processed store-bought cookies caked with dirt; a tarot card—she recognized two blades pointing to the top corners of the Two of Swords; a garden gnome statue; and a stack of printed pages stapled together—her presentation notes, the ones Chris had tossed away, soggy and limp now with earth. The helicopters were just overhead as her mother smiled up at her in the queer light, which transformed her features in an unsettling way. It made Emily think of the being—the one that was coming to her room. Maybe it was already there.</p>
<p>Her room. The newspapers. The mist.</p>
<p>The article on A1 about the experimental weedicide, which would be applied at night.</p>
<p>Understanding swam up through her addled thoughts.</p>
<p>The mist wasn’t a weedicide. It was something else entirely.</p>
<hr />
<p>Emily woke. She began to collect her awareness like marbles into a bag. She found herself in the woods behind her school where the druggies hid to smoke during class.</p>
<p>Fragmented memories of spray-painting lockers, of being in the chemistry lab with Lindsey and Tyler, mixing things together until noxious fumes make most scatter. Conversations: <em>Ducks are dispensed into the world from vending machines. Clocks are the handiwork of a rare species of mechanical moth from Siberia. Sundials don’t work if the light comes from Venus. Your hands will turn into shovels if you hold them under this running faucet long enough.</em> Towards the woods, then; behind her a classroom window shattering, some chairs hitting the ground, followed by laughter. She had laughed too and kept walking, into the trees.</p>
<p>Now, as she began to come down from the weedicide, she avoided other students amidst the trees. The shrieks and strange laughter and screaming she heard far off and sometimes nearby suggested other people were still enduring its effects. Unlike most people, she had only gotten a few hours of the mist before she covered her mouth with a wet towel.</p>
<p>By the time dusk was a few hours off, the haze had cleared somewhat. She even recalled she needed to get downtown, and began to walk. It took a long time: The suitcases of lives had been unpacked and repacked in the streets of Beckford. Debris—lamps and keyboards and umbrellas, everything—flung all over; stationary cars crowded the streets; a few dazed people wandering or darting through the chaos. A woman shouted up at the sky in several voices, apparently acting out a dramatic play with herself; a man sat on the curb cradling a bunch of bananas, laughing. A terrified dog darted past Emily, followed by a group of kids in pursuit. Picking her way through the mess on Fifth Street, she tripped over a bookcase and fell, concrete grinding open her knee.</p>
<p>At dusk, Emily stepped into the alleyway. The orange-amber light from the main road cast angles of light partway down the alley and lit up one side of the red couch. The coat tree threw a sinister shadow down the alley. The passage was otherwise empty, the walls teeming with manic inscriptions. Her graffitied exchange with her informant was just out of reach of the orange light, in shadow. She was going to check it out when someone in the deeper darkness down the alley stepped into the light; her flesh crawled as the person approached—a white man about fifty years of age, earth-tone clothes, bland face, hands hidden in his coat pockets. He was unremarkable, but it struck Emily as a practiced plainness, as though he had picked out his brown sweater and mushroom-colored coat specifically so they wouldn’t be remembered later.</p>
<p>He stepped around the couch and approached slowly, glancing at her and away again. When he was ten feet off, he slowed, took one hand out of his pocket. &#8220;This yours?&#8221; he said. In the dim light she could see he was holding out the Eight of Swords card, the one from her deck. She closed the distance between them and snatched it from him, stared at it.</p>
<p>&#8220;I see you really wanted to be sure to cover all your bases,&#8221; he said.</p>
<p>&#8220;I don’t…&#8221; she began, then stopped.</p>
<p>&#8220;The tag would have been enough,&#8221; he said. &#8220;Well, no harm done.&#8221;</p>
<p>She was dumbfounded, then comprehended—he, her informant, hadn’t put up the Eight of Swords tag. But if he hadn’t, nor had Chris, and of course she hadn’t—then who had? But something told her to move on. &#8220;I, I got your messages,&#8221; she said.</p>
<p>&#8220;Yes,&#8221; he said. &#8220;You understood the information?&#8221;</p>
<p>&#8220;I understand you’re trying to tell me something about the weedicide. What about the aliens?&#8221;</p>
<p>A smile flashed across his face. &#8220;There haven’t been extraterrestrials making general contact in this country for a while. Not in the last decade, anyway—they all go direct to the proving grounds out west.&#8221; A pause. &#8220;You were sent to find out about the experiment, weren’t you?&#8221;</p>
<p>Sent? Her mind raced. There had been a mistake. She had figured out something that had been intended for someone else. What would Chris tell her to do?—no, what would an investigator do—one who wasn’t afraid? &#8220;Yes,&#8221; she said, &#8220;of course. But maybe you could explain just what they were trying to accomplish in the—experiment.&#8221;</p>
<p>&#8220;Yes, well, unfortunately there was no way to get that information to you. My informant at the <em>Daily</em> had to pull the third tip article at the last minute. But you figured out they are using the weedicide as a cover. It’s mind control gas that generally wears off within twenty hours or so. Makes people accepting of whatever they see going on around them.&#8221;</p>
<p>&#8220;But it seems to induce hysteria—or hallucinations…?&#8221;</p>
<p>&#8220;Well, up until this point, they have been dialing in how to use it. It does have that effect when it’s dispersed. Like I said, it’s supposed to make people accept what they see over time, but what it’s actually done is make people slow to notice the things that they don’t have a deep investment in. But things people really feel passionate about—it doesn’t work as well on that. It makes people grow passive and uncritical, but so far they’ve not achieved the level of acquiescence they’ve been looking for.&#8221;</p>
<p>That’s what been happening—why the city was in shambles. Emily gathered herself. &#8220;What is it they are trying to make people accept?&#8221;</p>
<p>&#8220;Isn’t it obvious? Resistance to the wars is spreading. It’s becoming hard to ignore, hard to brush under the rug. The media are so dispersed and varied these days, the government is having trouble controlling the message. They’ve not been able to maintain the image there’s widespread support for the wars. The government can’t have that kind of resistance. So they are going to eliminate it. Beckford is the initial test area.&#8221; Emily’s stomach dropped. &#8220;Their next step is to up the number of applications and the amount, to try to pacify the local population. Clearly it’s working on some levels,&#8221; he said, eying the couch, &#8220;but it’s not enough. They’re going to take it further.&#8221;</p>
<p>&#8220;When?&#8221; breathed Emily.</p>
<p>&#8220;Now. Tonight or tomorrow. I assume you have your mask handy? And when they have it dialed in—when people start accepting the wars again—they will introduce the gas in wider and wider circles.&#8221;</p>
<p>&#8220;But how could they get away with that? We have civil liberties. And people will figure out something terrible is going on.&#8221;</p>
<p>&#8220;Just think: if they applied it simultaneously all over the country, it would be a watershed. All that would be needed is a national emergency to lock down the country and keep anyone from leaving or entering. What would do that, do you think?—allow them to lock down the country?&#8221;</p>
<p>Emily was stricken. It was obvious. &#8220;A massive terrorist attack.&#8221;</p>
<p>He nodded. &#8220;That’s one way. Something on par with 9/11. Immediate declaration of national emergency. Martial law.&#8221;</p>
<p>&#8220;You mean the government would do it—the attack?&#8221;</p>
<p>He nodded again. Her head swam. She felt sick. &#8220;So the whole country would be passive and, and, accept whatever the government wanted to do. Zombies.&#8221; What was his informant supposed to do with this information? What should she do with it? &#8220;Shouldn’t we tell the public immediately?&#8221; she said. &#8220;Like…now?&#8221;</p>
<p>&#8220;No, no. This has to be handled with kid gloves. My people will deal with it, and yours&#8230;&#8221; He didn’t finish the thought. &#8220;Say, you’re awfully young for this gig. How did you get wrapped up in this business? Did Robert…?&#8221; He trailed off.</p>
<p>&#8220;Who,&#8221; Emily said, her voice shaking, &#8220;who exactly…are…your people?&#8221;</p>
<p>The man studied her for a long moment, then turned to where their exchange was still inscribed on the wall. He produced a container and splashed a liquid onto the rest of their correspondence. A rainbow of paint ran down the wall.</p>
<p>&#8220;You watch yourself,&#8221; he said, his eyes lanced through with fear, the only notable thing about him. &#8220;We can figure out who you are.&#8221; He retreated down the alley the way he had come.</p>
<p>She watched him go. What should she do? Who could she tell?</p>
<p>As she left the alley, the graffiti seemed to flex and exhale behind her.</p>
<hr />
<p>She repeated the conversation over to herself as she raced through the ramshackled town, and, remembering, realized something: if there never had been actual aliens in her room—if what the man said about them was true—then what were they? Her bedroom door had always been open after each being left.</p>
<p>She thought of the things in the hole her mother had dug out back—the gnome. The presentation notes. She thought of her strangler, its smooth skin, its noseless, eye-dominated face, looking exactly as she had expected it to look. If it wasn’t really an alien visitor bent on abducting her…what if it was, somehow, herself, in the same way she must have put those things in the ground her mother dug up?</p>
<p>&#8220;That’s a pretty nasty cut,&#8221; came a voice, and Emily jumped. It was Chris, of course. He looked sweaty and tired, his hair disheveled and a smear of oil across his shirt.</p>
<p>&#8220;I tripped on a bookcase,&#8221; she said, noncommittal, not looking at him long but turning to the trail of blood below the hole in her jeans.</p>
<p>&#8220;Didn’t see you at school today,&#8221; he said.</p>
<p>A beat. &#8220;Do you even <em>remember</em> today?&#8221; she said. &#8220;Like, anything specific at all? Look around—does this seem normal to you?&#8221; Down the street, an immense, partially constructed wooden animal—a horse? a rhinoceros?—dominated the road. Far off, a horse neighed as if on cue. A record player on a building doorstep had reached the end of its record and was playing a staticky sound. In glancing around, Emily noticed some people seemed to be cleaning up the mess, putting bedlam back to rights. A man down the street was collecting debris in a soggy cardboard box—a birdhouse, an ancient lamp, a stack of wet magazines. A woman was gathering into a pile on the sidewalk the two-by-fours leftover from the Trojan Rhino.</p>
<p>Chris gazed around him and blinked, but then looked back her, face blank. &#8220;So what’s happening with your visitors?&#8221; he said, something derisive hanging unspoken in the words. &#8220;Stopped in lately?&#8221;</p>
<p>Gah. How could she break through the hold the mist had on him? &#8220;I’m beginning to get an idea of what they really are,&#8221; she said in spite of herself.</p>
<p>&#8220;Oh yeah?&#8221; A gulf yawned between them. &#8220;Well what are they?&#8221;</p>
<p>She turned and continued down the street. &#8220;An investigator doesn’t just toss away her information to anyone who asks,&#8221; she said.</p>
<p>&#8220;Is that what I am?&#8221; he said, &#8220;just someone who’s asked?&#8221; He caught up to her, walked next to her—but she wasn’t walking with him.</p>
<p>&#8220;You’re someone who didn’t think I’d have the chops to find out for myself what they are.&#8221;</p>
<p>&#8220;Em, come on. I was just being a jerk. I’d had a bad day.&#8221;</p>
<p>She slowed. &#8220;I wish you could believe me that something’s going on. Can’t you feel it? <em>See it</em>?&#8221; He didn’t offer a reply, and she reconsidered her decision for the tenth time. But no. She couldn’t let his doubt bleed into her anymore. &#8220;And what was with mocking me to my parents yesterday? All these ‘bad days’ and doubt and&#8230;&#8221; She took a breath. &#8220;Chris, actually, I think it’s best if I’m done seeing you for a while.&#8221;</p>
<p>&#8220;What?&#8221; he said. &#8220;I don’t understand.&#8221;</p>
<p>She walked faster, but he kept up with her.</p>
<p>&#8220;I’ll talk to you some other time,&#8221; she said, &#8220;I’ve got important things to take care of.&#8221;</p>
<p>He ignored her. &#8220;Did you see all the film crews around town today?&#8221;</p>
<p>She stopped. &#8220;Film crews?&#8221; If it was true, if it wasn’t a hallucination, that was good. Very good. She had another thought, reached in her pocket. &#8220;Do you know anything about this?&#8221; she said and held out the Eight of Swords.</p>
<p>&#8220;Where’d you find that?&#8221; he said.</p>
<p>&#8220;Do you know why it’s not with the rest of them at my house?&#8221;</p>
<p>&#8220;I took it—I was going to bring it back. I wanted to look up some of the imagery in it online, but I lost it—I looked everywhere for it. Where’d you find it?&#8221;</p>
<p>&#8220;It doesn’t matter,&#8221; she said. &#8220;Here.&#8221; She held the card out to him. &#8220;You can have it.&#8221; He hesitated, then accepted the card. &#8220;Keep it,&#8221; she said.</p>
<p>&#8220;It must have dropped out of my backpack…&#8221;</p>
<p>&#8220;Please don’t follow me, Chris. I’ll see you at prom, I guess,&#8221; she said, knowing she’d spend more time with Ashley and Lindsey than him. &#8220;But after that…&#8221; She shrugged and turned to go.</p>
<p>&#8220;Wait,&#8221; he said, putting out a hand to stop her. His eyes were shining, wet. &#8220;What do you mean? What about finding an apartment together?&#8221;</p>
<p>&#8220;I’m going to stay in the dorms. Maybe you should think about going to CC here in town.&#8221; She glanced down the street towards home. &#8220;Maybe I’ll see you before I leave for Boston. But I’ve got a lot to take care of the next few months.&#8221; She wanted to learn how to get out of her cages on her own. She wanted to learn how to not let herself be put in them. &#8220;See you in the fall, maybe,&#8221; she said, not with malice. She was beyond malice. She turned towards home.</p>
<p>In the distance, she could hear helicopters approaching from the west.</p>
<hr />
<p>She was lying in the dark, a surgical mask from her dad’s hospital over her face to protect her from the mist. Waiting. She reached under her pillow, touched her dirt-stained presentation notes hidden there, a talisman. She didn’t know if it was possible, but she was going to try: She was going to open the door of another cage.</p>
<p>She heard her bedroom door open, a whisper like a wave slipping onto shore.</p>
<p>A deep breath. She tried to focus on a place beyond the roar of her panic—she was still afraid of the being, though she’d made it herself to protect herself from the mist. Eight of Swords, she reminded herself. This is just a matter of Eight of Swords. She moved her hand to the lamp switch.</p>
<p>She held another image in her mind, the image of the thing with which she was going to replace the being. She filled her mind with it, filled her ears with the sound of her own cry. Her eyes were squeezed shut.</p>
<p>In the moment she accidentally thought of the being again—she thought she could sense its hand coming towards her throat—she flipped the light switch.</p>
<p>The room illumed. Upon the floor, at the open closet door that had been shut when she had gone to bed, was a garden gnome statue lying on its side.</p>
<p>It was markedly similar to the one her mother had found in the backyard, with the cheerful hat and the noble beard. Emily picked it up. He was stone, heavy and cool in her hands and grinning with universal benevolence.</p>
<p>She set him outside the window, climbed through, and carried him into the backyard, past the observation tower her father was building at this moment to keep an eye on the neighbor, past the excavation site her mother was working in, looking for evidence of atrocities, or interesting bobbles. She placed the gnome next to his twin, the one her mother had found in the ground, and rested her hand on the new one’s head as if to make him feel welcome.</p>
<p>The mist drifted down and the helicopters thrummed overhead, blotting out shifting sections of stars. Emily turned her face up to sky. What would Chris tell her to do now?</p>
<p>No—she was out of that cage. What did she think she needed to do?</p>
<p>She climbed back inside and went to her closet. She dug out a can of Banner Red Krylon. Through the metal of the can, it felt as though the paint were vibrating, maybe even purring, like a living thing. She shook off the feeling—the mist must be getting to her—and found two more cans. She put them in her backpack. Speaking up in class wasn’t the only way to be able to speak. It wasn’t even the most important. These three cans wouldn’t be enough for what she had planned for tomorrow’s film crews.</p>
<p>If she was going to let the world know what was happening, she was going to need a lot of paint.</p>
<p>The paint in the spray cans thrummed eagerly. </p>
<blockquote><p>Darja Malcolm-Clarke is a literature PhD student-turned-editor at a university press, where she works as what she terms &#8220;a book midwife&#8221;. Darja studied speculative fiction as a grad student, and in addition to her fiction publications, she has critical nonfiction about speculative fiction published in places like <em>The Journal for the Fantastic in the Arts</em>, the anthology <em>The New Weird</em>, and <em>Strange Horizons</em>.</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://thecoloredlens.com/?feed=rss2&#038;p=4299</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
